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The purpose of the present study is to discuss which relationships and images of God exist between the Lovers in the Song of Songs. Theologian Sallie McFague's thoughts on the image of God as lover from Models of God: Theology for an Ecological, Nuclear Age form the framework from which I conduct my analysis. Since my primary material is of a biblical historical nature, my method is to read the texts with both modern idea-analytical methods, but also to read the narrative with a dialogic interpretation of history that enables a conversation with our contemporaries. Being that the Song of Song is a poetic text; questions of form and content are also applied as they are suitable for analyzing poetic philosophical texts. To nuance my discussion, I also bring in the feminist theologians Janet Soskice and Marcella Althaus-Reid as interlocutors. My essay shows that the relationships between the Lovers are egalitarian and poignantly sexual and include God in a triad of love. It also shows how images of God can become bigger if we dare to mirror both bodily and spiritual love not only horizontally towards each other, but also vertically towards God. This gives us the opportunity not to reduce or limit God, and neither ourselves as beings in reflection of Imago Dei.