abstract: Performing the Electrical traces the histories and futures of electrical discovery and knowledge through cultural performances, socio-political assemblages, and the more-than-human worldmaking functions of energy in general and electricity in particular, or what I refer to as energy-as-electricity. This project seeks to transform how energy-as-electricity is perceived, and thereby to re-vision the impact that energy-rich relationships might have ecologically—in both the social and environmental senses of the word. As a practice-led inquiry I use my scenographic sensibilities in combination with performance studies and energy humanities lenses to identify how energy-scapes form through social performances, material relations, and aesthetic/ritualistic interventions. This approach allows me to synthesize vastly different scales of energy-as-electricity performatives and spatialities and propose alternative framings which work towards decolonizing and re-feminizing energy-rich relationships. This research considers the way power flows, accumulates, and transforms through performance as embodied expression, practice and eventful doings of human and more-than-human agents. It asks: if place is practiced space (Henri Lefebvre), how can decolonizing and re-feminizing energy-rich relationships transform normative power relationships (or power geometries, as cultural geographer Doreen Massey refers to such globalized interconnections)—which are formed through electricity, technologies and colonial-capitalism? I ground this inquiry as an ecological intervention in order to investigate how performing with electricity differently (both in collective imaginations and quotidian interactions), can change the ways that electricity is produced and consumed in the time of the Anthropocene, Capitalocene, and Plasticene. The following study produces written and tacit knowledge that expands the framing of energy-rich relationships shared between human and more-than-human performatives. My provocation is that experiential encounters are critical for expanding the ontological plurality of energy-as-electricity with ecological a/effect. Drawing on the insights of performance scenographer Rachel Hann, I demonstrate that scenographic methodologies in an expanded field, along with embodied sensing, provide productive insights into this endeavor of expansion. This project both serves as a space making/space keeping provocation and offers a methodology for devising more desirable futures. / Dissertation/Thesis / Doctoral Dissertation Performance 2020

abstract: This dissertation examines cultural representations that attend to the environmental and socio-economic dynamics of contemporary water crises. It focuses on a growing, transnational body of “hydronarratives” – work by writers, filmmakers, and artists in the United States, Canada, and the postcolonial Global South that stress the historical centrality of water to capitalism. These hydronarratives reveal the uneven impacts of droughts, floods, water contamination, and sea level rise on communities marginalized along lines of race, class, and ethnicity. In doing so, they challenge narratives of “progress” conventionally associated with colonial, imperialist, and neoliberal forms of capitalism dependent on the large-scale extraction of natural resources. Until recently, there has been little attention paid to the ways in which literary texts and other cultural productions explore the social and ecological dimensions of water resource systems. In its examination of water, this dissertation is methodologically informed by the interdisciplinary field of the energy humanities, which explores oil and other fossil fuels as cultural objects. The hydronarratives examined in this dissertation view water as a cultural object and its extraction and manipulation, as cultural practices. In doing so, they demonstrate the ways in which power, production, and human-induced environmental change intersect to create social and environmental sacrifice zones. This dissertation takes an interdisciplinary environmental humanities approach, drawing on fields such as indigenous studies, political ecology, energy studies, cultural geography, and economic theory. It seeks to establish a productive convergence between environmental justice studies and what might be termed “Anthropocene studies.” Dominant narratives of the Anthropocene tend to describe the human species as a universalized, undifferentiated whole broadly responsible for the global environmental crisis. However, the hydronarratives examined in this dissertation “decolonize” this narrative by accounting for the ways in which colonialism, capitalism, and other exploitative social systems render certain communities more vulnerable to environmental catastrophe than others. By attending to these issues through problem water, this dissertation has significant implications for future research in contemporary, transnational American and postcolonial literary studies, the environmental humanities, and the energy humanities. It demonstrates the potential for a focus on representations of resources in literary texts and other cultural productions to better grasp the inequitable distribution of environmental risk, and instances of resilience on a rapidly changing planet. / Dissertation/Thesis / Doctoral Dissertation English 2018

Ecocentrism is a philosophical position developed in the field of environmental philosophy that offers an alternative view of the complex relationships between humans and the nonhuman world. This dissertation develops an ecocentric philosophy of energy in order to account for a wider set of ethics and values dimensions involved in energy politics. It focuses especially on inter-species justice as a crucial missing element behind even those energy policies that seek to transition society from fossil fuels to renewable energy sources. The goal is to develop an ecocentric philosophy of energy that accounts for the fundamental and deep ecological interdependences of human and nonhuman animals, plants, and other living and non-living beings. I start with an introduction and a summary of the chapters followed in chapter 2 by a clarification of the terms "paradigm" and "energy." In chapter 3 I offer an exploration of the origins of the "energy paradigm" or the predominant understanding of energy that emerged during modernity (18th century onwards). The modern energy paradigm progressively became a "traditional" forma mentis that is nonetheless based on flawed presuppositions about the human-energy-nature relationship. I criticize the homogeneous, colonizing and hegemonic nature of this paradigm, unveil its tacit anthropocentric and instrumental assumptions, and show how it still fuels contemporary lifestyles and policy. Chapter 4 presents a literature review that traces the most significant contributions from the humanities (broadly construed to include social sciences such as anthropology and sociology) to the study of energy. In this chapter, I also focus on the scarcer yet relevant literature on energy's metaphysical, ontological, and ethical dimensions. In chapter 5 I develop the theory of a radical, ecocentric philosophy of energy, building on the work of other ecocentric thinkers such as Holmes Rolston III, J. Baird Callicott, and Arne Naess. Chapter 6 suggests paths towards the realization, in praxis, of this ecocentric philosophy of energy. It provides the sketch of an "ecocentric energy ethic" to enhance an ecologically sustainable and inter-species just energy transition. This normative framework is intended as a flexible and nonetheless precise "moral compass" that supports an ecocentric turn in the human-energy-nature relationship. The energy ethic outlines key principles to evaluate the "morality" of energy policies, practices, and technologies. These principles can provide ethical guidance to energy practitioners (engaged consumers, energy users, educators, designers, and public policy makers) and thus contribute to the theoretical and practical achievement of an ecologically sound and inter-species just energy transition.