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The Music of Marc Battier, Kee Yong Chong and Gene Coleman: Compositions for Traditional Asian Instruments and Electronics in the Twenty-First CenturyChin, Hong-Da 29 November 2017 (has links)
No description available.
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Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in UnderstatementsRostovtsev, Ilya Y. 12 1900 (has links)
Understatements for two-channel fixed media is a four-movement study of the sonic potential of acoustic instruments within the practice of electroacoustic studio composition. The musical identity of the entire composition is achieved through consistent approaches to disparate instrumental materials and a focused investigation of the relationships between the various acoustic timbres and their electroacoustic treatments. The analytical section of this paper builds on contemporary research in electroacoustic arts. The analysis of the work is preceded by a summary of theoretical and aesthetic approaches within electroacoustic composition and the introduction of primary criteria of sonic faktura (material essence) used in the compositional process. The analyses address the idiosyncratic use of the concept of faktura to contextualize and guide the unfolding of the work. The reconciliation of the illusory electronic textures and the acoustic sources that parented them may be considered the ultimate goal of Understatements.
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Treatment of sanitary sewer overflow using fixed media bioreactorsTao, Jing January 2008 (has links)
No description available.
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Compositional approaches within new media paradigmsOliveiro, Mark, 1983- 05 1900 (has links)
"Compositional Approaches to New Media Paradigms" is the discursive accompaniment to the original composition BoMoH, (a new media chamber opera. A variety of new media concepts and practices are discussed in relation to their use as a contemporary compositional methodology for computer musicians and digital content producers. This paper aligns relevant discourse with a variety of concepts as they influence and affect the compositional process. This paper does not propose a new working method; rather it draws attention to a contemporary interdisciplinary practice that facilitates new possibilities for engagement and aesthetics in digital art/music. Finally, in demonstrating a selection of the design principals, from a variety of new media theories of interest, in compositional structure and concept, it is my hope to provide composers and computer musicians with a tested resource that will function as a helpful set of working guidelines for producing new media enabled art, sonic or otherwise.
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The Inconsistent ContinuitiesGreen, Julian Roger 05 May 2023 (has links)
No description available.
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