張楠. / "2003年8月". / 論文(哲學碩士)--香港中文大學, 2003. / 參考文獻(leaves 100-104). / 附中英文摘要. / "2003 nian 8 yue". / Zhang Nan. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2003. / Can kao wen xian (leaves 100-104). / Fu Zhong Ying wen zhai yao. / 引言 --- p.1 / Chapter 第一章 --- 背景槪述 / Chapter 1.1 --- 楊沬生平 --- p.4 / Chapter 1.2 --- 政治、文化環境 --- p.6 / Chapter 1.3 --- 50年代文學中的知識份子問題 --- p.13 / Chapter 第二章 --- 硏究槪況 / Chapter 2.1 --- 討論和版本修訂 --- p.23 / Chapter 2.2 --- 「再解讀」的演進 --- p.36 / Chapter 第三章 --- 成長故事與五四之名 / Chapter 3.1 --- 另類「娜拉」 --- p.41 / Chapter 3.2 --- 愛情的政治性 --- p.46 / Chapter 3.3 --- 在「五四」的名義下 --- p.52 / Chapter 第四章 --- 文本敘事與意識形態 / Chapter 4.1 --- 身體´Ø政治 --- p.58 / Chapter 4.2 --- 欲望´Ø革命 --- p.68 / Chapter 4.3 --- 歷史´Ø敘事 --- p.77 / Chapter 第五章 --- 結語 --- p.85 / 附錄一:出版年表 --- p.89 / 附錄二:《青春之歌》評論資料 --- p.90 / 參考書目 --- p.100 / 參考論文 --- p.104

In this thesis, the critical term "character" is defined from a reader's perspective as a process involving three elements: (1) syntactical character, the printed words that delimit character in the order in which they occur; (2) spatial character, these printed words organized in the reader's mind into a pattern. These two together are called grammatical character; and (3) a mental image that results from reading these printed words.

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This thesis is concerned with engaging a critic who has been neglected by his peers in the field of Joyce studies for more than forty years. This critic, Joseph Campbell, is an American scholar more popularly known for his studies in myth. However, he began his intellectual career contributing to a subject that emerged in the early years of the critical reception of Finnegans Wake: that the dream depicted in Joyce???s final masterpiece is dependent on a Dreamer. The neglect Campbell???s work has endured is largely due, this thesis argues, to an inaccurate treatment of his reading of this dream figure. This inaccuracy largely stems from a critic, Clive Hart, who engages with the debate of the Dreamer as an introductory means to demonstrating the ???structural??? theories involved in the Wake. As a minor feature of Hart???s analysis, Campbell???s theory of the Dreamer is identified with another method, one belonging to a fellow American Joycean, Edmund Wilson, a method incongruent with Campbell theories of dream consciousness. Subsequently, Campbell remains an undeveloped scholar within Joyce criticism. To counter Hart???s inaccurate depiction of Campbell, this thesis argues that there is provision in early scholarship to re-evaluate Campbell???s theory of the Dreamer in more developed terms. In this respect, the thesis is divided up into three sections. The first section is a literary review of this early scholarship, demonstrating certain influential strains of thought equivalent to Campbell???s ???metaphoric??? concept of the Dreamer, one that contrasts with the rigid, ???literal??? ideas his work is predominantly identified. The second section examines Campbell???s account in detail and the specific criticism it drew from Hart. Finally, the third section argues that Campbell???s interpretation of the Dreamer is best engaged through an archetypal account of the Dreamer, one that regards the symbols encountered in the Wake through the ???guiding??? features of a mythological concept of the psyche sensitive to the reflexive tendencies of the dream portrayed, Campbell???s ???cosmogonic cycle???.

University of Macau / Faculty of Social Sciences and Humanities / Department of English

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