The presented thesis is focused on the inspiration and the creation of the series of six graphic sheets. The leitmotif of this complex are the old town secluded places, namely the place of former Prague ghetto. The places, which have disappeared, are interconnected with the present by means of the graphic sheets. The aim of the thesis was to depict the Prague Jewish town and to intensify this visually grateful theme by art depicting. The thesis contains a detailed summary of the artistic and literally depicting of the lost Jewish Prague in the course of centuries. There is also a map of some chosen places of the former ghetto ? its original purpose and the original appearance in contrast with the present. Further, the thesis describes graphic techniques including the dry needle technique, which is used for six graphic sheets. The thesis further deals with the topic of use of the graphic technique at the art schools. The conclusion of the thesis is the consideration regarding the collision of the present and seemingly lost world within the former Jewish Prague.

The aim of this thesis is a detailed survey and processing of a part of the Ostřice stream catchment and comparing the changes with current cadastral map and with state map derived 1 : 5000. Location is situated in cadastral area Horní Planá. As a method for detailed surveying electronic tacheometry was chosen. Computing and graphic work was performed in geodetic software KOKEŠ. The result of this work is the cartographic original executed at a scale of 1 : 500.

[ES] Los objetivos de este estudio son en primer lugar un análisis previo del proceso de introducción y asentamiento del sistema de estampación permeográfico conocido con el nombre de serigrafía como medio de expresión artística. Para identificar cuál fue el momento y las razones de su introducción en España, y más particularmente en Valencia, será necesario llevar a cabo una serie de acciones como son: puntualizar cuáles han sido los diferentes pasos que han marcado el desarrollo y evolución dentro del contexto valenciano, lo que nos conduce necesariamente al estudio de los principales artífices polarizados en tres núcleos: artistas, serígrafos y editores. También señalar cuáles fueron los principales artistas, grupos y tendencias y las causas de que este nuevo sistema fuera utilizado como medio técnico para estampar sus creaciones artísticas, profundizando en las características técnicas y estilísticas de estas obras y su relación tanto con el conjunto nacional como internacional. Se debería analizar, así mismo, la forma en que se produjo la asimilación del nuevo procedimiento por la sociedad española, en relación a otros artistas, estilos, editores, etc.; teniendo en cuenta varios puntos: que su uso artístico es muy reciente, que los primeros en utilizarla fueron grupos y movimientos de vanguardia, y las connotaciones industriales y publicitarias con que este arrancó. Por último se debería analizar la forma en que la estampa serigrafiada se integra en la denominada “obra gráfica original”, y las diversas resultantes de la estampación que no se encuadran dentro de dicho concepto: carteles, portadas de libros y revistas, múltiples, etc. / [EN] The objectives of this study are first of all a preliminary analysis of the process of introduction and establishment of the permeographic printing system known as screen printing as a means of artistic expression. permeographic printing system known as serigraphy as a means of artistic expression. In order to identify the moment and the reasons for its In order to identify the moment and the reasons for its introduction in Spain, and more particularly in Valencia, it will be necessary to carry out a series of actions such as: to point out the different steps that have marked the development and evolution within the Valencian context, which necessarily leads us to the study of the main artists polarised into three nuclei: artists, silkscreen printers and publishers. We will also point out which were the main artists, groups and trends and the reasons why this new system was used as a technical means to print their artistic creations, delving into the technical and stylistic characteristics of these works. technical and stylistic characteristics of these works and their relationship with both the national and international scene. It should also analyse the way in which the new procedure was assimilated by Spanish society, in relation to other artists, styles, publishers, etc., taking into account several points: that its artistic use is very recent, that the first to use it were avant-garde groups and movements, and the industrial and advertising connotations with which it began. Finally, we should analyse the way in which screen-printed prints are integrated into the so-called "original graphic work", and the various results of printing that do not fall within this concept: posters, book and magazine covers, multiple, etc. / Silvestre Visa, M. (1986). La serigrafía artística en Valencia. Evolución histórica y técnica [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/202242

[ES] La animación experimental se desarrolla en festivales, muestras, exposiciones y está estrechamente ligada a las producciones gráficas, pictóricas, musicales, fotográficas, en definitiva es utilizada como medio de expresión artística. Debemos por tanto plantearnos la animación como un nuevo soporte de difusión de obra, acorde con las nuevas formas de ver y entender el mundo y las necesidades de la sociedad. Analizado este nuevo soporte descubrimos que las técnicas que se emplean son tan variadas y diversas como los artistas que las utilizan, encontrando entre ellas técnicas como la pintura o el grabado, ambas poseedoras de un amplio abanico de procedimientos y resultados. Centrando nuestra atención en el grabado, descubrimos que para un grupo de animadores experimentales, éste es la base de sus producciones, algunos influenciados por sus pioneros Len Lye y Norman McLaren, utilizan la técnica en su esencia más pura, otros toman como punto de partida su estética y sus características para desarrollar sus producciones con la ayuda de otras técnicas. El grabado ofrece la posibilidad de trabajar con distintas técnicas atendiendo a su matriz y su estampa, considerando los procesos técnicos, los sistemas de estampación y la manipulación e intervención de las estampas como un amplio abanico de nuevas posibilidades. Nuestra Tesis plantea la realidad del grabado animado experimental, ofreciendo a los artistas cada día más interdisciplinares, nuevas posibilidades de creación. / [EN] Experimental animation is developping in festivals, demonstrations and exhibitions and it is closely joined to the graphic, pictorical, musical and photographical productions. Definitively it is used as artistic expression medium. Therefore we should see animation as a new support of broadcasting the work, according to the new ways of seeing and understanding the world and the needs of the society. Analyzing this new support we discover that the techniques employed are so different and diverse like the artists self that use them, finding between them techniques like painting or engraving, both possessors of a wide range of procedures and outcomes. Focussing our attention on engraving, we discover that, for a group of experimental animators, this is the base for their produccions. Some of them influenced by the pioneers Len Lye en Norman McLaren, use the technique in its purest essence, some others use their aesthetics and characteristics as a starting point in order to develop their productions along with other techniques. Engraving offers the possibility of working with different techniques attending to his mould and printing, considering the technical procedures, the printing methodes and the manipulation and intervention of the printings as a wide range of new possibilities. Our Thesis pose the reality of experimental animated engraving, offering the artists, each day more in the mixed media, new possibilities of creation. / López Izquierdo, MA. (2006). El grabado animado experimental: nuevas posibilidades de creación técnica y simulación estética [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/204798