Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2011. / Submitted by Elna Araújo (elna@bce.unb.br) on 2012-07-25T21:03:24Z No. of bitstreams: 1 2011_SilviaUrmilaAlmeidaSantos.pdf: 788289 bytes, checksum: 3e4a605182032c7194784db1cd0492fe (MD5) / Approved for entry into archive by Jaqueline Ferreira de Souza(jaquefs.braz@gmail.com) on 2012-07-30T12:25:18Z (GMT) No. of bitstreams: 1 2011_SilviaUrmilaAlmeidaSantos.pdf: 788289 bytes, checksum: 3e4a605182032c7194784db1cd0492fe (MD5) / Made available in DSpace on 2012-07-30T12:25:18Z (GMT). No. of bitstreams: 1 2011_SilviaUrmilaAlmeidaSantos.pdf: 788289 bytes, checksum: 3e4a605182032c7194784db1cd0492fe (MD5) / Esta pesquisa tem por objetivo constituir apontamentos críticos sobre os romances Ninguém escreve ao coronel (1957) e Cem anos de solidão (1967), de Gabriel García Márquez, sob a perspectiva de idealização da modernidade. Este estudo pretende observar, estruturalmente, como se dá a percepção da condição periférica por meio de dois personagens das referidas obras de García Márquez. Pretende-se analisar também o propósito de aproximação entre a esposa do coronel de Ninguém escreve ao coronel e Úrsula Iguarán de Cem anos de solidão. O objetivo é entender como personagens de distintas narrativas, estruturadas esteticamente sob os moldes do realismo fantástico, porém, tão díspares em forma e conteúdo, podem ser compreendidas em função uma da outra. Trata-se, portanto, de uma comparação dialética entre a esposa do coronel reformado, que em meio a discernimentos e autoconsciência dilacerada da burocracia se destina ela mesma ao egoísmo e a matriarca da estirpe condenada a cem anos de solidão Úrsula Iguarán, que, pesem várias diferenças e distanciamentos, aproximam-se pela visão intencionada ou não, catastrófica ou não, das justificações ideológicas de classe. Em última instância, se perguntará: “Em quais pontos uma das primeiras obras de Gabriel García Márquez, a saber, Ninguém escreve ao coronel, uma narrativa elaborada sem grandes pretensões formais e estilísticas, acerca-se de Cem anos de solidão, provavelmente um dos romances latino-americano mais lido do mundo em que as escolhas estilísticas do autor, valorizadas e aclamadas pela literatura mundial, alcançaram força e amplitude extraordinárias?”. _________________________________________________________________________________ ABSTRACT / This research aims to constitute critical notes on the novels Nobody writes to the Colonel (1957) and One hundred years of solitude (1967), by Gabriel García Márquez, from the perspective of idealization of modernity. This study seeks to define, structurally, the perception of peripheral condition through two characters of these works of García Márquez. Furthermore it will examine the intended similarity between the wife of the colonel in Nobody writes to the Colonel and the character of Ursula Iguarán in One Hundred Years of Solitude. The goal is to understand how characters from different stories, aesthetically structured in the manner of magical realism, but so different in form and content, can be understood in terms of one another. Hence It is a comparison of the dialectic between the wife of the retired colonel, who in the midst of insights and the bureaucracy of her self-consciousness, devotes itself to the selfishness, and Ursula Iguarán, the matriarch sentenced to one hundred years of solitude, that, despite several differences and distances, are close to the intention or not, catastrophic or not, the ideological justification of class. Eventually it will ask "Which aspects in the early work of Gabriel García Márquez, namely Nobody writes to the colonel, an elaborated narration without too many formal and stylistic pretensions, converge to his latter One hundred years of solitude, probably one of the world's most read Latin American novel with the author's stylistic art of writing, valued and praised in world literature, both pieces having achieved extraordinary power of expression and magnitude?".

Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2012. / Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2012-10-19T15:06:00Z No. of bitstreams: 1 2012_FernandaFreireCoutinho.pdf: 1186456 bytes, checksum: c6b8bcd6fe4ac465f54528a7161a6ba1 (MD5) / Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2012-11-05T11:38:22Z (GMT) No. of bitstreams: 1 2012_FernandaFreireCoutinho.pdf: 1186456 bytes, checksum: c6b8bcd6fe4ac465f54528a7161a6ba1 (MD5) / Made available in DSpace on 2012-11-05T11:38:22Z (GMT). No. of bitstreams: 1 2012_FernandaFreireCoutinho.pdf: 1186456 bytes, checksum: c6b8bcd6fe4ac465f54528a7161a6ba1 (MD5) / Esta dissertação aborda os contos do escritor brasileiro Murilo Rubião com ênfase no caráter fantástico que possuem, a fim de demonstrar a forma como representam literariamente a vida social brasileira e se articulam ao sistema literário nacional, bem como a relação que mantêm com a produção latino-americana em geral. Considerando a força que a narrativa fantástica possui dentro de um contexto latino-americano, busca-se entender ao menos duas vertentes da literatura fantástica recorrentes no bloco: o fantástico moderno e o realismo mágico. Para melhor compreender cada estilo e sua importância para a literatura na América Latina, serão analisados dois contos de Murilo Rubião, representando o fantástico moderno; e dois contos de Gabriel García Márquez, relacionados ao realismo mágico. Desse modo, esta pesquisa é composta por um panorama geral da teoria sobre literatura fantástica, uma breve discussão acerca da relação entre a história e as literaturas latino-americanas, uma apresentação da obra de Murilo Rubião e, por fim, uma análise comparativa entre contos de Rubião e García Márquez. Esta sistematização pretende propiciar uma melhor compreensão do que aproxima e distingue os gêneros, além de permitir entender o que inclui o Brasil nesse contexto latino-americano, e, ao mesmo tempo, perceber o que impede uma classificação simplista e generalizada das diferentes literaturas produzidas pelos países que formam a América Latina. ______________________________________________________________________________ ABSTRACT / This dissertation discusses some short stories written by the Brazilian writer Murilo Rubião, focusing on the fantastic feature held by those narratives, in order to demonstrate the way they represent the Brazilian social life in their literary form, considering both that Rubião’s work is articulated to a national literary system and the relation his stories have to the Latin American production in general. Regarding the importance fantastic narrative has inside a Latin American context, this analysis pursues the understanding of at least two different common currents of fantastic literature occurring in this bloc: the Modern Fantastic and the Magical Realism. In order to better understand each genre and their importance to literature in Latin America, this research includes the analysis of two short stories by Murilo Rubião, which are related to Modern Fantastic, as well as two short stories by Gabriel García Márquez, representing the Magical Realism. Thereby, this dissertation is composed by a general perspective of Fantastic Literature’s theory, along with a brief discussion on the relationship between History and Latin American literatures, followed by a punctual presentation of Murilo Rubião’s work and, finally, a comparative analysis of Rubião and García Márquez short stories, as mentioned before. Those steps aim to provide a better comprehension of what approximates and differentiates the genres pointed above. It should also help the reader to identify what includes Brazil in this Latin American setting, at the same time it highlights the importance of avoiding a simplistic and generalized view of distinct national literatures written in Latin American countries.

O tema da presente dissertação consiste na análise do processo de construção da identidade de Amaranta, personagem da obra Cem anos de solidão, de Gabriel García Márquez. Serão observados, nesse sentido, os aspectos relacionados à identidade feminina voltada à representação da mulher e à fragmentação do sujeito no contexto fantástico da obra, assim como na verificação da reprodução de noções de regionalidade dentro dessa perspectiva. A estrutura do trabalho é composta por aspectos como, corporalidade da personagem, desenvolvimento do duplo em sua trajetória, opção pelo celibato, construção da maternidade e configuração da memória na velhice. Para tanto, servirão como aporte teórico os estudos sobre identidade e cultura, gênero e crítica feminista, regionalidade. / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The subject of this dissertation is the analysis of the identity construction process of Amaranta, character of the book One Hundred Years of Solitude by Gabriel García Marquez. Aspects of the female identity related with woman representation and the fragmentation of the subject within the fantastic context of the book, as well as regional characteristics inside this perspective, are analyzed in this work. The structure of the present text is composed of several aspects, including the character corporality, the development of the double in her trajectory, her option for celibacy, the construction of motherhood, and the memory configuration during her old age. Studies about identity and culture, gender and feminist critics, and regionalism will be used as theoretical support for that analysis.

Titre de l'écran-titre (visionné le 11 avril 2023) / Le présent travail de recherche-création porte sur les fonctions de l'imaginaire, particulièrement face à différentes contraintes auxquelles le récit, les personnages ou même l'auteur peuvent être soumis. La première partie étudie Cent ans de solitude de Gabriel García Márquez et le rôle que l'imaginaire y joue. Plus précisément, nous centrerons la recherche autour du personnage d'Aureliano Babilonia, dernier représentant de la famille Buendía. La deuxième partie, intitulée Borrados, met en scène un groupe d'enfants dans un centre de détention à la frontière des États-Unis et du Mexique. En réaction à l'ennui et aux difficultés qu'apporte leur vie en captivité, Pepe, le personnage principal, prend les rênes de la narration en créant un monde imaginaire où les enfants se réfugient. Parallèlement, les personnages se racontent des histoires tirées d'un livre trouvé et dont les éléments influencent peu à peu leur univers. L'imaginaire joue donc un rôle principal dans le quotidien de ces personnages restreints dans une situation de huis clos. / This research-creation paper deals with the functions of the imaginary, especially in the face of different constraints to which the narrative, the characters or even the author may be subjected. The first part studies Gabriel García Márquez's One Hundred Years of Solitude and the role that the imaginary plays in it. Specifically, we will focus the research around the character of Aureliano Babilonia, the last representative of the Buendía family. The second part, entitled Borrados, features a group of children in a detention center on the border of the United States and Mexico. In reaction to the boredom and difficulties that their life in captivity brings, Pepe, the main character, takes the reins of the narrative by creating an imaginary world where the children take refuge. At the same time, the characters tell each other stories from a found book, whose elements gradually influence their world. Imagination thus plays a main role in the daily life of these characters, who are confined in a closed situation.

Etapa inicial de uma investigação sobre as cidades imaginárias. A configuração de Macondo em Cem anos de solidão de Gabriel García Márquez; a construção da verossimilhança e o estatuto do imaginário. O conteúdo mítico da narrativa; relações entre a História, a Antropologia e a Literatura. A universalidade de um espaço regional. / Submitted by Marcelo Teixeira (mvteixeira@ucs.br) on 2014-05-20T17:00:31Z No. of bitstreams: 1 Dissertacao Karina de Castilhos Lucena.pdf: 560989 bytes, checksum: 800580720adab0d38ba57078edee252d (MD5) / Made available in DSpace on 2014-05-20T17:00:31Z (GMT). No. of bitstreams: 1 Dissertacao Karina de Castilhos Lucena.pdf: 560989 bytes, checksum: 800580720adab0d38ba57078edee252d (MD5) / Etapa inicial de una investigación sobre las ciudades imaginarias. La configuración de Macondo en Cien años de soledad de Gabriel García Márquez; la construcción de la verosimilitud y el estatuto del imaginario. El contenido mítico de la narrativa; relaciones entre la Historia, la Antropología y la Literatura. La universalidad de un espacio regional.

Etapa inicial de uma investigação sobre as cidades imaginárias. A configuração de Macondo em Cem anos de solidão de Gabriel García Márquez; a construção da verossimilhança e o estatuto do imaginário. O conteúdo mítico da narrativa; relações entre a História, a Antropologia e a Literatura. A universalidade de um espaço regional. / Etapa inicial de una investigación sobre las ciudades imaginarias. La configuración de Macondo en Cien años de soledad de Gabriel García Márquez; la construcción de la verosimilitud y el estatuto del imaginario. El contenido mítico de la narrativa; relaciones entre la Historia, la Antropología y la Literatura. La universalidad de un espacio regional.

The purpose of this thesis is to examine the coexistence of time in Gabriel Garcfa Marquez's One Hundred Years of Solitude as a cause of the supernatural events, the hereditary memory, and the solitude and to examine the effects of this mythical time frame on character development, plot, narrative structure, and theme. The thesis is divided into five chapters. The first chapter introduces the parchments as creators of mythical time. The second, third, and fourth chapters investigate the effects of this unconventional time. Supernatural events, clairvoyance, and solitude are all examined as effects. The final chapter correlates the writing of the parchments with the writing of the novel and explains the effects of unconventional time on the reader. Thus, this thesis illustrates how the coexistence of time functions of two levels: the level of the parchments and the level of the novel.

Tsang, Tak Fai. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 163-168). / Abstracts in English and Chinese. / Abstract --- p.i / Acknowledgement --- p.iii / Dedication --- p.iv / Contents --- p.v / Chapter Chapter 1 - --- Introduction / Postmodernism and the poststructuralist view of enunciation / Chapter A.) --- What is Postmodernism? - Three Dimensions --- p.1 / Chapter B.) --- What constitutes a problem with Postmodernism? --- p.26 / Chapter C.) --- What is an alternative framework? --- p.33 / Chapter D.) --- Conclusion --- p.41 / Chapter Chapter 2 - --- Complementary relationships between discourses and subjects / One Hundred Years of Solitude - solitudes longing for dialogue / Chapter A.) --- Introduction - a Poetics of Contest --- p.42 / Chapter B.) --- The Insufficiency of Contest and Subversion --- p.60 / Chapter C.) --- One Hundred Years of Solitude - a longing for dialogue --- p.69 / Chapter D.) --- Conclusion: Dialogism and Liberal Humanism --- p.83 / Chapter Chapter 3 - --- Subject and History / Midnight's Children - dialogues of individual and national unity / Chapter A.) --- Hutcheon's view of subjectivity and history --- p.84 / Chapter B.) --- Hypothesis: a dialogical structure of discourses in Midnight's Children --- p.93 / Chapter C.) --- Conclusion: re-defining the liberal humanist subject --- p.115 / Chapter Chapter 4 - --- Subject and Politics / Beloved 226}0ؤ Agency and the articulation of a favourable identity for ex-slaves / Chapter A.) --- p.117 / Chapter B.) --- Problems of Hutcheońةs framework in Beloved --- p.131 / Chapter C.) --- "Modifying Hutcheońةs framework: Dialogism, Centres and Discourses" --- p.137 / Chapter D.) --- Conclusion: redefining postmodernist subjectivity --- p.149 / Chapter Chapter 5 - --- Conclusion / Reconfiguring Liberal Humanism - an enunciative basis / Chapter A.) --- Significance --- p.151 / Chapter B.) --- "The Enunciating Subject, The Enonce and Power" --- p.152 / Chapter C.) --- From Epistemology to Ethics --- p.156 / Chapter D.) --- Opening the Dialogue - the Performative --- p.158 / Chapter E.) --- A Forward Glance: Dialogue in a Postmodernity --- p.160 / Epilogue --- p.162 / Bibliography / Works Cited --- p.163 / Works Consulted --- p.167

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