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Typescript. / Thesis (Ph. D.)--University of Hawaii, 1967. / Bibliography: leaves 135-136. / viii, 136 l

This paper is about the sound iconicity of the Late Middle Chinese entering tone in two of Du Fu's long narrative poems, "The Journey to the North" and "Singing my Heart out in Five Hundred Characters on the Way from the Capital to Fongxian County", as well as Du Fu's grammar of poetry in these two poems. In poetry, rhyme is an arbitrary and 'visible' figure reiterated with regulation which forms an axis of sequence, and this axis will work jointly with all the other poetic elements—semantics, images, and grammar to form the whole of a poem. In these two poems, all the rhyme characters carry a voiceless —t ending, which is classified with —k and —p endings as the entering tone in Late Middle Chinese reconstructed by Edwin Pulleyblank. These voiceless stops are short, tense, and uncomfortable to utter; when they are repeated fifty and seventy times at the end of each couplet, it naturally brings about a strong, rough, and uncomfortable feeling which correlates with the feeling of suffering in both poems. It is sound iconicity, because an icon resembles the object it stands for in an immediate and concrete manner, and the —t ending rhyme characters do have the characteristics to make the reader grasp the feeling of suffering when she reads the poems. In terms of Du Fu's grammar of poetry, I used Jakobsonian methodology and found how Du Fu's poeticity was created with lexical meaning and grammar. Although Classical Chinese does not have a huge grammatical repertoire (e.g., person, case, gender, finite, non-finite . . .) which can figure in a poem, this language still has its own obligatory categories that will provide for the 'grammar of poetry'. Classical Chinese is already known for its grammatical parallelism in poetry, because this language is extremely isolating and analytical. However, grammatical parallelism is little in these two poems, but there are different kinds of grammatical tropes. They are mainly anti-syntactic inversions interacting with semantics. I found Du Fu a fascinating artist of grammar; he may be anti-grammatical but never agrammatical.

Doctor of Philosophy / This thesis is a descriptive grammar of Barupu, the easternmost member of the Skou family of languages. Barupu is spoken by around 3000 people on the north eoast of New Guinea; its grammar has not previously been described. Barupu is a tone language in which words belong to one of five tone classes and it exemplifies a type of pitch-accent system where for the most part tone is attracted to penultimate stressed syllables and spreads one syllable to the right. Some words, however, have tones lexically specified to one of the final two syllables ofthe word. A key feature of Barupu grammar is that there is no oblique marking on NPs - no particles, adpositions or case markers provide information about a nominal's role in the clause. Instead, Barupu is head-marking. Underived verbs show multiple exponence of subject, which can take the form of double prefixing or prefixing and infixing. There is a set ofsuffixing morphemes that function like applicatives in adding participants to the clause, but which are very atypical in appearing outside verbal inflection and showing extra agreement for subject. Barupu also has a prefixing Benefactive paradigm that replaces regular subject agreement and can be extended to mark external possession. Finally, Barupu is a polysynthetic language and, as such, makes almost no use of f9rmal subordination. Appendices to this thesis include a set of interlinearised texts and a draft of a Barupu-English dictionary with an English-Barupu finderlist.

Thesis (Ph.D.)--University of Tulsa, 1971. / Bibliography: leaves 100-107.

Thesis (Ph. D.)--University of Sydney, 1997. / Title from title screen (viewed Apr. 15, 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Linguistics, Faculty of Arts. Degree awarded 1997; thesis submitted 1996. Includes bibliography. Also available in print form.