In this thesis I will look at Disney/Pixar’s creation and portrayal of gender in the film WALL-E. In particular I will be looking at two areas of interest: (1) The ways in which Disney/ Pixar anthropomorphizes and creates gender for WALL-E and EVE, the two main robots featured in the movie, and (2) whether or not Disney/Pixar’s representations of masculinity and femininity follow the stereotypical representations of male dominance or if this representations challenge this stereotype. In this chapter, I will begin with a brief overview of previous studies in the areas of anthropomorphism, gender representation in children’s media, and the effects of gender portrayal in children’s media. In Chapter 2 I will then move into a description of feminist criticism, the method by which I plan to analyze WALL-E. In Chapter 3, my analysis will be looking at Disney/Pixar’s creation of gender for WALL-E and EVE, the degree of male centeredness and male dominance present in WALL-E, and the ways in which females are marginalized and femininity is portrayed as non-normative.

Written early in the 11th century, the Tale of Genji is considered to be the world's first novel. Women's issues and relationships between men and women are central themes in the tale. In fact, in the last couple decades some critics have come to see the women of the Genji Monogatari as the novel's intended focus rather than Genji himself. Through Genji, the reader is able to experience the sad, interconnected fates of a host of women and thereby share in their trials and tribulations.

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1980 年代以來，女性主義話語(Feminist Discourse)在中國當代婦女研究的引入與發展，無疑是 跟中國內地的再度現代化同步的，它既是中國現代化進程的時代產物，同時也這個現代化大計 的其中一個非常重要的構成部分。事實上，除了為新時期的中國人民帶來現代性的想像外(例如 西方女性主義話語的「性別平等」觀念以及科學性格)，女性主義話語亦實際上夾帶著「主體」、 「個體自由」等作為現代性標記的概念。 本論文將會借助知識考古學的方法(Archaeology of Knowledge)，透過話語分析(Discourse Analysis)，探討改革開放以來對女性主義話語的接受、建構與變遷，尤其是其間種種的文化協 商。本論文將會把焦點集中在中國當代婦女研究的頭兩個發展階段(1980 年代初至1993 年、1993 至2000 年)，從中分別抽取在中國當代女性主義話語中的一系列關鍵概念(key concepts)，透過 一些具有分析意義或重要的相關話語事件(discursive events)個案，追溯這個理論旅行的歷史過 程。 本論文提出的主要立論是﹕二十世紀八十年代以來中國當代婦女研究對於女性主義話語的接受 與建構，是一個充滿文化協商的過程，它開始於後文革與改革開放的雙重語境之中，面對中國 社會主義的遺產與債務，其間障礙重重，無法得到真正的開展，而直至1995 年聯合國第四次世 界婦女大會的舉行、聯合國成員國對《北京宣言》、《行動綱領》等兩份全球性的綱領文件的簽 定，契機才逐漸出現。可以這麼說，在這一個文化協商的過程中，借著歷史性的契機，中國當 代婦女研究透過對於女性主義話語的接受和建構，在新自由主義邏輯與社會主義的既有體制之 間，在話語以至體制上，為現實中的婦女以及自身建構了一個廻轉與生存的環境。

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The purpose of this study was to investigate how men, 18 years or older, who had been admitted to inpatient psychiatric hospitalization differed as to their level of aggression, locus of control, and the degree of androgyny at admission and at discharge. The sample consisted of 61 males. The males were evaluated with a demographic questionnaire, the Adjective Check List, the Internal Control Index, and the Bem Sex-Role Inventory within 24 hours of admission and again at discharge. The research indicated that there were no statistically significant differences in these sensitive male qualities. The data indicated a possibility that androgyny could be a catalyst in reducing the level of aggression and developing a more internal locus of control. The research also indicated a positive correlation between age and a more internal locus of control, but the correlation only accounted for 22% of the variance. There was no correlation found between the subjects' relationships to the father figure and the three male qualities.

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