Thesis--Paris. / Bibliographie en note.

Thesis (PH.D.)--Syracuse University, 2003. / "Publication number AAT 3099733."

Thesis (doctoral)--Vereinigte Friedrich-Universität Halle-Wittenberg. / Vita. Bibliography: p. [81]-86.

Thesis--Paris. / Bibliographie en note.

No description available.

Este trabalho é composto por três ensaios que buscam investigar, por meio de textos literários, elementos sobre a transmissão de um saber-fazer-com o impossível, na interface entre educação e psicanálise. Os ensaios decantam das experiências com o Armazém de Histórias Ambulantes e o Setor de Cuidados Paliativos do Hospital Nossa Senhora da Conceição em Porto Alegre (RS). O primeiro ensaio aborda os livros que compõem o projeto O Bairro, de Gonçalo M. Tavares, e traz a noção de errância para estabelecer uma proposição metodológica. O segundo ensaio retoma a obra de Herman Melville, Bartleby, o escrevente: uma história de Wall Street, articulando a ideia de paragem como um espaço que suspende um tempo e uma urgência no fazer, interrompendo a consequência antecipada e deixando surgir o que é contingente. Já o terceiro ensaio atualiza elementos da obra A desumanização, do escritor português Valter Hugo Mãe, e tem a alteridade como chave de leitura, alteridade que imanta um campo onde emerge a possibilidade de inventar um saber-fazer-com. Esses ensaios operam como um laboratório de experiências em que a ficção, o ato e a criação seguem na direção de pensar a literatura como um modo de transmissão de um saber- -fazer-com diante do impossível. / This work consists of three essays that seek to investigate, through literary texts, elements that can transmit a know-how-with the impossible, at the interface between education and psychoanalysis. The essays enhance from experiences with the Itinerant Stories Warehouse and the palliative care sector of Hospital Nossa Senhora da Conceição in Porto Alegre – RS. The first essay explores the books that compose the project The Neighborhood, by Gonçalo M Tavares, and explores the notion of wandering to establish a methodological proposition. The second incorporates the work of Herman Melville, Bartleby, the scribe: a story of Wall Street, to articulate the idea of stopping time as a space-time that suspends the time and the urgency in doing, interrupting the early consequence and letting arise what is contingent. The third explores elements in Valter Hugo´s The dehumanization, and suggests the otherness as a key reading; otherness that connects to the field where emerges the possibility of inventing a know-how-with. These essays operate as a laboratory of experiments in which the fiction, the act and creation, follow in the direction of thinking about the literature as a way of transmitting a know-how-with towards the impossible.

My dissertation examines literary portraits of education in French- and Arabic-language literature from the Maghreb. The texts that I study recount their protagonists' experience, as students or teachers, in the school system following independence in Morocco, Algeria and Tunisia. I focus, in particular, on debates relating to the "Arabization" of education. Arabizing education in the Maghreb was considered a fundamental act of decolonization, yet its promotion of a single national language provoked much criticism. I examine how authors use literary depictions of the classroom to treat critical topics surrounding language policy, national identity projects, the legacy of the colonial past, and the future of the education system. The chapters of this work explore four critical issues in discussions of education: the relationship between "colonial" and "postcolonial" education systems, the place of Amazigh (Berber) minorities in an Arabized education system, the effect of education on gender dynamics, and the "economics of education" which exclude many students from social mobility. This work examines thirteen literary texts, seven written in French and six in Arabic: `Abd al-Ghani Abu al-`Azm's Al Darih and Al al Darih al-akhar, Leila Abouzeid's Ruju' ila al-tufulah and Al- Fasl al-Akhir, Wahmed Ben Younes's Yemma, Karima Berger's L'enfant des deux mondes, Maissa Bey's Bleu blanc vert, Wahiba Khiari's Nos silences, Fouad Laroui's "L'Etrange affaire du cahier bounni," Mohamed Nedali's Grâce à Jean de la Fontaine!, Brick Oussaïd's Les coquelicots de l'oriental, Habib Selmi's Jabal al-`anz, and Zohr Wanissi's Min Yawmiyat Mudarrisah Hurrah. I adopt a comparative disciplinary approach, connecting the literary form of works to a larger discussion of the social roles of literature. I argue that the texts I examine are all concerned with the tension inherent in using the literary form to engage in discussion, and often critique, of the educational institutions that provide conditions for literature's existence. My dissertation elucidates the stakes of this complicated relationship between education and literature in the Maghreb, asking how it is continuing to evolve. There is a marked anxiety in each of these works as to whether the student will become a reader of the literary text. This anxiety colors approaches to all of the issues that surround education, and brings into question the place of literature in contemporary Maghrebi cultures.

This thesis documents the development of nineteen student-teachers in becoming teachers of Maltese literature, initiated in a methodology study-unit over one academic year. Drawing on reader-response theories, and coupled with insights from reflective practice and assessment for learning, this study traces trajectories taken by student-teachers as they gradually move from a text- or subject-bound culture towards a more student- or response-centred approach. Methodologically, this thesis is an action-research project embracing a bricolage stance. The main analysis draws on the lecturer-researcher’s and the student-teachers’ experiences in a dialogical way. A number of reflective tasks were employed to make explicit the meandering thought processes that were taking place and shape during the duration of the study-unit. Different topics essential to any prospective teacher of literature were also critically examined. These issues were realised during a six-week block teaching practice, with some of the experiences collected in an ad hoc portfolio. Towards the end, six perspectives are analysed to illustrate broad themes and significant vignettes of what this transition entails. While mainly respecting traditional academic format, parts of the thesis are written in non-canonical genres, thus expressing an essentially exploratory, experimental approach.

This thesis attempts to prove that Walter Kempowski writes historical fiction. For this reason he should be considered an important 20th century German author. This contention is based on the presence of historical references regarding the topic of Erziehung in the Kempowski Familienchronik.

Inaug.-Diss.--Bonn. / Vita. Bibliography: p. 9-25.