No description available.

Thesis (M. Hous. M.)--University of Hong Kong, 1999. / Includes bibliographical references.

Thesis (M. Sc.)--University of Hong Kong, 1994. / Includes bibliographical references (leaf 189-191).

Thesis (M.Hous.M.)--University of Hong Kong, 1999. / Includes bibliographical references. Also available in print.

A passagem do século XIX para o século XX acarretou muitas dúvidas e incertezas no pensamento e na cultura ocidentais. A crise do positivismo, que impulsionou os literatos e os intelectuais a se questionarem sobre o conceito de real, gerou um nítido conflito entre tudo aquilo que remetia ao racional e à ciência em contraposição a um renovado tipo de subjetivismo e de relativismo, definindo, assim, uma nova abordagem da literatura e das artes na primeira metade do século XX. Neste trabalho é feita uma análise do papel da imprensa e do intelectual no final do século XIX, para depois retomá-la no período no qual se insere a obra de Pirandello. Estuda-se, ainda, a presença estrangeira nos periódicos italianos e o conceito de literatura popular e cultura de massa que estão intrinsecamente ligados à função do intelectual e sua relação com o povo/nação. Pirandello é um escritor que tem a maior parte de sua produção literária publicada no início do século XX, a qual vai desde obras em dialeto siciliano, nas quais são trabalhados os aspectos mais regionais - como tradições e costumes rurais e folclóricos, crenças populares e místicas e, por isso, de certa forma mais populares, até obras que atingem uma complexidade narrativa comparadas a grandes clássicos literários nacionais e europeus. Nesta pesquisa será apresentada de que forma se dá o comprometimento do intelectual e do artista Pirandello com a sociedade daquele período e de que modo algumas questões subjetivas do autor também influem em sua obra. Como base e modelo que guiará toda a discussão deste trabalho, apresentamos, ainda, uma análise de Il fu Mattia Pascal (1904), uma das obras mais representativas da modernidade europeia e na qual se encontram os elementos principais da poética e da filosofia do autor que, além de resgatar algumas técnicas do romance-folhetim francês, as emprega na publicação seriada desta obra, traduzindo toda a crise da modernidade e resgatando, mesmo que de maneira atenuada, alguns aspectos do romance popular. / The passage between the XIX and the XX centuries brought a lot of doubts and uncertainties in the occidental thought and culture. The positivism crisis, which forced the men of letter and the intellectuals to debate the concept of real, generated a sharp conflict between everything which concerned the logical and the science and a renewed kind of subjectivism and relativism, defining in this manner a new approach to arts and literature at the first half of XX century. This work presents an analysis about the press and the literate man at the end of the XX century, to be introduced again during the period in which Pirandello is set in. Moreover is studied the foreign presence in the italian magazines and the concepts of popular literature and mass culture which are strictly connected to the intellectuals function and his relationship with the population/nation. Pirandello is a writer whose literary productions was published at the beginning of the XX century and it goes from sicilian dialect works, in which more characteristic and regional aspects can be found such as popular and folkloristic customs and traditions, popular and mystic lores and therefore more popular, to works where a complex narrative is involved until reaching a national and european level. The aim of this research is to show the compromise between the artist Pirandello and the society of that period and in what way a few personal issues of the author influence his opus. To enlighten the whole discussion is introduced an analysis of Il fu Mattia Pascal (1904) - one of the most representative works of european modernity - in which can be found characteristic elements of Pirandellos poetry and philosophy. Pirandello revives some tecniques from the french roman-feuilleton and employs them in a serial publication of this play that, beyond traslating the whole crisis of modernity, partially rescues some aspects of the popular novel.

Ausstellung kuratiert von Mathias Wagner / Die Ausstellungsbroschüren des „Projektraum am Weißen Hirsch. Galerie Grafikladen“ dokumentieren die Ausstellungstätigkeit eines nicht institutionellen Ausstellungsraumes in Dresden zwischen 2010 und 2016. Die Galerie widmete sich dem Werk zeitgenössischer junger Künstler, vorwiegend Meisterschüler und Absolventen, die in der Regel einen biografischen Bezug zu Dresden haben. Das Ausstellungskonzept war offen für die verschiedensten künstlerischen Ausdrucksformen – von Malerei über Fotografie bis zu performativen Ansätzen. Jährlich fanden vier bis fünf, von wechselnden Kuratoren entwickelte Ausstellungen statt. Im August 2016 eröffnete die vorerst letzte Ausstellung. / © bei den Rechteinhabern, Lizenz: Zugang frei – Rechte vorbehalten. Bitte beachten Sie unsere Hinweise zum Urheberrecht.

published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

published_or_final_version / abstract / Applied Geosciences / Master / Master of Science

Animated movies have had a big impact in the film business all over the world. A lot of these films are mainly produced for a younger audience, which leads to a greater responsibility to show a legitimate worldview. Children do not have the same ability of critical thinking as an adult, and that is why it is vital in such movies. In this study, we have examined the movies Kung Fu Panda and Mulan to see how the Chinese culture is represented, having in mind that the relation between East and West have been, and in some ways still are strained. We have examined whether there have been any postcolonial elements such as cultural myths, orientalism, ethnocentrism and stereotypes, originated from the field of cultural studies. Based on a three dimensional analysis, we have looked at the films’ structure, the context and the socio-historical context. The study concluded that the Chinese culture is often represented in a somewhat stereotypical way and with symbols associated with Asia and its culture but the movies also includes certain Western elements.

姚道生. / 論文(哲學碩士)--香港中文大學硏究院中國語言及文學學部,1994. / 參考文獻: leaves 206-211 / Yao Daosheng. / Chapter 第一章 --- 緖論 --- p.1 / Chapter 第一節 --- 「六朝」一詞的界定 --- p.1 / Chapter 第二節 --- 樂府考略 --- p.2 / Chapter 第三節 --- 採桑主題 --- p.14 / Chapter 第二章 --- 採桑主題產生的文化背景 --- p.26 / Chapter 第一節 --- 說「蠶」「桑」 ´ؤ´ؤ從「蠶」「桑」二字的古文字考釋看 先秦時代的蠶桑業 --- p.27 / Chapter 第二節 --- 從出土文物看先秦時代的蠶桑業 --- p.41 / Chapter 第三節 --- 採桑親蠶 --- p.57 / Chapter 第四節 --- 小結 --- p.72 / 附錄一 / 附錄二 / Chapter 第三章 --- 採桑樂府的流變 --- p.79 / Chapter 第一節 --- 漢代之作 ´ؤ´ؤ採桑樂府的原型 --- p.80 / Chapter 第二節 --- 後世模擬之作 ´ؤ´ؤ採桑樂府的因革 --- p.93 / Chapter 第三節 --- 總述 --- p.129 / Chapter 第四章 --- 比興的言志傳統與採桑女守禮形象的確立 --- p.141 / Chapter 第一節 --- 比興的言志傳統 --- p.142 / Chapter 第二節 --- 採桑女守禮形象的確立 --- p.147 / Chapter 第五章 --- 採桑樂府的寄託 --- p.166 / Chapter 第一節 --- 「以意逆志」的讀詩方法 ´ؤ´ؤ判別詩歌是否有寄託的讀詩法 --- p.167 / Chapter 第二節 --- 「知人論世」的讀詩方法 ´ؤ´ؤ尋求詩人的寄託 --- p.177 / Chapter 第六章 --- 餘論´ؤ´ؤ解釋與創作 --- p.198 / 參考書目及論文 --- p.206