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Egakenai : relatos de un dibujo animado en el mundo del arteQuiroz Quiroz, Yordan January 2018 (has links)
Memoria para optar al título profesional de Pintor
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The Buddhist Worldview of Neon Genesis Evangelion: Positioning Neon Genesis Evangelion in a Japanese Cultural ContextVaughan, Cassandra N. January 2009 (has links)
No description available.
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Aesthetics of Destruction: Music and the Worldview of Ikari Shinji in Neon Genesis EvangelionHoffer, Heike January 2012 (has links)
Director Anno Hideaki's series Neon Genesis Evangelion caused a sensation when it first aired on TV Tokyo in 1995 and has become one of the most influential anime ever made. Since its premiere, fans across the globe have debated the possible interpretations of the complex plot, but little has been said about how composer Sagisu Shiro's score might contribute to understanding the series. Anno's rehabilitation in a Jungian clinic and subsequent personal study of human psychology plays heavily into understanding the main character Ikari Shinji, and music has much to contribute to appreciating Shinji's view of the world. Shinji is an impressionable fourteen-year old boy, so his musical interpretations of the people and things around him do not always match reality. Sagisu's music gives the viewers welcome insight into Shinji's thoughts and feelings as he matures throughout the series.
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Light of the World: A Performer’s Guide to Mario Castelnuovo-Tedesco’s Evangélion Op. 141Ho, Jeremy 25 May 2023 (has links)
No description available.
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<i>Sekai-kei</i> as Existentialist Narrative: Positioning <i>Xenosaga</i> within the Genre Framework.Thomas, Stefanie 09 July 2014 (has links)
No description available.
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