41 |
A rationale and structure for graphic communication technology with implications for industrial arts education /Gysler, Randolph Louis January 1971 (has links)
No description available.
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Experiential design /Sisson, Laurel. January 1993 (has links)
Thesis (M.F.A.)--Rochester Institute of Technology, 1993. / Typescript. Includes bibliographical references (leaves 49-57).
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Timing considerations in visual communication /Aloumi, Ahmad Eissa. January 2008 (has links)
Thesis (M.F.A.)--Rochester Institute of Technology, 2008. / Typescript. Includes bibliographical references (leaves 109-110).
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The interactive orientation module for the electronic archive resource of the National Graphic Design Archive /Smith, Cynthia S. January 1992 (has links)
Thesis (M.F.A.)--Rochester Institute of Technology, 1992. / Typescript. Includes bibliographical references (leaves 28).
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An analysis of the barriers impacting student enrollment in graphic arts programs at Fox Valley Technical CollegeKilgas, Gary W. January 2007 (has links) (PDF)
Thesis PlanB (M.S.)--University of Wisconsin--Stout, 2007. / Includes bibliographical references.
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Motopomo: the historical-theoretical background to contemporary graphic design practicesEconomou, Inge January 2005 (has links)
This study proposes to illustrate that the twentieth century passage from modernity to postmodernity, with its induction of socio-cultural development and attitudinal change, exists as a fundamental means of informing the character of contemporary graphic design practice1. Today, in contrast to the intentions of this study, many appraisals of graphic design work would seem to place too much emphasis on the analyses and evaluation of the stylistic character of creative practices and not enough on the theoretical, historical and attitudinal issues surrounding them. As such, this study attempts to reveal the meaning and moreover the relevance of philosophical, social, cultural and critical theory for contemporary, postmodern graphic design practices. This is done in order to provide graphic designers with a reflective awareness of the structure of the cultural context within which they work, and takes into account twentieth century cultural theory and twentieth century, western graphic design practice, within the framework of the passage from modernity to postmodernity.
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A Study of Recent Commerical Graphic Arts Material and Procedures for Application in College and University Advertising Art ProgramsCavanaugh, Charles J. 08 1900 (has links)
It is the problem of this thesis to study recent commercial graphic arts materials and procedures, and to suggest some creative uses of them for college and university advertising art programs.
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Publication of an Internet-accessible database resource for Arts et métiers graphiques /Hugill-Fontanel, Amelia J. January 2002 (has links)
Thesis (M.S.)--Rochester Institute of Technology, 2002. / Typescript. Accompanying CDROM contains the prototype of AMG web-based database and electronic copy of the thesis. Includes bibliographical references.
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Cross-disciplinary use of metaphor /Arbegast, Jeff. January 1993 (has links)
Thesis (M.F.A.)--Rochester Institute of Technology, 1993. / Typescript. Includes bibliographical references.
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Combining the graphic arts and fine arts for artistic expression using the medium of printmaking /Condon-Howe, Linda. January 1984 (has links)
Thesis (M.F.A.)--Rochester Institute of Technology, 1984. / Typescript. Includes bibliographical references (leaf 27).
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