In Haram City, amidst Egypt's 2011-2013 revolutionary period, two visions of the city in the Global South come together within shared walls. In this private suburban development marketed as affordable housing, aspirational middle class homebuyers embellish properties for privilege and safety. They also come to share grounds with resettled urban poor who transform their surroundings to sustain basic livelihoods. With legality in disarray and under private administration, residents originally from Duweiqa - perhaps Cairo's poorest neighbourhood - claim the right to squat vacant homes, while homebuyers complain of a slum in the gated community. What was only desert in 2005 has since become a forum for vivid public contestation over the relationship between morality, ownership, and order in space - struggles over what ought to be common in a compound. This ethnography explores residents' own legal geographies in relation to property amidst public-private partnership urbanism: how do competing normative discourses draw community lines in the sand, and how are they applied to assert ownership where the scales of 'official' legitimacy have been tipped? In other words: in a city built from scratch amidst a revolution, how is legality invented? Like the compound itself, sections of the thesis are divided into an A-area and a B-area. Shifting from side to side, four papers examine the lives of squatters and then of homeowners and company management acting in their name. Zooming in and out within sides, they depict discourses over moral ownership and then interpret practices asserting a concomitant vision of order. First, in Chapter 4, squatters invoke notions of a moral economy and practical virtue to justify 'informal' ownership claims against perceptions of developer-state corruption. Next, Chapter 5 illustrates how squatters define 'rights' as debt, a notion put into practice by ethical outlaws: the Sayi' - commonly meaning 'down-and-out' or 'bum' - brokers 'rights' to coordinate group ownership claims. Shifting sides, Chapter 6 observes middle class homeowners' aspirations for "internal emigration" to suburbs as part of an incitement to propertied autonomy, and details widespread dialogue over suburban selfhood in relationship to property, self-interest, and conviviality. Lastly, Chapter 7 documents authoritarian private governance of the urban poor that centres on "behavioural training." Free from accountability and operating like a city-state, managers simulate urban law to inculcate subjective norms, evoking both Cairene histories and global policy circulations of poverty management. Towards detailing how notions of ownership and property constitute visions and assertions of urban law, this project combines central themes in ethnographies of Cairo with legal geography on suburbs of the Global North. It therefore interrogates some key topics in urban studies of the Global South (gated communities, affordable housing, public-private partnerships, eviction-resettlement, informality, local governance, and squatting), as Cairo's 'new city' urban poor and middle classes do themselves, through comparative principles and amidst promotion of similar private low-income cities internationally. While presenting a micro-history of one project, it is also offers an alternative account of 2011-2013 revolutionary period, witnessed from the desert developments through which Egyptian leaders habitually promise social progress.

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This thesis contributes to knowledge in the field of medical anthropology, particularly in Egypt and the Middle East, in two specific ways. First, the thesis demonstrates how a limited focus on kinship and micro social relations precludes a full understanding of the life experiences of people, especially at times of illness. The thesis shows that these conceptual limitations stem from a romanticized view of Egyptian culture---a view that poorly corresponds to the contemporary Egyptian situation. The thesis proposes that social networks And the ground between micro and macro social associations need to be incorporated into future studies of medical anthropology in general, and in Egypt and the Middle East in particular. Second, the thesis demonstrates how cultural values linked to the diversity of social classes and unequal access to social and financial capital shape illness experience. It is argued that access to biomedical services is a social manifestation of culturally constructed subcultures where kinship, social networks, and social hierarchy produce the current inequalities in well-being among inhabitants of modern Egypt. A cultural and social analysis grounded in the history of Egyptian modernity is pursued here to better understand current inequality in social and physical well-being. Space, aesthetics, religion, network affiliation, and other factors constitute essential elements of this analysis. The thesis proposes integrating a study of the cultural manifestations of the production of social inequality into all future studies of illness in Egypt and the Middle East. It is concluded that a culture of social distinctions and discrimination prevails, and that such a culture shapes social relations and illness experience. Unless this culture is understood and addressed, there is little hope for an equal distribution of resources for well-being among Egyptians.

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The ancient Egyptians were famous for their exotic and luxury perfumes in the ancient world, even having cities that specialised in perfume production in the Ptolemaic Period, when they exported these perfumes all over the Mediterranean. They produced these perfumes, and other scented preparations, from aromatic plants, fats and oils. The deities were fragrant beings, imbued with the divine essence, and perfume was considered by the Egyptians to be the sweat of the god Ra. Some deities were specially linked to perfume, one of the most important being Nefertem, god of perfume and of the primordial fragrant blue lotus flower. Incense was to the Egyptians the ‘eye of Horus’, burnt as an offering to the deities in temples. Aromatic plant material was stored in perfume/unguent ‘laboratories’, and perfumers’ workshops produced the precious perfumed oils and unguents, used in the funerary context, rituals, ceremonies, festivals and banquets. / History / M.A.

The ancient Egyptians were famous for their exotic and luxury perfumes in the ancient world, even having cities that specialised in perfume production in the Ptolemaic Period, when they exported these perfumes all over the Mediterranean. They produced these perfumes, and other scented preparations, from aromatic plants, fats and oils. The deities were fragrant beings, imbued with the divine essence, and perfume was considered by the Egyptians to be the sweat of the god Ra. Some deities were specially linked to perfume, one of the most important being Nefertem, god of perfume and of the primordial fragrant blue lotus flower. Incense was to the Egyptians the ‘eye of Horus’, burnt as an offering to the deities in temples. Aromatic plant material was stored in perfume/unguent ‘laboratories’, and perfumers’ workshops produced the precious perfumed oils and unguents, used in the funerary context, rituals, ceremonies, festivals and banquets. / History / M.A. (Ancient Near Eastern Studies)

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