In examining male support for the Victorian women's movement, I decided to focus upon a number of men who gave active support across the wide range of causes championed by feminists. John Stuart Mill, Henry Fawcett, James Stansfeld, Jacob Bright, Richard Pankhurst and Francis Newman were selected as my main protagonists and their support for the Married Women's Property campaign, the higher education of women, the opening up of the professions to women, women's suffrage and the campaign to repeal the Contagious Diseases Acts was explored. I also examine the views of John Russell, Viscount Amberley, whose early death robbed the women's suffrage movement of his enthusiastic support, and also those of William Johnson Fox, a proponent of women's emancipation who gave his support to the Married Women's Property campaign, but who died when the women's movement had existed for only a decade. The ideas of an important male feminist of an earlier generation, William Thompson, are also explored. I discuss the views of my protagonists on sexual equality and sexual difference, marriage, sexuality, female education, the employment of women and women's suffrage. In seeking to account for the feminism of my protagonists I note the personal characteristics which they broadly shared: moral courage, a tendency to self-sacrifice, sensitivity and a strong sense of justice. Male feminists, especially Mill, were sometimes branded as effeminate, but it seems fairer to suggest that they generally combined the best of both 'masculine' and 'feminine' qualities; they possessed a sufficient degree of 'womanly' sensitivity to empathise with the wrongs of woman and a great deal of 'manly' courage which enabled them to endure the ridicule and abuse which standing up for women's rights frequently entailed. Most of my protagonists were advanced Liberals, and a belief in the need to cultivate altruism was a significant component of their creed; support for women's emancipation was an important aspect of their concern for the welfare of others. The fact that men and women worked closely together in the fight for women's emancipation is explored and especially their intellectual collaboration, notable in the cases of William Thompson and Anna Wheeler, John Mill and Harriet Taylor, and Henry and Millicent Fawcett.

No description available.

Thesis (Ph. D.)--University of Washington, 1998. / Vita. Includes bibliographical references (leaves [225]-240).

Thesis (M.A.)--University of Toronto, 2009. / Source: Masters Abstracts International, Volume: 48-02, page: .

No description available.

Indonesian Muslim women???s identity and subjectivity are not created simply from a single variable rather they are shaped by various discourses that are often competing and paralleling each other. Discourses such as patriarchal discourses circumscribing the social engagement and public life of Muslim women portray them in narrow gendered parameters in which women occupy rather limited public roles. Western colonial discourse often constructed Muslim women as oppressed and backward. Each such discourse indeed denies women???s agency and maturity to form their own definition of identity within the broad Islamic parameters. Rewriting women???s own identities are articulated in various forms from writing to visualisation, from fiction to non fiction. All expressions signify women???s ways to react against the silencing and muteness that have long imposed upon women???s agency. In Indonesian literary culture today, numerous women writers have represented in their writings women???s own ways to look at their own selves. Literary representations become one group among others trying to portray women???s strategies that will give them maximum control over their lives and bodies. Muslim women writers in Indonesia have shown through their representations of Muslim women in their writings that Muslim women in Indonesian settings are capable of undergoing a self-definition process. However, from their writings too, readers are reminded that although most women portrayed are strong and assertive it does not necessarily mean that they are free of oppression. The thesis is about Muslim women and gender-related issues in Indonesia. It focuses on the writings of four contemporary Indonesian Muslim women writers: Titis Basino P I, Ratna Indraswari Ibrahim, Abidah El Kalieqy and Helvy Tiana Rosa, primarily looking at how gender is constructed and in turn constructs the identity, roles and status of Musim women in Indonesia and how such relations are portrayed, covering issues of authenticity, representation and power inextricably intertwined in a variety of aesthetic forms and narrative structures.

Indonesian Muslim women???s identity and subjectivity are not created simply from a single variable rather they are shaped by various discourses that are often competing and paralleling each other. Discourses such as patriarchal discourses circumscribing the social engagement and public life of Muslim women portray them in narrow gendered parameters in which women occupy rather limited public roles. Western colonial discourse often constructed Muslim women as oppressed and backward. Each such discourse indeed denies women???s agency and maturity to form their own definition of identity within the broad Islamic parameters. Rewriting women???s own identities are articulated in various forms from writing to visualisation, from fiction to non fiction. All expressions signify women???s ways to react against the silencing and muteness that have long imposed upon women???s agency. In Indonesian literary culture today, numerous women writers have represented in their writings women???s own ways to look at their own selves. Literary representations become one group among others trying to portray women???s strategies that will give them maximum control over their lives and bodies. Muslim women writers in Indonesia have shown through their representations of Muslim women in their writings that Muslim women in Indonesian settings are capable of undergoing a self-definition process. However, from their writings too, readers are reminded that although most women portrayed are strong and assertive it does not necessarily mean that they are free of oppression. The thesis is about Muslim women and gender-related issues in Indonesia. It focuses on the writings of four contemporary Indonesian Muslim women writers: Titis Basino P I, Ratna Indraswari Ibrahim, Abidah El Kalieqy and Helvy Tiana Rosa, primarily looking at how gender is constructed and in turn constructs the identity, roles and status of Musim women in Indonesia and how such relations are portrayed, covering issues of authenticity, representation and power inextricably intertwined in a variety of aesthetic forms and narrative structures.

Thesis (Ph. D.) -- University of New South Wales, 2001. / Also available online.

Undergraduate honors paper--Mount Holyoke College, 2006. Dept. of Politics. / Includes bibliographical references (leaves 71-74).

Thesis (MA)--University of Stellenbosch, 2005. / Bibliography. Also available via the Internet.