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A history of the German theater of Milwaukee from 1850 to 1890Kaiser, Norman James. January 1954 (has links)
Thesis (M.S.)--University of Wisconsin--Madison, 1954. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaf 90).
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Dramatische mitleidsmittel im modernen deutschen drama. Erster teil: Wesen des mitleids. Das mitleid bei Lessing ...Kracher, Francis Waldemar, January 1913 (has links)
Thesis (Ph. D.)--University of Chicago, 1913. / Vita. Includes bibliographical references. Also available on the Internet.
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The treatment of Greek myth in twentieth-century German dramaRichards, M. W. January 1969 (has links)
No description available.
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C.D. Grabbe's Hannibal: A New Translation for the American StageInners, Margaret L. 01 January 2008 (has links) (PDF)
No description available.
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German drama on the Cleveland stage : performances in German and English from 1850 to the present /Kremling, Helmut John January 1976 (has links)
No description available.
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Metatheater : self-consciousness and role-playing in the dramas of Max Frisch, Friedrich Dürrenmatt, and Peter Handke /Federico, Joseph Anthony January 1976 (has links)
No description available.
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Germany's military heroes of the Napoleonic era in her post-war historical drama currents of German nationalism in recent historical playsStearns, Harold Everett, January 1900 (has links)
Thesis (Ph. D.)--University of Michigan, 1938. / "Errata" : slip inserted. "Plays first performed or first published 1919-1935 which are based on some phase of German history 1803-1815" : p. 131-139. "General bibliography": p. 141-147.
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Germany's military heroes of the Napoleonic era in her post-war historical drama currents of German nationalism in recent historical playsStearns, Harold Everett, January 1900 (has links)
Thesis (Ph. D.)--University of Michigan, 1938. / "Errata" : slip inserted. "Plays first performed or first published 1919-1935 which are based on some phase of German history 1803-1815" : p. 131-139. "General bibliography": p. 141-147.
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Words Full of Deed: Prophets and Prophecy in German Literature around 1800Walsh, Patrick Joseph January 2017 (has links)
In this dissertation, I consider the role of prophets and prophecy in German drama and dramatic discourse of the Romantic period. Against the backdrop of the upheaval wrought by the Enlightenment, the French Revolution, and the Revolutionary and Napoleonic Wars, such discourse exhibits a conspicuous fascination with political and social crisis in general as well as a preoccupation with imagining how the crises of the present could provide an opportunity for national or civilizational renewal. One prominent manifestation of this focus is a pronounced interest in charismatic leaders of the legendary or historical past—among them prophets like Moses, Muhammad and Joan of Arc—who succeeded in uniting their respective societies around a novel vision of collective destiny. In order to better understand the appeal of such figures during this period, I examine works of drama and prose fiction that feature prophets as their protagonists and that center on scenarios of political or religious founding. Reading texts by major authors like Johann Wolfgang Goethe, Friedrich Schiller and Achim von Arnim alongside those by the lesser-known writers such as Karoline von Günderrode, August Klingemann and Joseph von Hammer, I analyze the various ways these scenarios are staged and situate them within their specific political, intellectual and literary contexts. In so doing, I show that the figure of the prophet—a figure whose authority is based not on their own wisdom, talent, or cunning, but rather on their claim to speak for a higher, superhuman power—offers authors a paradigm of political and cultural innovation that radically displaces the agency of the rational subject in favor of non-rational factors like language, performance, history, myth and the emotions. Moreover, I argue that this figure reveals an important connection between the history of drama in this period and an emergent, post-Enlightenment political discourse concerned with the origin and nature of sovereignty.
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Das historische drama zur zeit HebbelsPlaczek, Heinz Walter. January 1928 (has links)
The author's inaugural dissertation, Munich. / "Das historische drama zur zeit Hebbels--repräsentiert durch die namen: Büchner, Grabbe, Mosen, Griepenkerl, Grillparzer, Hebbel, Hugo--bildet den gegenstand der folgenden vergleichenden untersuchungen."--Vorwort. "Literatur": p. [114]-115.
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