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Thesis (Ph. D.)--Duke University, 2004. / Includes bibliographical references (leaves 331-345). Also available on the Internet.

This Ph.D. thesis is based on ethnographic fieldwork carried out amongst Muslims of Malian origin in Bouaké, Côte d'lvoire, between February 1993 and June 1995. The dissertation is concerned with the description of processes of identification in the context of urban life and international migration within West Africa. The investigation focused on these processes as they unfold in Islamic youth associations, female place-of-origin associations, madrasas (Islamic schools), and compound life. Marriage practices, the sociohistorical construction of age groups and gender, and the negotiation of differing worldviews are central to the analysis. In the thesis I argue that in the contemporary sociopolitical scene in Côte d'lvoire, Muslims of Malian origin identify with two ensembles of ethnic labels: the Dioula label and several identity labels tied to places of origin in Mali. However, for a number of young men and women, Islam, rather than ethnicity, plays a central role in their self-identity and their sense of belonging. This argument requires an examination of the respective influences of the life course and of patterns of social change in these processes of identification. In order to support this argument, I describe the politics of identity in Côte d'lvoire in the post-Houphouët-Boigny period, elements of social change over the past thirty years affecting Islamic institutions and the educational trajectories of young men and women, and the logic of marriage practices in an urban setting marked by ethnic heterogeneity. The empirical chapters of the thesis analyse versions of Islam produced within Islamic youth associations and the negotiation of conflicting worldviews in the life trajectories of Muslim women.

abstract: My thesis argues that an unrecognized genre existed in classical Chinese painting, one which I call “ethnic" or "minority painting.” The genre of ethnic painting consistently displays certain styles and cultural values and is meant to represent unique ethnic identities. These ideas have not been substantially covered by previous research on Qing dynasty painting. My research raises three main questions: was there a distinct genre in traditional Chinese painting that could be called “ethnic art” (or "minority art")? How did ethnic art distinguish itself within Chinese painting? What were the ethnic identities presented by minority artists from ethnic groups within and outside of China? The materials used for this research include a close visual study of six paintings by Lang Shining (Giuseppe Castiglione) from the Cleveland Museum of Art, the Munich Residenz in Germany and the Musée Guimet in France. / Dissertation/Thesis / Masters Thesis Art History 2019

The politicization of ethnic diversity has long been regarded as perilous to ethnic peace and national unity, its detrimental impact memorably illustrated in Northern Ireland, former Yugoslavia or Rwanda. The process of indigenous mobilization followed by regional mobilizations in Bolivia over the past decade has hence been seen with some concern by observers in policy and academia alike. Yet these assessments are based on assumptions as to the nature of the causal mechanisms between politicization and ethnic tensions; few studies have examined them directly. This thesis systematically analyzes the impact of ethnic mobilizations in Bolivia: to what extent did they affect ethnic identification, ethnic relations, and national unity? I answer this question through a time-series analysis of indigenous and regional identification in political discourse and citizens’ attitudes in Bolivia and its department of Santa Cruz from 2000 to 2010. Bringing together literature on ethnicity from across the social sciences, my thesis first develops a framework for the analysis of ethnic change, arguing that changes in the attributes, meanings, and actions associated with an ethnic category need to be analyzed separately, as do changes in dynamics within an in-group and towards an out-group and supra-group, the nation. Based on this framework, it examines the development of the two discourses through a qualitative analysis of anthropological accounts, news reports, and expert interviews. In both discourses, the unity of the respective in-group is increasingly stressed, before diverging conceptions become ever more prominent. Finally, my thesis quantitatively examines changes in in-group identification, out-group perception, and national unity, using survey data collected by the Latin American Public Opinion Project over the decade. It finds changes in identification that can be clearly linked to political mobilization. More citizens identify as indigenous and Cruceño, respectively, and do so more strongly than before. Yet identification then decreases again, concomitant with the growing divisions in discourse. Moreover, the rise in identification is not associated with a rise in out-group antagonism or a drop in national unity. On the contrary, the latter has increased steadily among all Bolivians. Besides shedding light on ethnic relations in Bolivia, this analysis thus also contributes to the wider debate on the effects of ethnic politics. It shows that identifications do indeed change in response to mobilizations, that they do so more quickly than expected and not necessarily in the manner as expected, demonstrating that it is necessary to carefully distinguish different elements of ethnicity.

Anotation Most available studies dedicated to the identity of Roms fail to give a sutisfactory reply to some questions given by the social reality. The reason why lies in the fact that they explore the Romany identity based on culture and culture border studies. This work based on the biographical research is mapping the identity of Roms from the point of view of the participants themselves and their experience. It is focused on factors playing an imortant role when creating and reproducing the Romany identity and when giving meanings to it by its bearers themselves. The work shows that even the absence of any shared culture and social relations in the frame of the broader community it is possible to consider an etnic Romany category since it is is presented as the category not only by the Roms themselves, but by the majority society, which has a real impact on everyday live of each individual who is classified as a Rom.

Thesis (M.A.)--Catholic Theological Union at Chicago, 2007. / Abstract and vita. Includes bibliographical references (leaves 154-170).

Thesis (Ph. D.)--University of California, San Diego, 1998. / Vita. Includes bibliographical references (leaves 563-608).

Thesis (M.A.)--Catholic Theological Union at Chicago, 2007. / Abstract and vita. Includes bibliographical references (leaves 154-170).

Thesis (D.Phil.)--University of Oxford, 2009. / Supervisor: Dr Stephen Fisher. Bibliography: leaves 249-268.