This study focuses on the creative adaptation of Anglo-Boer War material in Ingrid Winterbach’s (Lettie Viljoen) Niggie [Cousin] (2002) with specific reference to the Oorlogsdagboek van Jan F.E. Celliers, 1899-1902 [War Diary of Jan F.E. Celliers, 1899-1902] (1978) and other texts written during or shortly after the Anglo Boer War in Dutch, such as Totius’ Vier-en-sestig dae te velde: ‘n Oorlogsdagboek [Sixty Four Days Afield: A War Diary] (1977) and in English, Woman’s Endurance (1904) by A.D.L. and Deneys Reitz’s Commando. A Boer Journal of the Boer War (1929). More recent Afrikaans novels dealing with the same war are also analysed, such as Ons oorlog [Our War] (2000) by Klaas Steytler, Op soek na Generaal Mannetjies Mentz [In Search of General Mannetjies Mentz] (1998) by Christoffel Coetzee and Etienne Leroux’s Magersfontein O! Magersfontein (1976). A literary analysis is done of the novel Niggie, with specific focus on the nature and function of Anglo-Boer War material in Winterbach’s text. The question is posed why there is such a sustained focus and creative adaptation of Anglo-Boer War texts in Winterbach’s oeuvre (especially in Belemmering [Impediment], 1990, Karolina Ferreira, 1993, Buller se plan [Buller’s Plan], 1999, and Niggie [Cousin], 2002)? This novel has a profound effect on the reader a century after the war, because it addresses postcolonial issues and predicaments such as a defragmenting identity, as well as the possible demise of the Afrikaans language and culture, faced by the descendants of those involved in the war a century ago. In her reworking of the past to come to grips with the present, Winterbach confronts difficult South African topics, such as interracial relationships, racism, the relationship with the land, possible language death, gender relationships, the role of the supernatural and the unconscious in everyday life (in the form of dreams and trickster figures), amongst many others. The dissertation offers an intertextual study as well as a literary analyses of the literary techniques used, and the characteristics of this magisterial novel, which deservedly won the Hertzog prize in 2004, the highest accolade possible for an Afrikaans novel. The anomaly of such a novel in 2002 seemingly dwelling on the past, is shown up for what it is: a metaphor for the present and its dilemmas, reflecting the social conflicts existing at present in the crumbling Afrikaans community.

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Olu phando lugxile kakhulu kwincwadi ka-A.M. Mmango ethi, Law’ilahle. Apha sizama ukuveza ukubaluleka kobuchule bokubhala phakathi kwencoko yabantu ababini kubhalo lwemidlalo ngoovulindlela bedrama esiXhoseni. Oku kwenziwa ngokuthi kuphononongwe nzulu isimbo sokubhala. Ezinye izinto esiza kuziveza ziindlela zokuthetha ezithi zizesetyenziswe ngabalinganiswa. Oku kwenziwa ngokuthi kugxeleshwe kakhulu kumagama namaganyana adelelekileyo asetyeniswayo ngabalinganiswa ze kuthi kubuywe kukhangelwe nefuthe laloo magama kulwimi olusulungekileyo lwesiXhosa. Oku kukhokelela ekuphononongeni indlela ekuthi umbhali asebenzise ngayo isigama esivumelekileyo nesigama esithi sisetyenziswe esibangela ukuba umfundi lowo asebenzise ingqondo yakhe ukucinga ukuba kutheni umbhali etshintsha isigama kuloo ncoko ithile ayakhayo. U-A. M. Mmango usizobela asivezele kakuhle zonke izigaba ekufuneka zilandelwe xa sibhala uncwadi lwedrama. Uyaphumelele ke ukuziveza zonke ezi zinto ngenxa yeengxoxo azakhayo phakathi kwabalinganiswa. Ukuba sithelekisa uluncwadi lwedrama yale mihla luye lube nawo umahluko kuncwadi olwalubhalwe kuqala. Kananjalo, lo ka-Mmango usebenzisa uyilo lwengxoxo nocwangciso lwimi olululo ukwenzela ukuba umfundi lowo ofunda incwadi yakhe akwazi ukuwubona umahluko phakathi kwababhali bale mihla nabakudala. Esi simbo sikaMmango sokubhala asiwenzi umdintsi. Oku kuphawuleka ngamandla kwimixholwana esekeleze ululeko olungqongqo.

Ubundlobongela buxhaphake okweentwala kubaThembu. Zininzi iindidi zobundlobongela ezithi ziqhubekeke apha ekuhlaleni. Abantu abathi bazibandakanye nobundlobongela, baphembelelwa ziimeko ezithile. Iimeko ezifana nokunqaba kwemisebenzi, izinga elinyukileyo lokusetyenziswa kweziyobisi nendlela athi umntu othile akhule ngayo. Ukuba ubani othile ukhule ngobusela, naye ulandela emkhondweni kanye abe lisela elibalaseleyo. Kwincwadi kaL. K. Siwisa ethi, “Izimanga zalomhlaba” kubhaqeka oku kulandelayo: Umntwana okhule ekhayeni lakhe kuetyenziswa iziyobisi naye wenza njalo akuba mkhulu. Imali eza ngobuqhinga nokuphela kwayo kuba lula. Ungumntu ebomini kufuneka utye ukubila kwebunzi lakho, uyeke ukufuna ukuvuna kodwa ungakhange ulime. Umntu kaloku uvuna loo nto athe wayilima. Apha ebomini zimisele ukwenza ubutyebi nelifa ngeli xesha usadla amazimba ukuze uphumelele. Xa ungumntu zimisele ukwanela, kule ndawo uMdali akubeke kuyo. Akufuneki ube ngumntu onentliziyo ende, unikwe isandla, wena ufune isandla kunye nengalo. Yonke le mikhwa ikukhokelela ekubeni ekugqibeleni wenze ubundlobongela. Ubundlobongela ke abubhatali koko busingisela kwantshabalala. Kula mabalana iyangqineka ngokuthi abonise iziphumo zobundlobongela ezifana nokuphulukana nobomi, ukuphelelwa zizinto zakho obunazo ngenxa yamaqhinga nobusela nokuphelela entolongweni. Kobu bundlobongela kukholisa ukubakho amaxhoba. Ngelishwa uninzi lwawo iba ngamabhinqa nabantwana.

Thesis (M.A. (English Studies)) -- University of Limpopo, 2015 / This dissertation examines different modes of female subversion in the novel, The Madonna of Excelsior (2002) by Zakes Mda. Using feminist theory, the study explores how women in the novel transgress apartheid laws and how they use existing discriminatory laws to their own advantage. In addition, it illustrates how these women rise above those existing laws to establish their own subjectivity and independence. The Madonna of Excelsior is a novel set in apartheid South Africa where laws prohibiting sexual relationships between whites and blacks were in effect. Niki, the main character in the novel, transgresses these laws by having sexual intercourse with white men, one of whom eventually fathers her baby. Niki gives birth to Popi who is ostracised by the Mahlatswetsa community because of her mixed racial identity. In spite of growing up in a prejudiced community, Popi works hard and becomes an important member of the town council later on when apartheid gives way to black rule. Popi subverts apartheid and the prejudice of her community by accepting herself as a coloured person, by being active in the political affairs of the Mahlatswetsa community, by engaging with the community through her service at the library and during funerals, and by reconciling with Tjaart Cronje, her half-brother. Popi’s mother, Niki, also subverts apartheid’s discriminatory laws by having sexual relationships with Afrikaner men such as Johannes Smit and Stephanus Cronje. Through these affairs, she exposes the hypocrisy of the Afrikaners and the unfairness of their laws. However, Niki’s subversion goes beyond the use of sex and the body. In her marriage with Pule, she suffers wife battering and marital infidelity. In this instance, Niki subverts traditional expectations of women by leaving Pule and establishing an independent life for herself and her children. In giving birth to Popi and raising her as a coloured child, Niki exposes the double standards of Afrikaner morality. She subverts viii the judgmental attitude of the Mahlatswetsa community by withdrawing from the community and resorting to bee-keeping. In this isolated space, she finds healing. Other female characters in the novel, such as Maria, Mampe and The Seller of Songs, also subvert the apartheid system and their communities through their sexual escapades with white men and their service to the community. On her part, Cecilia Mapeta subverts apartheid by her direct rejection of illicit sex with white men and her pursuit of education. In contrast to her, Maria and Mampe use mainly sex and the body to ensure their survival in a racist South Africa. The Seller of Songs, like Popi, uses her service to the community to subvert its prejudice. In their different circumstances, the women characters in this novel employ different subversive strategies, all of which work ultimately to their advantage. On the whole, this study argues that female subversion in Zakes Mda’s The Madonna of Excelsior is effected through various media, including sex and the body, racial differentiation, education, silence, community engagement, political activity, and family reconciliation.

This research examines the relationship between the attitudes of fictional writers and those of society toward American Indians from colonial America to the present. A content analysis was used to validate the hypothesis. In order to show changing attitudes and different schools of thought, this research was arranged into four time periods: "The Ethnocentric Conquerors," "The Ethnocentric Romantics," "The Ethnocentric Acculturationists," and "The Revisionists." The findings demonstrate that there is a close correlation between the attitudes of fictional authors and those of society during a given time period,

MA (Xitsonga) / M.E.R. Mathivha Centre for African languages, Arts and Culture / See the attached abstract below

This paper is a study of a series of books known as the Winston Adventure Books, published by the John C. Winston Company. Each of these books, recommended by the publishers for children ten years of age or older, is based on little-known incidents in the life of an unsung hero who helped shape history. The editors of the series have planned these books to deal with events and personalities not adequately described in history. The various books in the series cover civilization from 1300 to World War II in 1942. This series is of sufficient importance to justify a study to determine the content and quality of the individual volumes in the series and their acceptance by professional librarians and reviewers. The characteristics of the series as a whole will be analyzed. Such a paper may prove to be useful to those interested in the study of children's and young people's literature and a valuable bibliographic source for a librarian interested in identifying books appropriate for slow or reluctant readers in high schools and in becoming familiar with books potentially valuable for supplementary reading in the social studies. / Typescript. / "January, 1960." / "Submitted to the Graduate Council of Florida State University in partial fulfillment of the requirements for the degree of Master of Arts." / Advisor: Sara Krentzman Srygley, Professor Directing Paper. / Includes bibliographical references (leaves 101-108).

Mark Twain's Adventures of Huckleberry Finn contains three character types which serve as models for the protagonists of certain twentieth century writers. The distinguishing characteristics of Tom, Jim, and Huck reappear in the central figures of later American novels, novels dealing explicitly with the relationship between human perception and consequent behavior. The contrasting perceptions of Mark Twain's characters provide his novel with thematic tensions that, in distinct and enlarged forms, become basic interests of major twentieth century writers. The tragedy of fixed perceptions in a world of constant flux concerned William Faulkner in Absalom, Absalom! and F. Scott Fitzgerald in The Great Gatsby. Saul Bellow's The Adventures of Augie March and Thomas Wolfe's Look Homeward, Angel depict heroes dissatisfied with but undaunted by the limitations of human perceptions. Sherwood Anderson's Winesburg, Ohio and J. D. Salinger's The Catcher in the Rye illustrate the evolution to maturity of George Willard and Holden Caulfield. Mark Twain's conscious presentation of three different and conflicting characters creates an appropriate categorization of types which elucidates thematic patterns in later American novels. The triangular conflict of perceptions in Mark Twain's novel can be traced in any number of modern American novels, and the character types defined by Tom Sawyer, Jim, and Huck Finn can be applied to many more works than are considered here. All of the works treated in this paper are novels of initiation; their protagonists are. young men encountering life and confronting America. The fact that these characters are widespread throughout modern literature indicates the seriousness with which the American writer is committed to arriving at an understanding of the power and limitations of human perceptions.

No description available.