Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2016-05-03T15:19:45Z No. of bitstreams: 1 DIS_JULIO_CESAR_SILVEIRA_CASCAES_COMPLETO.pdf: 4298468 bytes, checksum: 3968286b6e07b771fe1bba84d9ef77aa (MD5) / Made available in DSpace on 2016-05-03T15:19:45Z (GMT). No. of bitstreams: 1 DIS_JULIO_CESAR_SILVEIRA_CASCAES_COMPLETO.pdf: 4298468 bytes, checksum: 3968286b6e07b771fe1bba84d9ef77aa (MD5) Previous issue date: 2016-03-21 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This paper discusses the history of mechanical sound recording devices and their subscription to the musical production chain and their development in Brazil, having printed sources, especially newspapers and magazines, as the means for analysis. Phonographs contributed for several technological innovations in the field of communication, but were also effective for the register of musical pieces. In the 20th century, Gramophones and records quickened the processes of mediation between the instances of production and the audiences, strengthening the first phonographic companies. The first phonograph arrived in Brazil in 1878 as a great technological innovation. The starting point is the premise that the press took fundamental part in the consolidation of these devices in the country. We intend to place sound reproducing devices within the context of representations of modernity, starting from the study of the urban changes taking place in Rio de Janeiro, S?o Paulo and Porto Alegre. The social environments of musical exchanges, the roles of cultural mediators and the main agents of technological interchange are examined in order to verify their contributions for the first phonographic records. Finally, the printed sources from Porto Alegre are analyzed so the emergence of phonographs and Gramophones can be featured. Taking urban growth, musical culture and the first phonographic experiences into account, this study will assemble city historians, old chroniclers, press critique, pieces of advertisement, catalogs and all sorts of printed material relevant to the mapping of the presence of phonographs and Gramophones in streets, bars and business establishments, probing, through texts and discourses, the exaltation of, the indifference towards and the reactions against the mechanical technology of sound recording. / Esta disserta??o problematiza a hist?ria dos reprodutores sonoros mec?nicos e sua inscri??o ? cadeia de produ??o musical brasileira, mediante a an?lise de fontes impressas (sobretudo por meio de jornais e revistas). Os fon?grafos apareceram junto a v?rias inova??es tecnol?gicas na ?rea da comunica??o, mas se mostraram tamb?m eficazes no registro de m?sicas. No s?culo XX, os gramofones e os discos aceleraram o processo de media??o t?cnica entre as inst?ncias de cria??o e o p?blico, determinando o fortalecimento das primeiras companhias fonogr?ficas. O primeiro fon?grafo chegou ao Brasil em 1878 como uma grande inova??o tecnol?gica. Parte-se do pressuposto de que a imprensa participou na consolida??o desses aparatos no pa?s. As not?cias e an?ncios dos peri?dicos brasileiros e das revistas ilustradas s?o utilizados na interpreta??o dos discursos de legitima??o e na constru??o de um p?blico consumidor. Busca-se contextualizar os reprodutores sonoros nas representa??es da modernidade, a partir da investiga??o das transforma??es urbanas ocorridas no Rio de Janeiro, S?o Paulo e Porto Alegre. Neste aspecto s?o verificados os espa?os de sociabilidade da m?sica, o papel dos mediadores culturais e os principais intermedi?rios da tecnologia para identificar suas contribui??es nos primeiros registros fonogr?ficos. Por fim, ser?o analisadas as fontes impressas porto-alegrenses para caracterizar a emerg?ncia de fon?grafos e gramofones na cidade. Considerando os aspectos de seu crescimento urbano, da sua cultura musical e das primeiras experi?ncias fonogr?ficas, este estudo tratar? de reunir os historiadores da cidade, os antigos cronistas, as cr?ticas jornal?sticas, os an?ncios publicit?rios, os cat?logos e demais impressos relevantes no rastreamento de fon?grafos e gramofones pelas ruas, lares e estabelecimentos comerciais, buscando, nos seus discursos, a exalta??o, a indiferen?a e as rea??es ? tecnologia mec?nica de grava??o sonora.