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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.

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Showing 1 to 2 of 2 (0.074 seconds)

Spelling suggestions: "subject:"edgar allen eoe"" "subject:"edgar allen ooe""

1

First-Person Narration in Edgar Allan Poe's Tales

Bost, Wallace Richard 01 1900 (has links)
For the purpose of this study, Poe's tales were read and considered carefully in chronological order, the idea being to discover growth and development. Poe's literary career was relatively brief (1832-1849), and there are no dramatic or definite breaks or periods. Though his production shows growth in sophistication and artistry, it has been deemed more instructive to group Poets first-person narrators according to the part they play in the story, that is, (1) main actor or protagonist, (2) minor character, (3) observers and (4) combinations of the foregoing three. An attempt will be made to note both variation and pattern, and hence artistic skill, in Poe Is handling of each particular type of narrator.
first person narration
Edgar Allen Poe
dramatic irony
literary technique
2

Re-igniting the Gothic: Contemporary Drama in the Classic Mode

Williams, Ian Kennedy January 2005 (has links)
While the gothic in its various interpretations is well established in contemporary culture, the traditional form, rooted in its late eighteenth century literary conventions, would seem to have little relevance for theatre audiences today. A reappraisal of the convention's foundations, however, offers the playwright opportunities to explore new narratives in which the tradition can be re-inflected in the present. An analysis of the writing of my play Burn, which presents as a contemporary family drama, will demonstrate how the narrative can be structured with deliberate reference to the established tropes of the classic gothic mode. It will be shown that a re-engagement with the tradition in concert with new interpretations of the gothic can reinvigorate the form as a mode of playwriting practice.
Contemporary theatre
drama
gothic
gothic convention
gothic mode
literature
performance
playwriting
Steven Berkoff
Tony Kushner
Errol O’Neill
Sam Shepard
Clive Bloom
F. Botting
Mark Edmundson
Eve Kosofsky Sedgwick
Edgar Allen Poe
Ann Radcliffe
Rosamond Seimon

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