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This study attempts to analyze the &lsquo / subordination&rsquo / of the Arab regional system by giving special reference to Egypt and Iraq, as the two most prominent Arab countries that challenged the established Westphalian state system in the Middle East. Through introducing the concept of &lsquo / subordination&rsquo / , the research seeks to answer the questions of &lsquo / what makes the Middle East different than other regions?&rsquo / and &lsquo / how the Middle East subordinated to the international system?&rsquo / The conduct of the thesis is based upon three interrelated discussions / systemic origins of the subordination and its main characteristics, subordination of the Middle East as sub-international regional system, and finally the case studies which testify and approve the validity and implications of the theoretical arguments that presented in the former parts of the thesis. Through the exercise of independent, original, and critical thought, this thesis aims to build on existing knowledge by using already known materials but with a new conceptualizations, design and interpretation.

This dissertation is the first detailed description and in-depth analysis of the Middle Kingdom (2055-1650 B.C.) ceramic assemblage from the archaeological site of North Abydos, Egypt. It focuses on the pottery from an area just outside the main temple of the god Osiris, which was called the “Terrace of the Great God” during this period, where many private individuals built mud-brick chapels for their commemoration. Chapter 1 provides the background information, such as the history of previous investigations of the site and the design of the present research project. Chapter 2 describes the archaeological contexts of the pottery assemblage, including the types, distribution, and chronological sequence of the memorial chapels, as well as the stratigraphic information gleaned from new archaeological excavations. Chapter 3 lays out the pottery fabric types that are attested at the site and presents the results of the quantitative analyses of various fabrics. Chapter 4 discusses the form classification system. Each morphological type is defined, illustrated, and provided with comparanda from other sites and notes on their chronological significance. This chapter also presents the results of the quantitative analyses of various forms. In Chapter 5, more specific dates are assigned to the stratigraphic phases discussed in Chapter 2 based on the ceramic evidence. Chapter 6 examines the ceramic industry at North Abydos during the Middle Kingdom and compares and contrasts it with the modes of pottery production and distribution that were practiced in the rest of Egypt during the same period. The assemblage analyzed in this study is catalogued in an appendix and illustrated in the figures. General index is provided.

This dissertation is the first detailed description and in-depth analysis of the Middle Kingdom (2055-1650 B.C.) ceramic assemblage from the archaeological site of North Abydos, Egypt. It focuses on the pottery from an area just outside the main temple of the god Osiris, which was called the “Terrace of the Great God” during this period, where many private individuals built mud-brick chapels for their commemoration. Chapter 1 provides the background information, such as the history of previous investigations of the site and the design of the present research project. Chapter 2 describes the archaeological contexts of the pottery assemblage, including the types, distribution, and chronological sequence of the memorial chapels, as well as the stratigraphic information gleaned from new archaeological excavations. Chapter 3 lays out the pottery fabric types that are attested at the site and presents the results of the quantitative analyses of various fabrics. Chapter 4 discusses the form classification system. Each morphological type is defined, illustrated, and provided with comparanda from other sites and notes on their chronological significance. This chapter also presents the results of the quantitative analyses of various forms. In Chapter 5, more specific dates are assigned to the stratigraphic phases discussed in Chapter 2 based on the ceramic evidence. Chapter 6 examines the ceramic industry at North Abydos during the Middle Kingdom and compares and contrasts it with the modes of pottery production and distribution that were practiced in the rest of Egypt during the same period. The assemblage analyzed in this study is catalogued in an appendix and illustrated in the figures. General index is provided.

Thesis (B.A.)--University of Wisconsin -- La Crosse, 2009. / Also available online. Includes bibliographical references (leaves 34-35).

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The purpose of this thesis is to analyse the relationship between religion and revolution within the context of Egyptian Islamic culture. The discussion will begin with an investigation into the evolution of revolution as a concept, from its original scientific meaning within the writings of Copernicus to its current political meaning as a radical social break with the past. It will be argued that the revolutionary ideal of escaping fate and rationally constructing the future is the driving force behind the Modern era. Faith in the capacity of humanity for self-redemption could only arise after the scientific discoveries of the Renaissance began to disrupt the static metaphysical universe of the past. The concept of social development then arose in the Enlightenment as a quest for the liberation of reason so as to construct a new society free of myth and mystery. The discussion will then attempt to demonstrate that the culture of Egypt underwent a parallel philosophical development during the nineteenth and twentieth centuries due to the importation of modern technology. In order to prove this, the military reforms of Muhammad `Ali will be compared to Hobbe's concept of the Leviathan, the journalism of Muhammad `Abduh will be placed within the traditional Islamic debate concerning the ethical relationship between reason and revelation; the cult of nationalism will be contrasted with s&dotbelow;ufi mysticism; the social project of the Nasser regime will be interpreted in light of Rousseau's conception of the liberal social contract; and the thesis will conclude with a discussion of the thought of Sayyid Qutb in terms of the failure of Modernity to fulfil the promise of the Enlightenment.

This work seeks to identify the forms and origins of Ancient Egyptian architecture and the complex historical progress which brought these to Scotland, identifying the affinities shared by both countries and their evolving role from their first arrival to the present day. The thesis follows Egypt’s first appearance in Scottish legend and its later influence, at the close of the 16th century, in the practices of organised Freemasonry, to be followed, from the second quarter of the 17th century, by numerous obelisk sundials and with the construction of the first pyramid towards its close. In the 18th century, single obelisk monuments with Masonic implications appeared, and the outstanding significance of the Scottish Enlightenment and its fascination with Antiquity are noted. That this coincided with the Grand Tour encouraged Scottish aristocrats, architects, and artists to observe, to study and to be inspired by Egyptian forms, principally in Rome, which then appeared in Scottish country house and garden. The first recorded visit of a Scot to Egypt, in 1768, led to the delayed publication of an account in 1793 and the century closed with the outbreak of the British military campaign in Egypt against Napoleon’s invading forces. The participation of Scots troops led to a new familiarity with the land and, albeit from France, there were produced the first accurate details of the country’s monuments and an ensuing enthusiasm for an ‘Egyptian Revival’. This thesis goes on to record the 19th century absorption with mourning, when the use of Egyptian symbols, aided by industrial methods of production, grew to a peak, allied to new archaeological discoveries by visiting Scots and the growth of accurate publications. These two latter, increased by the growing number of Scots who visited the country, influenced the use of Egyptian themes in a wide range of buildings, religious, domestic and industrial. The 20th century rejection of both religion and commemoration, except in acknowledgement of the sacrifice of those who gave their lives in the First and Second World Wars, led to the decline of Egyptian mourning themes and new building techniques left little place for Egyptian references which were mainly reduced to mere surface ornament. This thesis concludes with an important 21st century military example which contains within it, a unique range of Egyptian symbols of commemoration.

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