Spelling suggestions: "subject:"expressive intonation"" "subject:"axpressive intonation""
1 |
Expressive Intonation as Rhetoric in the Performance Practice of Instrumental Ensemble Music in London (1650-1720)Gries, Margret, Gries, Margret January 2012 (has links)
Descartes’ Compendium musicae and Lamy’s La Rhétorique ou l’art de parler,
both published in English translation in London in the late seventeenth century, suggest
approaches to period performance practice that support expressive intonation as a rhetorical
device. Descartes’ unique perspective on musical pitch and intervals provides a
methodology for understanding inflected intonation in performance. Closely aligned with
Descartes’ epistemological perspective, Lamy’s treatise provides an understanding of
expressive intention as essential to effective rhetorical delivery. These approaches are
applied to musical examples from trio sonatas of Arcangelo Corelli, John Ravenscroft and
Henry Purcell, demonstrating that expressive intonation using subtle pitch inflection can be
explained as a rhetorical practice. These subtle pitch inflections, related as they are to both
rhetorical delivery and intonation systems, are not reflected in notation but realized only as
music is heard in time. It is in performance contexts that pitch inflection can be realized as
an expressive device. A supplemental audio file contains five short examples
demonstrating pitch deviation applied to selected intervals.
|
2 |
Para além do muro: uma análise enunciativa da atribuição de referência em cartas de Caio Fernando AbreuSzinvelski, Valkiria Marks 08 September 2008 (has links)
Made available in DSpace on 2015-03-05T18:11:58Z (GMT). No. of bitstreams: 0
Previous issue date: 8 / Nenhuma / Esta dissertação focaliza a problemática da referência na perspectiva enunciativa. Por essa razão, é também um estudo sobre a subjetividade. Propõe que há uma dimensão dêitica no processo de construção de referência no discurso, uma vez que o sujeito está implicado no que diz. Fundamenta-se nas teorias de Benveniste e Bakhtin. Da contribuição de Benveniste, traz a idéia de que a subjetividade está implicada em todo uso feito da linguagem. Da contribuição de Bakhtin, a concepção de que esse sujeito que advém na enunciação é constituído na interação viva com as vozes sociais. Tomando como objeto de investigação cartas de Caio Fernando Abreu que tematizam a síndrome da imunodeficiência adquirida (AIDS), busca descrever, a partir da materialidade lingüística, o modo como o enunciador subjetiva a experiência de encontrar-se diante da morte. Para alcançar esse objetivo, a análise é apresentada em dois momentos: no primeiro, busca-se, em cada carta, situar o quadro da enunciação. Particularmente, observa-se como a / This monograph focuses on the reference issue from the enunciating perspective. Thus, it is also a study on subjectivity. It proposes that there is a deictic dimension within the process of reference creation on discourse, since the subject is implied in what she or he says. It is grounded on Benveniste’s and Bakhtin’s theories. From Benveniste’s contribution, it brings the idea that subjectivity is entailed whenever language is used. From Bakhtin’s contribution, it brings the concept according to which the subject that comes out through enunciation is built within live interaction with social voices. Taking as our research object the letters from Caio Fernando Abreu that talks about Acquired Immunodeficiency Syndrome (AIDS), it tries to describe, from linguistic materiality, the way how enunciator subjectivizes the experience of finding himself in the face of death. In order to reach this goal, our analyses are presented in two moments: in the first one, we try, in each letter, to establish the situation of
|
Page generated in 0.0948 seconds