L’objectif de cette recherche est d’étudier les forces de l’ordre siciliennes pendant la dictature garibaldienne de 1860, pour montrer comment l’île a été concrètement administrée par les chemises rouges dès la libération de Palerme. Il s’agit donc de saisir les traces de continuité ou de discontinuité en matière de contrôle territorial, d’ordre public et de police dans la région, au moment de la construction du nouvel État italien. L’effondrement du régime bourbonien dans l’île, causé par la nouvelle « révolution » sicilienne, laissa le pays dans une profonde crise politique et sociale. Il ne s’agissait pas seulement d’assurer le contrôle de l’espace et de l’ordre public, mais aussi d’établir et de légitimer un nouvel équilibre social et politique afin de s’assurer le soutien des élites siciliennes, tout en les inscrivant dans une perspective nationale : un défi majeur, qui obligea l’exécutif garibaldien à dépasser la simple dimension militaire pour envisager des pratiques de gouvernement inédites. Dans cette thèse, il s’agit donc de relire l’histoire de la dictature garibaldienne à partir de ses institutions policières, prisme multiforme pour saisir la complexité de la réalité sicilienne. Le résultat de ce travail de recherche propose de nouveaux éléments utiles pour comprendre, d’un point de vue différent par rapport aux études antérieures, le moment clé de l’Unification italienne. / This research focuses on the Sicilian police during the Garibaldian dictatorship of 1860 and analyses how the “red shirts” ruled the island. The goal of this work is to retrace continuities and discontinuities of local control, public order and police service during the construction of the modern Italian state. The new Sicilian revolution brought about the collapse of the Bourbon regime in Sicily and the beginning of a deep social and political crisis all over the country. Therefore, the main goal of the local administration was to guarantee public order and respect for the law. In order to gain the support of local elites, the administration had to achieve a new social and political balance based on a national outlook. New practical instruments to rule the country were developed alongside existing military ones. This thesis provides a different interpretation of the history of the Garibaldian dictatorship through the “police prism”, in an effort to understand the complexity of the Sicilian context. In the end, this work underpins new elements that are useful to grasp the key moment of the Italian Unification and suggests a different interpretation of this phenomenon compared to the traditional analysis of the subject.

Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2018-05-15T15:08:26Z No. of bitstreams: 2 Dissertação - Isabella Nogueira - 2018.pdf: 2057481 bytes, checksum: ebc3de6e698227ca22d789eba0d7da58 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-05-15T15:08:48Z (GMT) No. of bitstreams: 2 Dissertação - Isabella Nogueira - 2018.pdf: 2057481 bytes, checksum: ebc3de6e698227ca22d789eba0d7da58 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-05-15T15:08:48Z (GMT). No. of bitstreams: 2 Dissertação - Isabella Nogueira - 2018.pdf: 2057481 bytes, checksum: ebc3de6e698227ca22d789eba0d7da58 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-05-04 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This dissertation aims to investigate the production of the book Mémoires de Garibaldi, published in Paris by Alexandre Dumas, in 1860. According to the writer, after having had access to Garibaldi's manuscript, his objective was to comment and publish such pages. Working with the hypothesis that Dumas was more present in the book than he actually said and Dumas saw in the character the romantic hero. So it was been decided to develop the problematic of production in two chapters. The first one presents the relation between the two personages and in him it is perceived that Dumas went in search of Garibaldi with the interest to publish his memories after a financial crisis passed by the literate and the repercussion of the done of the general. In spite of this, he saw in Garibaldi one man above the others, which led him to want to be with him for four years. Garibaldi was already a character known and exalted for his heroic deeds, but it was the writer who gave him more visibility. In the second chapter, it was been tried to think the problematic of the production between the textuality and the materiality of the work, presenting what is written and its scenery. Still, it came to be observed that the memories of 1860 approach the narrative techniques of Dumas. This was possible through the study of Garibaldi's memoirs published in 1859 in New York by Theodore Dwight and the 1888 edition published by Bàrbera. Despite the similarity between these editions and that of Dumas, with their differences, the one had more repercussion. We will notice that there have been many translations and re-editions. / Esta dissertação tem por objetivo investigar a produção da obra Mémoires de Garibaldi, publicada na cidade de Paris por Alexandre Dumas, em 1860. Segundo o literato, após ter tido acesso ao manuscrito de Garibaldi, seu objetivo foi o de comentar e publicar tais páginas. Trabalhando com a hipótese de que Dumas esteve mais presente na obra do que efetivamente disse e que viu no personagem o herói romântico, decidiu-se desenvolver a problemática da produção em dois capítulos. O primeiro apresenta a relação entre os dois personagens e nele percebe-se que Dumas foi à procura de Garibaldi com o interesse de publicar suas memórias após uma crise financeira passada pelo literato e a repercussão dos feitos do general. Apesar disso, ele viu em Garibaldi um homem acima dos outros, o que o levou a querer ficar ao seu lado durante quatro anos. Garibaldi era já um personagem conhecido e exaltado por suas ações heroicas, mas foi o escritor quem lhe deu mais visibilidade. No segundo capítulo, procurou-se pensar a problemática da produção entre a textualidade e a materialidade da obra, apresentando o que está escrito e seu cenário. Ainda, chegou-se a observar que as memórias de 1860 aproximam-se das técnicas narrativas de Dumas. Isso foi possível devido ao estudo das memórias de Garibaldi publicadas em 1859, em Nova Iorque, por Theodore Dwight, e pela edição de 1888, lançada pela editora Bàrbera. Apesar da semelhança entre essas edições, a de Dumas, com suas diferenças foi a que obteve mais repercussão. Como notamos, foram inúmeras as traduções e reedições.