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ŠIAULIŲ DRAMOS TEATRO INTERJERO ĮRANGOS PROJEKTAS / ŠIAULIU DRAMA THEATER INTERIOR EQUIPMENT PROJECTKuprevičiūtė, Airina 02 September 2010 (has links)
Šiaulių dramos teatras, esantis miesto centre, įkurtas prieš 79 metus. Per šį laikotarpį mažai keitėsi. Laikas nuo laiko buvo vykdomi tik vidaus apdailos darbai, kurie nekeitė pradinės pastato stilistikos.
Teatro interjeras yra nuobodus, nusidėvėjęs, morališkai pasenęs. Žaibiškai tobulėjančios technologijos ir vis labiau išprususiam vartotojui norisi gražesnės, fantazijas keliančios aplinkos, kurioje jis galėtų gerai praleisti savo laisvą laiką. Dėl šios priežasties kilo mintis suprojektuoti įdomų, naujoviško požiūrio į teatrą, interjerą. Nuosekliai vystantis idėjai suprojektuojamas racionalaus interjero įrangos projektas. Preciziškas interjeras, organiškos formos jautriai įsikomponuoja pastato projekcijose. Fūturistiniame interjere pasirinktas klasikinis spalvų derinys: balta, raudona. Taip interjerui suteikiamas prabangos įspūdis. Konversijos metu pastato projektuojamos dalies funkcija nesikeičia, žmonės privalo jaustis patogiai, judėdami tiek vertikalia, tiek horizontalia kryptimi. Atsisakoma griežtų formų. Kuriama destrukcija, judėjimas. Tai bandoma įgyvendinti plastiškomis, aptakiomis formomis.
Projektuojamame interjere kuriamos dvi erdvės- reali ir atvirkštinė, kurios žmogaus pasamonę dalina į dvi dalis. Taip išskiriamas I-asis ir II-asis aukštai. I-ajame aukšte sienos formuojamos organiškai, susilieja su grindimis. Lubos - griežtos, aiškios formos. II-asis aukštas projektuojamas priešingai - sienos lygios, statiškos, lubos - organiškos, plastiškos, susilieja su... [toliau žr. visą tekstą] / Siauliai Drama Theater, located in the city center, was founded 79 years ago. From time to time only interior finishing work were made, which did not alter the original style of the building.
The theater interior is boring, worn-out, morally obsolete. Overnight evolving technologies and educated consumer want nicer, carrying a fantasy environment in which it might well spend their leisure. For this reason, the idea had designed an exciting, innovative approach to theater interior. Consistently develops the idea of a rational designed for interior design software. Precise interior, organic forms fit building projections. Futuristic interior choice of classic colors: white, red. It is awarded for interior luxury experience. The design of the building during the conversion of the function does not change, people must feel comfortable when they move both vertically and horizontally. Away from a rigid form. Development of a destruction of the movement. This is an attempt to implement soft sleek forms.
The design of interior spaces designed for two-and a real reversal of the human subconscious mind is divided into two parts. It is excreted Ist and II nd floors. I st floor walls are formed organically, merges with the floor.Ceilings - strong, clear form. IInd floor is projected on the contrary - the wall smooth, static, ceiling - an organic, plastic, merges with the walls. Illumination of the floor given the same style as in the first floor ceiling. It is human consciousness... [to full text]
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Johanno Wolfgango von Goethe's „Faustas“ ir Charles‘io Gounod „Faustas“ / Johann Wolfgang von Goethe‘s "Faust" Charles Gounod‘s "Faust" Johann Wolfgang von Goethe‘s "Faust" Charles Gounod‘s "Faust"Kupšytė, Agnė 05 August 2013 (has links)
Scenovaizdžių maketai ir kostiumų eskizai. / Scenographic models and sketches of costumes.
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Ugdymas Juozo Miltinio teatre / The education at the theatre of Juozas MiltinisBaltušnikas, Laurynas 25 May 2005 (has links)
The remarkable Lithuanian theatre director and reformer Juozas Miltinis (1907-1994) during almost forty years (1940-1979) was been the head and leader of the Panevėžys State Drama Theatre, which was founded in Lithuania at the end of 1940.
Juozas Miltinis has learned acting at Independent Republic of Lithuania, two seasons (1931-1933) was rather successfully playing at the Šiauliai State Theatre, where was subtued owing to dogmas of obsolete realism. In 1933 the restless young actor Miltinis leaved Lithuania and went to Paris. An the capital of France he entered into theatre's school „Atelje“. There his teacher was well known in Europe French director Charles Dullin. Studies were very fruitful.
Before II World War Miltinis has returned in Kaunas with his own theatre's idea. It must be realize as national intellectual and conseptional new forms theatre, based on earnest repertoire of XX century – plays of W. Shakespeare, H. Ibsen, A. Chekhov, A. Strindberg, L. Pirandello, B. Shaw, - once and for all decided Miltinis.
Miltinis realized his idea at Panevėžys States Drama Theatre with his pupils – young actors and actresses. A few of them became famous Lithuanian actors: Donatas Banionis, Bronius Babkauskas, Stasys Petronaitis, Algimantas Masiulis have played many wonderful roles as in theatre, both in Lithuania and foreign films.
Miltinis has worked out an original system of artistic education. There are organical and consistent combinations of classical and free educations'... [to full text]
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Panevėžiečių kultūrinis gyvenimas hitlerinės okupacijos metais / The cultural life in Panevėžys community during the years of Hitler occupationTervydienė, Ringailė 07 August 2013 (has links)
Magistro darbe, remiantis periodine spauda, mokslo darbais, archyviniais dokumentais ir kita archyvine medžiaga, išnagrinėtos pagrindinės panevėžiečių kultūrinio gyvenimo formos ir pabandyta nustatyti buvusius hitlerinės okupacijos metais Panevėžio miesto gyventojams prieinamus kultūros šaltinius, jų veiklos ypatumus bei poveikį miestiečiams. / The aim of this paper is to research the cultural sources available for Panevėžys community during the years of Hitler occupation. The focus in this paper is on enumerating sources of culture during this period in Panevėžys, describing their social activities, the emerged difficulties and their influence on local community.
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