- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 71 to 80 of 703 (0.038 seconds)Spelling suggestions: "subject:"film 2studies"" "subject:"film 3studies""
| 71 |
Images of Children In American Film: A Socio-Cultural AnalysisJackson, Kathy Merlock January 1984 (has links)
No description available.
|
| 72 |
“I Just Wanna Be Wonderful”: The Cultural Legacy of Marilyn MonroeDick, Lesley A. January 1985 (has links)
No description available.
|
| 73 |
Twilight and Shadows: The Lesbian Presence in Film NoirMoore, Terry L. January 1998 (has links)
No description available.
|
| 74 |
Hell at Heathridge: A Student FilmPina, Tyler A. 16 May 2014 (has links)
No description available.
|
| 75 |
Exploitative to Favorable, Freak to Ordinary: The Evolution of Disability Representation in FilmThompson, Julia Erwin 02 December 2015 (has links)
No description available.
|
| 76 |
An Examination of the Effects of Broadband and Digital Technologies on the Distribution and Exhibition of Motion Picture and Television ContentOLSON, PHILIP January 2015 (has links)
No description available.
|
| 77 |
Chantier: The Process of BecomingO'Sullivan, Keelan, O'Sullivan 02 September 2016 (has links)
No description available.
|
| 78 |
...COME IL VENTO ATTRAVERSO UN PAESAGGIO DESOLATO AND THE USE OF FILM EDITING CONCEPTS IN MUSIC COMPOSITIONFalconi, James January 2013 (has links)
...come il vento attraverso un paesaggio desolato, a composition for chamber orchestra in one movement (about 19-20 minutes in duration), demonstrates a personal method for writing instrumental music--one that mimics filmmaking processes. Using my own fictional narrative as a guide, I created the piece as a series of scenes made up of musical images. Within each image, I organize the musical materials as a filmmaker organizes elements of the mise en scène. Exploring the parallels between these two media further, I cut from one image to another, manipulating the music with the mindset of a film editor. This paper is divided into six chapters. Chapter 1 provides background on the genesis of my approach to instrumental music composition. Chapter 2 offers personal observations on film editing and narrative. Chapter 3 is a brief discussion of connections between film editing and instrumental music. Chapter 4 is an examination of narrative in instrumental music. Chapter 5 explores the concept of the musical image. Chapter 6 is an analysis of ...come il vento attraverso un paesaggio desolato, including: the use of narrative, the translation of mise en scène to the musical image, the translation of film editing concepts to organize musical ideas, my choices in timbre and instrumentation, and, finally, a conclusion on this approach to composition. / Music Composition
|
| 79 |
The Address of the Soul: Phenomenology and the Religious Experience of FilmLaamanen, Carl 29 August 2019 (has links)
No description available.
|
| 80 |
Intimate Spaces in Francois Ozons Swimming PoolTasevska, Tamara 18 August 2014 (has links)
No description available.
|
Page generated in 0.0437 seconds