Freie Univ., Habil.-Schr.--Berlin, 2007.

Univ., Diss.--Potsdam, 2005. / Literaturverz. S. 277 - 301. - CD-ROM enth.: Abbildungen.

Zugl.: Buckinghamshire, Univ., Diplomarbeit, 2007.

Teilw. zugl.: Leipzig, Univ., Habil.-Schr., 2006 / Literaturverz. S. [297] - 327

Zugleich: Diss. phil. I Zürich, 2007. / Register. Literaturverz. Filmogr.

Diss. Univ. Mannheim, 2006.

No description available.

Diploma thesis The relation between Media Depiction and Historical Truth on the example of Historical Motion Picture and Television Series deals with the relationship between official historiography and contemporary historical film or TV series. The work is based on a theoretical framework, which postulates Robert A. Rosenstone in several publications, especially in the book History on Film/Film on History. The American historian and film theorist is one of the most prominent supporters of the view that historical film must be seriously perceived not only as a historical artifact but also as a medium conveying the depiction of the past. Qualitative analysis was performed in the work of movies Masaryk, Lidice and the miniseries Hořící keř. In the first part of the work, they were compared with an institutionally recognized version of the past - specifically with secondary school textbooks with the approval clause of the Ministry of Education, Youth and Sports of the Czech Republic. In the following part, the film inventions were examined according to the theory of Rosenstone and finally according to the theory of fictional worlds according to the linguist Lubomír Doležel. The thesis aims to answer the hypotheses that state that the Czech historical film in historical key events coincides with the...

No description available.

The diploma thesis focuses on the phenomenon of cult film, its theoretical definition, its history from the beginning to the present days, in world vide and Czech context. Another topic is the typology of cult films, selected cult directors. The other aim are fan activities, which are essential for the acquisition of the cult status of the film. The aim of this work is to reflect the phenomenon of cult film and to analyse selected Czech films in order to find out whether these films meet the cult film criteria according to the characteristics of selected theoreticians. The resulting analysis will confirm or will rebut my hypothesis and will show whether the use of the term cult film is accidental and has its backing in the Czech environment.