Thesis (Ph. D.)--University of Notre Dame, 2003. / Thesis directed by Harold W. Attridge and Mary Rose D'Angelo for the Department of Theology. "December 2003." Includes bibliographical references (leaves 284-301).

L'objectif de cette étude est de comprendre le phénomène d'acculturation religieuse et son évolution en Carie, à travers les épiclèses de Zeus ainsi que les cultes et les représentations qui y sont associés. Ce travail privilégie une approche pluridisciplinaire de l'ensemble des données liées aux lieux de culte. Il nous amène à articuler toutes les sources à notre disposition en faisant appel aux diverses disciplines de l'archéologie, ainsi qu'à la philologie, l'épigraphie, la numismatique et l'iconographie, afin de mettre en place un réseau de connaissances associant l'histoire des religions et l'archéologie du culte. Cette approche a pour but de reconstituer le plus objectivement possible la vie religieuse carienne et son paysage religieux. Il s'agit d'étudier l'interaction entre les pratiques et les représentations pour comprendre le lien entre la dimension spatiale des faits religieux et la perception qu'en avaient les anciens. Ce travail de recherche s'interroge également sur les échos entre les cultes et la symbolique des éléments qui les composent. Pour chaque Zeus, il est ainsi nécessaire de déterminer le sens à donner à l'épiclèse et aux représentations qui leur sont associées et de comprendre le contexte cultuel dans lequel ils ont évolué. À travers l'étude de la figure jovienne, dont l'attribut est devenu le symbole du territoire, c'est le fonctionnement du système religieux carien dans son ensemble qui est mis en lumière. Le croisement des diverses données permet enfin d'appréhender le phénomène d’acculturation en Carie. L'objectif est de déterminer les contacts continus et directs que des cultures différentes ont eu et les modifications qu'elles ont entraînées dans les modèles culturels initiaux des divers groupes. Il convient donc de distinguer les permanences et les innovations qui se manifestent au sein de la vie religieuse dans la région. De nombreux éléments préhelléniques sont ainsi notables dans cette région particulièrement conservatrice, permettant parfois d'identifier des traces de continuité ou de réappropriation entre les cultes anatoliens et grecs. / The objective of this study is to understand the religious acculturation and changes in Caria, through Zeus' epicleses, cults and representations associated with it. This work emphasizes a multidisciplinary approach to all data related to places of worship. It leads us to articulate all the sources available to us through the use of various disciplines of archeology as well as philology, epigraphy, numismatics and iconography, to establish a knowledge network linking religious history and archeology of worship. This approach aims to reconstruct objectively as possible the Carian religious life and religious landscape. This is to study the interaction between practices and representations to understand the relationship between the spatial dimension of religious facts and the perception of them old. This research also questions the echoes between cults and symbolic elements that compose them. Each Zeus, it is thus necessary to determine the meaning of the epiclesis and representations associated with them and understand the cultic context in which they evolved. Through the study of the Jovian figure, whose attribute has become the symbol of the territory, the operation of the Carian religious system as a whole is revealed. The crossing of the various data finally allows us to understand the phenomenon of acculturation in Caria. The aim is to identify ongoing and contacts that different cultures have had and the changes they generated in the original cultural patterns of various groups. It is therefore necessary to distinguish the continuities and innovations that occur in the religious life in the region. Many pre-Hellenic elements are thus particularly notable in this conservative region, sometimes to identify traces of continuity or reappropriation between the Anatolian and Greek cults.

Pretendo elaborar uma edição comentada dos Hinos órficos (HO), um compêndio de 88 hinos cléticos, compostos entre os sécs. 2-4 d.C., partindo do texto estabelecido por Quandt (1955) e confrontando-o com as propostas de Ricciardelli (2000), Morand (2001) e Fayant (2014). Este projeto é uma tentativa de instigar a formação de tradição filológica de estabelecimento de texto, aparato crítico e comentários pormenorizados nos estudos clássicos no Brasil. Planejo realizar críticas pontuais do texto grego e apresentar algumas soluções válidas, mas tendo sempre como apoio o texto já consolidado de Quandt. Proponho também um estudo aprofundado, no qual debato: i) a autoria e datação desses poemas; ii) a sua provável ocasião de performance, com base em uma abordagem empírica do texto e uma apreciação do status quaestionis sobre o tema; iii) os elementos órficos e sincréticos dos HO; iv) a estrutura e disposição dos hinos dentro da coletânea; v) tipologia hínica e eficácia epiclética; vi) a linguagem e estilo, assim como a prosódia e métrica dos HO (fraseologia, epítetos, figuras empregadas). Como de praxe nesse tipo de estudo, os comentários serão feitos após o texto original, verso a verso. / I intend to elaborate an annotated edition of the Orphic Hymns, a compendium of 88 cletic hymns composed between the second and fourth centuries AD, based on the text established by Quandt (1955) and comparing it with Ricciardelli\'s (2000), Morand\'s (2001) and Fayant\'s (2014) texts. This is an attempt to instigate a philological tradition of text establishment, critical apparatus and detailed comments in classical studies in Brazil. My intent is to present some valid solutions to a number of passages, but always based on Quandt\'s already consolidated text. I also propose an in-depth study, in which I debate: i) the authorship and dating of these poems; ii) the probable time of performance, based on an empirical approach of the text and an appreciation of its status quaestionis; iii) the Orphic and syncretic elements in these compositions; iv) the structure and arrangement of the hymns in the collection; v) hymnic tipology and epicletic effectiveness; vi) the language and style, as well as the prosody and metric of Hymns (phraseology, epithets, used figures). As usual in this type of study, comments will be made after the original text, verse by verse.

Pretendo elaborar uma edição comentada dos Hinos órficos (HO), um compêndio de 88 hinos cléticos, compostos entre os sécs. 2-4 d.C., partindo do texto estabelecido por Quandt (1955) e confrontando-o com as propostas de Ricciardelli (2000), Morand (2001) e Fayant (2014). Este projeto é uma tentativa de instigar a formação de tradição filológica de estabelecimento de texto, aparato crítico e comentários pormenorizados nos estudos clássicos no Brasil. Planejo realizar críticas pontuais do texto grego e apresentar algumas soluções válidas, mas tendo sempre como apoio o texto já consolidado de Quandt. Proponho também um estudo aprofundado, no qual debato: i) a autoria e datação desses poemas; ii) a sua provável ocasião de performance, com base em uma abordagem empírica do texto e uma apreciação do status quaestionis sobre o tema; iii) os elementos órficos e sincréticos dos HO; iv) a estrutura e disposição dos hinos dentro da coletânea; v) tipologia hínica e eficácia epiclética; vi) a linguagem e estilo, assim como a prosódia e métrica dos HO (fraseologia, epítetos, figuras empregadas). Como de praxe nesse tipo de estudo, os comentários serão feitos após o texto original, verso a verso. / I intend to elaborate an annotated edition of the Orphic Hymns, a compendium of 88 cletic hymns composed between the second and fourth centuries AD, based on the text established by Quandt (1955) and comparing it with Ricciardelli\'s (2000), Morand\'s (2001) and Fayant\'s (2014) texts. This is an attempt to instigate a philological tradition of text establishment, critical apparatus and detailed comments in classical studies in Brazil. My intent is to present some valid solutions to a number of passages, but always based on Quandt\'s already consolidated text. I also propose an in-depth study, in which I debate: i) the authorship and dating of these poems; ii) the probable time of performance, based on an empirical approach of the text and an appreciation of its status quaestionis; iii) the Orphic and syncretic elements in these compositions; iv) the structure and arrangement of the hymns in the collection; v) hymnic tipology and epicletic effectiveness; vi) the language and style, as well as the prosody and metric of Hymns (phraseology, epithets, used figures). As usual in this type of study, comments will be made after the original text, verse by verse.