• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 21
  • 3
  • 2
  • 2
  • 2
  • 2
  • 1
  • 1
  • Tagged with
  • 31
  • 25
  • 14
  • 8
  • 6
  • 5
  • 5
  • 5
  • 5
  • 4
  • 4
  • 4
  • 4
  • 4
  • 4
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

The history and development of the vibes

Meyer, Jacqueline Ann. January 1973 (has links)
Thesis (M.A.)--Indiana State University, 1973. / Typescript. Includes bibliographical references (leaves 41-42).
2

The published vibraphone music of Christopher Deane an examination and comparison of Mourning dove sonnet and The apocryphal still life /

Wolf, David Malcolm, January 2008 (has links)
Thesis (D.M.A.)--Ohio State University, 2008. / Title from first page of PDF file. Includes embedded audio and video examples. Includes bibliographical references (p. 169-270).
3

Concerto for vibraphone

Hartman, Lee, Mobberley, James. January 2009 (has links)
Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2009. / "A dissertation in music composition." Advisor: James Mobberley. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 30, 2009. Includes performances notes. Online version of the print edition.
4

Rondo retorno for vibraphone and two-channel tape /

Cheung, Ka Ho, Mobberley, James. January 2006 (has links)
Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2006. / "A thesis in music composition." Includes compact discs. Typescript. Advisor: James Mobberley. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 12, 2007. Online version of the print edition.
5

Real time vibraphone pitch and timbre classification /

Larke, Kevin. January 2008 (has links)
Thesis (M.A.)--University of California, San Diego, 2008. / Title from first page of PDF file (viewed Jan. 12, 2009). Available via ProQuest Digital Dissertations. Includes bibliographical references: P. 42-44.
6

A Performance Guide of Selected Works for Horn and Mallet Percussion

Maltese, Casey N 09 May 2011 (has links)
Since its early development in the 16th century, chamber music has had an extensive evolution. In recent years as composers have become more experimental concerning instrumentation in chamber music settings, many have began to combine wind instruments with percussion, thus creating a new genre. Even more specific genres have evolved from these happenings in chamber music, such as the duo of a solo wind instrument paired with a mallet percussion instrument. The horn, an important and diverse figure amongst the chamber music literature, has been no exception to this development. There has been an increase in popularity of music for horn and mallet percussion to be performed and recorded, but there has not been an extensive amount of scholarship on the topic. This study will focus exclusively on three works for horn and mallet percussion: HornVibes (1984) by Verne Reynolds, Sonata for Horn and Marimba (1986) by Charles Taylor, and The Call of Boromir (1996) by Daniel McCarthy. These works were selected based on their availability through professional recordings and publishing companies. Coincidentally, the three chosen works for this study were composed for Leslie and Christopher Norton. The purpose of this paper is to provide a performance guide for horn players who are considering these three works for a performance. It contains an introduction that displays the need for the study, a review of the role of the horn in chamber music, an explanation of the events leading up to the study, and methods used to conduct the study. For each individual work, there is a chapter containing a brief biography of the composer, an analysis, and performance preparation suggestions. Musical examples and tables are used in each chapter to aid in explanation. The goal of this performance guide is to provide an introduction to a newer genre of chamber music, and to provide horn players with insight and recommendations in order to properly prepare and perform works for this unique ensemble.
7

Vibraphone transcription from noisy audio using factorization methods

Zehtabi, Sonmaz 30 April 2012 (has links)
This thesis presents a comparison between two factorization techniques { Probabilistic Latent Component Analysis (PLCA) and Non-Negative Least Squares (NNLSQ) { for the problem of detecting note events played by a vibraphone, using a microphone for sound acquisition in the context of live performance. Ambient noise is reduced by using specifi c dictionary codewords to model the noise. The results of the factorization are analyzed by two causal onset detection algorithms: a rule-based algorithm and a trained machine learning based classi fier. These onset detection algorithms yield decisions on when note events happen. Comparative results are presented, considering a database of vibraphone recordings with di fferent levels of noise, showing the conditions under which the event detection is reliable. / Graduate
8

The devlopment of Cal Tjader's Latin jazz vibraphone style /

Thomas, Benjamin, January 2007 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2007. / Vita. Includes bibliographical references (leaves 42-43).
9

Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane

Smith, Joshua D., January 2008 (has links)
Thesis (D.M.A.)--University of North Texas, 2008. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 24, 2006, Sept. 25, 2006, Apr. 16, 2007, and May 13, 2008. Includes bibliographical references (p. 63-66).
10

An examination of selected works for percussion: Black sphinx by Leander Kaiser, To the Gods of rhythm by Nebojsa Zivkovic, Regresar a Nuestra by Stephanie Sasscer, Wave, How Insensitive and Agua de Beber by Antonio Carlos Jobim, Concerto pour vibraphone et piano by Emmanuel Sejourne, 6 & 8 by Tobias Brostrom, Suomineito by Nebojsa Zivkovic, Conververgences by Steve Fitch

Dease, Emory Christian January 1900 (has links)
Master of Music / Department of Music / Kurt R. Gartner / This is a report intended to assist in educating musicians planning to perform or study any number of the following compositions: Black Sphinx by Leander Kaiser, To the Gods of Rhythm by Nebojsa Jovan Zivkovic, Regresar a Nuestra by Stephanie Sasscer, Wave, How Insensitive, Agua de Beber by A.C. Jobim, Concerto for Vibraphone, movement I by Emmanuel Sejourne, 6 & 8 by Tobias Brostrom, Suomineito by Nebojsa Jovan Zivkovic, and Convergences by Steve Fitch. Each composition has been analyzed in accordance with Jan LaRue’s method of style analysis. For some compositions, analysis of harmony has been omitted. For all compositions, the author has analyzed essential technical and interpretive performance considerations according to LaRue’s analytical method. LaRue’s method includes analysis of Sound, Harmony, Melody, Rhythm, Growth and Performance.

Page generated in 0.0465 seconds