This work is a study of the historical and social background, the life and the compositions of Heinrich Schutz.

A presente Tese propõe uma nova abordagem da leitura de textos do período conhecido por Barroco e, para isso, fez-se necessário criar novos termos que correspondessem a essa expectativa: a iconofotologia e poemas fotográficos. Para que um leitor contemporâneo possa ler e compreender textos daquele período, teria de ter acesso a uma chave sígnica a que somente os leitores do Barroco tinham acesso: as iconologias. No entanto, esse referencial se perdeu, por isso temos de substituí-lo por um outro, a partir do acervo imagético-fotográfico de que dispomos hoje e que chamamos de iconofotológico. A partir dele, será possível lermos, sob o ponto de vista contemporâneo (não sob o ponto de vista seiscentista), os poemas que denominamos fotográficos. / The present Thesis intends to give a new approach to the reading of texts from the period known as Baroque and, for that, it was necessary to create new terms that corresponded to this expectation: the iconophotology and photographic poems. In order to enable a reader to read and understand texts of that period, he would have to have access to a signical key to which only readers of that moment had access: the iconologies. However, such reference has been lost; therefore, we have to replace it by another one, from the imagetic-photographic collection we have, which is called iconophotological. With this premise, it will be possible to read, under the contemporary point of view (not under the baroque point of view), the so- called photographic poems.

Pesquisa realizada com o propósito de levantar uma discussão sobre o caráter pedagógico da comédia e em especial da comédia barroca alemã. Através de um levantamento teórico e uma breve análise do Schimpfspiel do autor Andreas Gryphius, intitulado Absurda Comica oder Herr Peter Squenz, no qual são investigadas sua linguagem e figuras cômicas, procura-se comprovar o valor moralizante do texto, utilizando-o como exemplificação da comédia no período, a fim de evidenciar, acima de tudo, seu papel como disciplinador social. / The research was carried out to raise a discussion about the pedagogical nature of comedy and, in particular the German Baroque Comedy. A survey and a brief theoretical analysis of Andreas Gryphius Schimpfspiel, which is entitled Absurda Comica Oder Herr Peter Squenz were my starting point. Its language and its comic figures were isolated, in order to pursue the moralizing value of the text, used as an example of comedy presented in the Baroque period. The goal was to highlight above all the comedy social role as a disciplinarian.

Pesquisa realizada com o propósito de levantar uma discussão sobre o caráter pedagógico da comédia e em especial da comédia barroca alemã. Através de um levantamento teórico e uma breve análise do Schimpfspiel do autor Andreas Gryphius, intitulado Absurda Comica oder Herr Peter Squenz, no qual são investigadas sua linguagem e figuras cômicas, procura-se comprovar o valor moralizante do texto, utilizando-o como exemplificação da comédia no período, a fim de evidenciar, acima de tudo, seu papel como disciplinador social. / The research was carried out to raise a discussion about the pedagogical nature of comedy and, in particular the German Baroque Comedy. A survey and a brief theoretical analysis of Andreas Gryphius Schimpfspiel, which is entitled Absurda Comica Oder Herr Peter Squenz were my starting point. Its language and its comic figures were isolated, in order to pursue the moralizing value of the text, used as an example of comedy presented in the Baroque period. The goal was to highlight above all the comedy social role as a disciplinarian.

A presente Tese propõe uma nova abordagem da leitura de textos do período conhecido por Barroco e, para isso, fez-se necessário criar novos termos que correspondessem a essa expectativa: a iconofotologia e poemas fotográficos. Para que um leitor contemporâneo possa ler e compreender textos daquele período, teria de ter acesso a uma chave sígnica a que somente os leitores do Barroco tinham acesso: as iconologias. No entanto, esse referencial se perdeu, por isso temos de substituí-lo por um outro, a partir do acervo imagético-fotográfico de que dispomos hoje e que chamamos de iconofotológico. A partir dele, será possível lermos, sob o ponto de vista contemporâneo (não sob o ponto de vista seiscentista), os poemas que denominamos fotográficos. / The present Thesis intends to give a new approach to the reading of texts from the period known as Baroque and, for that, it was necessary to create new terms that corresponded to this expectation: the iconophotology and photographic poems. In order to enable a reader to read and understand texts of that period, he would have to have access to a signical key to which only readers of that moment had access: the iconologies. However, such reference has been lost; therefore, we have to replace it by another one, from the imagetic-photographic collection we have, which is called iconophotological. With this premise, it will be possible to read, under the contemporary point of view (not under the baroque point of view), the so- called photographic poems.

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Univerzita Karlova v Praze, Filozofická fakulta, Ústav germánských studií Ludwig-Maximilians-Universität München, Fakultät für Sprach- und Literaturwissenschaften, Institut für Deutsche Philologie Abstract Dissertation / Disertační práce "Denn die Zeit ist nahe." Eschatologie in Grimmelshausens Simplicianischen Schriften: Zeit und Figuren der Offenbarung. "Čas je blízko." Eschatologie v Grimmelshausenově "Simpliciánských spisech": Čas a figury zjevení "Because the time is near." Eschatology in Grimmelshausen's "Simplicianische Schriften": The Time and Figures of Revelation Autor: PhDr. Jana Maroszová Studijní obor / Fach: Filologie, Germánské jazyky a literatury / Neuere Deutsche Literatur, Deutsche Sprache und Literatur des Mittelalters Vedoucí / Betreuer: Doc. PhDr. Milan Tvrdík, CSc.; Prof. Dr. Friedrich Vollhardt LS 2011 / Sommersemester 2011 1 "Because the time is near." Eschatology in Grimmelshausen's "Simplicianische Schriften": The Time and Figures of Revelation Abstract This research study deals with Grimmelshausen's baroque novels known and designated by the author himself as "Simplicianische Schriften"1 (1668-1675). The purpose of this dissertation is to explore the way eschatology in these literary works is presented. This study is introduced with historical, cultural and religious background,...