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Die Ästhetik des Dramenwerks von Rainer Werner Fassbinder : die Struktur der Doppelheit /Firaza, Joanna, January 1900 (has links)
Diss.--Lódz--Univ. / Bibliogr. p. 219-232.
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Rainer Werner Fassbinder und seine filmästhetische Stilisierung /Pae, Sang-jun. January 2005 (has links)
Zugl.: Marburg, Universiẗat, Diss.
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Rainer Werner Fassbinder und seine filmästhetische StilisierungBae, Sang-Joon, January 2005 (has links)
Thesis (doctoral)--Universität, Marburg. / Includes bibliographical references (p. 381-391) and index.
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Rainer Werner Fassbinder und seine filmästhetische StilisierungBae, Sang-Joon, January 2005 (has links)
Thesis (doctoral)--Universität, Marburg. / Includes bibliographical references (p. 381-391) and index.
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Die Ästhetik des Dramenwerks von Rainer Werner Fassbinder : die Struktur der Doppelheit /Firaza, Joanna, January 2002 (has links) (PDF)
Univ., Diss.--Łódź. / Includes bibliographical references (p. 219-232).
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Transgression und Trauma bei Pedro Almodóvar und Rainer Werner Fassbinder : Gender, Memoria, Visum /Chappuzeau, Bernhard. January 2005 (has links)
Zugl.: Düsseldorf, Universiẗat, Diss., 2004.
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O quarto de Petra : estabilidade instável do/no cenário fílmico / The Petra's bedroom : unstable stability of the/on sceneryPinto, Beatriz Sampaio, 1983- 21 August 2018 (has links)
Orientador: Wescesláo Machado de Oliveira Junior / Título do DVD: As Lágrimas Amargas de Petra von Kant (FASSBINDER, 1972) / Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-08-21T00:07:05Z (GMT). No. of bitstreams: 1
Pinto_BeatrizSampaio_M.pdf: 5747897 bytes, checksum: 5524678613b5b0a9be5cee22e28ed9e9 (MD5)
Previous issue date: 2012 / Resumo: No filme "Lágrimas Amargas de Petra von Kant" (1972), do cineasta alemão Rainer Werner Fassbinder, o apartamento é um local narrativo mutante. As expectativas e os sentidos construídos pelo espectador serão deslocados pelos sentimentos de estabilidade e de instabilidade despertados pelo cenário. Interessa-nos a forma como a linguagem cinematográfica - associada intimamente ao teatro - transformará nossa referência espacial e nossa percepção narrativa. / Abstract: In the movie "Bitter Tears of Petra von Kant" (1972), the German filmmaker Rainer Werner Fassbinder, the apartment is a changing place narrative. Expectations and meanings constructed by the viewer will be moved by feelings of stability and instability awakened by the scenery. We are interested in how the cinematic language - closely associated with the theater - will transform our perception of spatial reference and narrative. / Mestrado / Educação, Conhecimento, Linguagem e Arte / Mestre em Educação
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