Autobiography. Present in Georges Perec's writings but only in a profoundly revisionary way. In order to get a genuine understanding of his works, we must begin by recognizing the centrality of the Jewish genocide, the Shoah, in the writer's existence as well as in his activity. / Unprovided with a story of his own, the writer surely felt the imbalance between what the autobiographical tradition offered him and his need to fashion the ephemeral recollections of his past. Hence, he had to destabilize the very idea of autobiographical narrative by writing out his story in a singular and distinct manner. / While reversing the traditional pattern of autobiography, Georges Perec tries to find the most appropriate literary form to record the enormity of the human loss caused by the event. Despite the fact that he is neither a victim nor a survivor, the writer has succeeded in replying to the Holocaust threat to impose silence, by writing a text that occupies a legitimate place in this literature.

Thesis (Ph. D.)--University of California, San Diego, 2000. / Vita. Includes bibliographical references (leaves 180-183).

Thesis (Ph. D.)--University of Washington, 1999. / Vita. Includes bibliographical references (leaves 235-249).

Thesis (Ph. D.)--University of Wisconsin--Madison, 1971. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 460-478).

Texte remanié de: Diss.--Fachbereich Geschichtswissenschaft--Universität Hamburg, 1986. / Contient des extraits du texte grec du "Georgius continuatus" Bibliogr. p. IX-XIII. Index.

Thesis (Ph.D. in Religious Studies)--S.M.U., 2007. / Title from PDF title page (viewed Nov. 19, 2009). Source: Dissertation Abstracts International, Volume: 68-11, Section: A, page: 4744. Adviser: Bruce D. Marshall. Includes bibliographical references.

Akademisk avhandling--Klassiska språk--Uppsala, 1981. / Bibliogr. p. 130-134. Index.

Programa de Pós-Graduação em Filosofia. Departamento de Filosofia, Instituto de Filosofia, Artes e Cultura, Universidade Federal de Ouro Preto. / Submitted by Oliveira Flávia (flavia@sisbin.ufop.br) on 2015-02-26T18:48:41Z No. of bitstreams: 2 license_rdf: 22190 bytes, checksum: 19e8a2b57ef43c09f4d7071d2153c97d (MD5) DISSERTAÇÃO_EscritaDesencadeamentoPaixões.pdf: 1216667 bytes, checksum: 024ed9ae1bc2163ca87955a496dc9038 (MD5) / Approved for entry into archive by Gracilene Carvalho (gracilene@sisbin.ufop.br) on 2015-02-27T18:23:18Z (GMT) No. of bitstreams: 2 license_rdf: 22190 bytes, checksum: 19e8a2b57ef43c09f4d7071d2153c97d (MD5) DISSERTAÇÃO_EscritaDesencadeamentoPaixões.pdf: 1216667 bytes, checksum: 024ed9ae1bc2163ca87955a496dc9038 (MD5) / Made available in DSpace on 2015-02-27T18:23:18Z (GMT). No. of bitstreams: 2 license_rdf: 22190 bytes, checksum: 19e8a2b57ef43c09f4d7071d2153c97d (MD5) DISSERTAÇÃO_EscritaDesencadeamentoPaixões.pdf: 1216667 bytes, checksum: 024ed9ae1bc2163ca87955a496dc9038 (MD5) Previous issue date: 2014 / Esta dissertação tem como objetivo abordar a questão da literatura enquanto desencadeamento das paixões e suas incompatibilidades, segundo o pensamento de Georges Bataille, visando as relações da literatura com os desejos do escritor no plano de uma experiência interior, que quer consumar-se em si mesma, sem nenhum fim no mundo das ações e da sociedade utilitária. Nessa perspectiva, pretendemos investigar a crítica de Bataille à concepção de Sartre do engajamento do escritor. Há uma responsabilidade e comprometimento da literatura, segundo Sartre, na relação entre autor e leitor, no compromisso que um tem com o outro, tendo a literatura relação no mundo com causas históricas. Portanto, no desenvolvimento do tema da escrita literária em Georges Bataille, há claramente divergências em relação à noção sartreana do engajamento do escritor, na medida em que Bataille postula, na literatura, uma experiência que não se subordina ao princípio da eficácia, do âmbito da práxis, pois, trata-se de uma experiência soberana. ______________________________________________________________________________________________ / ABSTRACT: With this work we aim to approach the question of the literature a free way for one‟s feelings and their incompatible points, according to George Bataille‟s thought. We focus on the relations between literature and the writer‟s will taken as an inner experience, which is supposed to become real within itself, hence, without any goal in the world of the actions and the utilitarian society. Through this perspective, we have the objective of looking into Bataille‟s critique of Sartre‟s conception of writer engagement. According to Sartre, there is a literature‟s responsibility and commitment in the association between author and reader, in the commitment that one has to each other, having literature become related to the world filled with historical causes. Therefore, in the development of the literary writing theme in George Bataille‟s thought, there are clear differences related to Sartre‟s idea of the engagement of the writer, for Bataille claims that inside literature there is an experience that does not subordinate itself to the efficiency principle in terms of practice because it is a matter of a sovereign experience.

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Zugl.: Nantes, Univ., Diss. und Marburg, Univ., Diss.