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31	Genre and perspective of character development in Hermann Hesse's Der Steppenwolf and Max Frisch's Homo faber Grislis, Karen. January 1984 (has links) No description available. Hesse, Hermann, 1877-1962. Steppenwolf. Frisch, Max, 1911-1991. Homo faber. Literary form.
32	Personal identity in the novels of Max Frisch and Luigi Pirandello Remington, Rachel. January 1999 (has links) This MA thesis is a comparative study of the novels of Luigi Pirandello (Agrigento 1867--Rome 1936) and Max Frisch (Zurich 1911--1991). Six texts are discussed: Pirandello's Il fu Mattia Pascal (1904), Quaderni di Serafino Gubbio operatore (1915), and Uno, nessuno e centomila (1925--6); and Frisch's Stiller (1954), Homo faber (1957), and Mein Name sei Gantenbein (1964). The comparison highlights the great similarities between Pirandello's and Frisch's treatment of the theme of identity as well as some important (and mainly structural) differences in their novelistic works. The analysis of the three pairs of novels shows the developments in narrative structure and the characteristic change of attitude towards the question of identity construction that took place from early-modernism to postmodernism.
33	Der Mythos Don Juan in Oper und Theater des 17. bis 20. Jahrhunderts Sommer, Daniela January 2008 (has links) Zugl.: Heidelberg, Univ., Magisterarbeit
34	Aufbruch und Wiederkehr Studien und Interpretationen zum Reise-Motiv im zeitgenössischen Roman : dargestellt am Beispiel Wolfgang Koeppens, Alfred Anderschs und Max Frischs / Sahbi, Thabti, January 1981 (has links) Thesis (doctoral)--Westfälische Wilhelms-Universität zu Münster, 1981. / Vita. Includes bibliographical references (p. 237-244).
35	Aufbruch und Wiederkehr Studien und Interpretationen zum Reise-Motiv im zeitgenössischen Roman : dargestellt am Beispiel Wolfgang Koeppens, Alfred Anderschs und Max Frischs / Sahbi, Thabti, January 1981 (has links) Thesis (doctoral)--Westfälische Wilhelms-Universität zu Münster, 1981. / Vita. Includes bibliographical references (p. 237-244).
36	Max Frisch: "Andorra" - komplexní scénografické řešení / Max Frisch: Andorra Trpković, Andrijana January 2014 (has links) The writing of Max Frisch and especially Andorra is dealing with compesation with past and attitude, with we are having towards history and deeds that were done. If we are able of selfreflection not just as a nation, but also in personal lifes. Another level of the story is is unconformity and differency of a main character Andri. Frisch is writing about a land called Andorra, but reader cannot avoid similarity with his birthland Switzerland, as I clearly see the resemblance in ,,greatness" of Czech republic. This work is nothing but reflection of todays situation in society and its direction, as well as direction of Theater (the actor and spectator of today, relationship between them, pretending vs. authenticity) and culture in our country as well as in german speaking countries.
37	Personal identity in the novels of Max Frisch and Luigi Pirandello Remington, Rachel. January 1999 (has links) No description available.
38	Genre and perspective of character development in Hermann Hesse's Der Steppenwolf and Max Frisch's Homo faber Grislis, Karen. January 1984 (has links) No description available. Literary form. Frisch, Max, 1911-1991. Homo faber. Hesse, Hermann, 1877-1962. Steppenwolf. German
39	"--Dass einer mit sich selbst identisch wird" : zur Identitätsproblematik in Max Frischs Werk / The problem of identity in Max Frosch's work Kohl, Martha Elisabeth Bärbel 11 1900 (has links) Text in German / Summary in English / Max Frisch's work centres around the question of authenticity of the individual, of true self-identity. It is difficult and problematic if ever possible to discover the true inner self. Stereotypical thinking, prejudice as well as societal demands, rules and norms are great obstacles in the way for attaining this goal. Frisch's protagonists fail in one or another way. The emphasis lies therefore not in the answer but rests on the questions as to why and how failure occurred and contemplate possible alternatives. The message is: the task is arduous, never completed. The goal lies in the process rather than in the end. It is a continuous struggle, appraisal and renewal resulting in raising awareness and consciousness and thus find more true and independent solutions. Frisch's work is an appeal to the public to take charge, to exercise one's choices wisely and to act with love and responsibility / Classics & Modern European Languages / M. A. (German) Identity Autheticity Self-awareness Self-consciousdness Role Image Norm Prejudice Stereotype Critical thinking Reality Problem of identity Incident 838.91409 Self in literature
40	"--Dass einer mit sich selbst identisch wird" : zur Identitätsproblematik in Max Frischs Werk / The problem of identity in Max Frosch's work Kohl, Martha Elisabeth Bärbel 11 1900 (has links) Text in German / Summary in English / Max Frisch's work centres around the question of authenticity of the individual, of true self-identity. It is difficult and problematic if ever possible to discover the true inner self. Stereotypical thinking, prejudice as well as societal demands, rules and norms are great obstacles in the way for attaining this goal. Frisch's protagonists fail in one or another way. The emphasis lies therefore not in the answer but rests on the questions as to why and how failure occurred and contemplate possible alternatives. The message is: the task is arduous, never completed. The goal lies in the process rather than in the end. It is a continuous struggle, appraisal and renewal resulting in raising awareness and consciousness and thus find more true and independent solutions. Frisch's work is an appeal to the public to take charge, to exercise one's choices wisely and to act with love and responsibility / Classics and Modern European Languages / M. A. (German) Identity Autheticity Self-awareness Self-consciousdness Role Image Norm Prejudice Stereotype Critical thinking Reality Problem of identity Incident 838.91409 Self in literature

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