Includes Organisational Culture Inventory (OCI) and 6 item subscales adapted from the OCI as appendices. Bibliography: leaves 240-255. Investigates the culture of isolated Australian Antarctic stations using qualitative and quantitative research methods. The research also investigated the assessment of person-culture fit within the context of Antarctic station life and culture. Five studies were undertaken on returned Australian Antarctic expeditioners and the results reflect a historical overview of Antarctic station culture from 1950 to 1999.

Includes Organisational Culture Inventory (OCI) and 6 item subscales adapted from the OCI as appendices. / Bibliography: leaves 240-255. / xv, 255 leaves : ill. (some col.) ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Investigates the culture of isolated Australian Antarctic stations using qualitative and quantitative research methods. The research also investigated the assessment of person-culture fit within the context of Antarctic station life and culture. Five studies were undertaken on returned Australian Antarctic expeditioners and the results reflect a historical overview of Antarctic station culture from 1950 to 1999. / Thesis (Ph.D.)--University of Adelaide, Dept. of Psychology, 2002

This thesis is about the historical geography of scientific knowledge production at sea. It focuses on three expeditions of exploration and discovery undertaken, respectively, by France, the United States of America, and Britain, that in the late 1830s sailed into the southern oceans. These voyages marked the last such expeditions to travel by sail alone and came before an acknowledged period of specialized interest in investigating the oceans and the marine environment, exemplified by the sailing of HMS Challenger in 1872. The expeditions share a commonality of period and of destination: their study together provides a hitherto overlooked opportunity to analyse practices of experimentation on, and investigation of, the natural history and physical properties of the marine environment that were integral to the construction of scientific knowledge about the oceans at that time. By attention to archival records, personal correspondence, diaries, published travel narratives and representations of marine phenomena in the form of illustrations, sketches, preserved specimens and displays of numerical material, this thesis examines quotidian shipboard practices to show how the production of scientific ‘facts’ was a matter of constant negotiation between people, weather, instruments and vessels – that occurred as a by-product of the running of the ship as well as of more defined programmes of study by civilian naturalists and naval staff. Informed by work in the history of science, Science and Technology Studies (STS) and Actor-Network Theory (ANT), this thesis highlights how attending to practice in the ambiguous, heterotopic space that was the expedition vessel can reveal the origins of a new, specialized, discipline: what I call here a proto-oceanography. This covers those scientific practices undertaken primarily at sea and from the ship: depth measurement, sea temperature and chemistry, the height of waves, collection of marine specimens and coastal topography, but not those primarily land-based activities such as astronomy, meteorology and terrestrial magnetism. By focusing on work carried out on board ship rather than on land, this thesis offers new insights into the practices of marine investigation and experimentation and the complexities of interrogating a space which was visualised primarily through instruments. This thesis examines how at-sea cultures of collection, measurement and representation can inform geographically nuanced analyses of the production of scientific knowledge.

Em meio às distintas orientações que atribuem ao termo paisagem um variado conjunto de acepções, este trabalho disserta sobre a paisagem como experiência estética da natureza e tem como objetivo promover a identificação desta associação em um contexto específico, a obra Viagem pelo Brasil, de Carl Friedrich von Martius e Johann Baptiste von Spix, naturalistas que integraram a Missão Austríaca e percorreram o território brasileiro entre os anos de 1817 e 1820. Baseada em conceitos teóricos que compreendem a paisagem enquanto vivência e representação sensíveis da natureza, esta pesquisa versa sobre os parâmetros que justamente permitem compreender a experiência paisagística no âmbito da sensibilidade, ocupando-se, durante o trajeto que nos conduz ao texto de Martius e Spix, de demais questões sintonizadas com o ideário dos viajantes e, sobretudo, com a experiência estética da natureza. Neste caso, igualmente discorremos sobre a paisagem enquanto gênero pictórico, o pensamento estético-científico e demais aspectos relativos às questões propriamente estéticas vigentes entre os séculos XVIII e XIX, estendendo tanto a compreensão sobre a maneira como consideramos a paisagem no presente estudo quanto sua expressão no referido relato de viagem. Finalmente, destacamos que este trabalho não somente oferece subsídios ao entendimento da paisagem como um acolhimento sensível da natureza, mas também evidencia os desdobramentos dessa relação, tangenciando a essência da experiência paisagística circunscrita nos domínios da estética, relacionada à conformação de unidades que, contudo contidas em limites precisos, irrompem nas dimensões ilimitadas do mundo natural. / Among the different orientations that attach to the term landscape a diverse set of meanings, this work discusses the landscape as aesthetic experience of nature and aims to promote the identification in a specific context, the book Journey in Brazil written by Carl Friedrich von Martius and Johann Baptiste von Spix, naturalists who joined the Austrian Mission and traveled along the brazilian territory between the years 1817 and 1820. Based on theoretical concepts that comprise the landscape as a sensitive living and representation of nature, this research runs upon the parameters that allow us to understand the landscape experience in the field of sensibility, occupying, during the course that leads us to the text of Martius and Spix, with other issues that deal with the ideas of travelers and mainly the aesthetic experience of nature. In such case, we also describe the landscape as a pictorial genre, the aesthetic and scientific thought and different aspects related to other themes valid between the eighteenth and nineteenth centuries, extending the understanding of the way we consider the landscape in this study and its expression in the selected travel report. Finally, we emphasize that this work not only contributes to the understanding of the landscape as a sensitive host of nature, but also highlights the consequences of this relationship, touching the essence of the landscape limited in the fields of aesthetic experience, related to forming units which, however contained in precise limits, erupt in unlimited dimensions of the natural world.

No description available.

Thesis (Master's)--Scott Polar Research Institute, University of Cambridge, 1989. / Includes bibliographical references (leaves 86-92).

Thèse--Paris. / Includes bibliographical references.

RODRIGUES, Joyce Mota. Entre telescópios e potes de barro: O eclipse solar e as expedições científicas em 1919/Sobral-CE. 2012. 133f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em História, Fortaleza (CE), 2012. / Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2013-10-11T11:19:45Z No. of bitstreams: 1 2012-DIS-JMRODRIGUES.pdf: 2543894 bytes, checksum: a2a82ca5560d8cf6847c270518012867 (MD5) / Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2013-10-11T13:12:05Z (GMT) No. of bitstreams: 1 2012-DIS-JMRODRIGUES.pdf: 2543894 bytes, checksum: a2a82ca5560d8cf6847c270518012867 (MD5) / Made available in DSpace on 2013-10-11T13:12:05Z (GMT). No. of bitstreams: 1 2012-DIS-JMRODRIGUES.pdf: 2543894 bytes, checksum: a2a82ca5560d8cf6847c270518012867 (MD5) Previous issue date: 2012 / This research seeks to understand the daily routine of British, American and Brazilian Expeditions, in 1919, in the city of Sobral, in an attempt to confirm the Theory of Relativity by Albert Einstein. The relationships developed between scientists, local authorities and the media expose the discourses and scientific practices of modernity and backwardness local. / Esta pesquisa procura entender o cotidiano das Expedições Britânica, Americana e Brasileira, no ano de 1919, na cidade de Sobral, na tentativa de confirmar a Teoria da Relatividade de Albert Einstein. As relações travadas entre cientistas, autoridades locais e imprensa explicitam os discursos e as práticas científicas contrastantes de modernidade universal e atraso local.

Made available in DSpace on 2013-01-07T15:55:06Z (GMT). No. of bitstreams: 2 license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) 48.pdf: 18227527 bytes, checksum: 13d75b4fc40518cdcd44668c43d69004 (MD5) Previous issue date: 2003 / Analisa o caráter científico das expedições governamentais montadas entre os anos de 1909 e 1912 para estudar as consequências dos efeitos da seca na região nordeste do Brasil. Tem por objetivo enfocar a produçäo científica da Inspetoria de Obras Contra as Secas tendo como base alguns dos relatórios publicados na gestão de Arrojado Lisboa, além dos relatórios das expedições de Arthur Neiva e Belisário Penna e de Adolfo Lutz e Astrogildo Machado, resultado de uma parceria entre a IOCS e o Instituto Oswaldo Cruz.

Em meio às distintas orientações que atribuem ao termo paisagem um variado conjunto de acepções, este trabalho disserta sobre a paisagem como experiência estética da natureza e tem como objetivo promover a identificação desta associação em um contexto específico, a obra Viagem pelo Brasil, de Carl Friedrich von Martius e Johann Baptiste von Spix, naturalistas que integraram a Missão Austríaca e percorreram o território brasileiro entre os anos de 1817 e 1820. Baseada em conceitos teóricos que compreendem a paisagem enquanto vivência e representação sensíveis da natureza, esta pesquisa versa sobre os parâmetros que justamente permitem compreender a experiência paisagística no âmbito da sensibilidade, ocupando-se, durante o trajeto que nos conduz ao texto de Martius e Spix, de demais questões sintonizadas com o ideário dos viajantes e, sobretudo, com a experiência estética da natureza. Neste caso, igualmente discorremos sobre a paisagem enquanto gênero pictórico, o pensamento estético-científico e demais aspectos relativos às questões propriamente estéticas vigentes entre os séculos XVIII e XIX, estendendo tanto a compreensão sobre a maneira como consideramos a paisagem no presente estudo quanto sua expressão no referido relato de viagem. Finalmente, destacamos que este trabalho não somente oferece subsídios ao entendimento da paisagem como um acolhimento sensível da natureza, mas também evidencia os desdobramentos dessa relação, tangenciando a essência da experiência paisagística circunscrita nos domínios da estética, relacionada à conformação de unidades que, contudo contidas em limites precisos, irrompem nas dimensões ilimitadas do mundo natural. / Among the different orientations that attach to the term landscape a diverse set of meanings, this work discusses the landscape as aesthetic experience of nature and aims to promote the identification in a specific context, the book Journey in Brazil written by Carl Friedrich von Martius and Johann Baptiste von Spix, naturalists who joined the Austrian Mission and traveled along the brazilian territory between the years 1817 and 1820. Based on theoretical concepts that comprise the landscape as a sensitive living and representation of nature, this research runs upon the parameters that allow us to understand the landscape experience in the field of sensibility, occupying, during the course that leads us to the text of Martius and Spix, with other issues that deal with the ideas of travelers and mainly the aesthetic experience of nature. In such case, we also describe the landscape as a pictorial genre, the aesthetic and scientific thought and different aspects related to other themes valid between the eighteenth and nineteenth centuries, extending the understanding of the way we consider the landscape in this study and its expression in the selected travel report. Finally, we emphasize that this work not only contributes to the understanding of the landscape as a sensitive host of nature, but also highlights the consequences of this relationship, touching the essence of the landscape limited in the fields of aesthetic experience, related to forming units which, however contained in precise limits, erupt in unlimited dimensions of the natural world.