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Belief States and Evidence in Speech Acts: The Japanese Sentence Final Particle no / 言語行為における信念状況と証拠:日本語の終助詞「の」Lukas, Rieser 23 March 2017 (has links)
京都大学 / 0048 / 新制・課程博士 / 博士(文学) / 甲第20108号 / 文博第733号 / 新制||文||642(附属図書館) / 京都大学大学院文学研究科行動文化学専攻 / (主査)准教授 千田 俊太郎, 教授 吉田 和彦, 教授 吉田 豊, 教授 エリック・マクレディ / 学位規則第4条第1項該当 / Doctor of Letters / Kyoto University / DFAM
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The relevance of the speech act theory to Buzani KubawoScheckle, Linda Ann 10 1900 (has links)
Austin's Speech Act Theory is a valuable tool for the
analysis of a literary text. In interaction, the intentionand
purpose-success of linguistic communication can be gauged
by establishing whether participants have met felicity
conditions and have respected maxims. When the Co-operative
Principle is ignored, special effects are achieved and
receivers can only make sense of utterances through
implicature and inferences based on background knowledge and
mutual contextual beliefs.
In the drama, Buzani kubawo, characters interact on four
levels of time in space and place. They reveal themselves
and convey theme through their speech and actions. Conflict
is entrenched by lines of force drawn between opposing
characters and between sub-worlds contrasted. Cohesion,
determined by plot structure, and form, expressed on the
endophoric and exophoric levels, give meaning to the drama.
The micro-analysis of the wedding scene illustrates how
communication can misfire should the playwright allow it! / African Languages / M.A. (African languages)
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The relevance of the speech act theory to Buzani KubawoScheckle, Linda Ann 10 1900 (has links)
Austin's Speech Act Theory is a valuable tool for the
analysis of a literary text. In interaction, the intentionand
purpose-success of linguistic communication can be gauged
by establishing whether participants have met felicity
conditions and have respected maxims. When the Co-operative
Principle is ignored, special effects are achieved and
receivers can only make sense of utterances through
implicature and inferences based on background knowledge and
mutual contextual beliefs.
In the drama, Buzani kubawo, characters interact on four
levels of time in space and place. They reveal themselves
and convey theme through their speech and actions. Conflict
is entrenched by lines of force drawn between opposing
characters and between sub-worlds contrasted. Cohesion,
determined by plot structure, and form, expressed on the
endophoric and exophoric levels, give meaning to the drama.
The micro-analysis of the wedding scene illustrates how
communication can misfire should the playwright allow it! / African Languages / M.A. (African languages)
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