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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
91

Einflüsse Haydns in Streichquartetten Boccherinis

Fischer, Klaus 24 January 2020 (has links)
No description available.
92

Eine Methode der Stiluntersuchung, demonstriert an Haydns Werken

Feder, Georg 27 February 2020 (has links)
No description available.
93

Zwei Haydn zugeschriebene Klaviersonaten

Feder, Georg 30 March 2020 (has links)
No description available.
94

Mozart und Haydn in der Interpretation Momignys

Palm, Albert 30 March 2020 (has links)
No description available.
95

Mozart’s ›Haydn‹ Quartets, ›Ausführung‹, and the Aesthetics of Nuance

Irvine, Thomas 02 September 2020 (has links)
No description available.
96

»…auf unser Personale (zu Esterház in Ungarn) gebunden«. Bemerkungen zu Joseph Haydns Opernbearbeitungen am Beispiel von Pasquale Anfossis La finta giardiniera

Siegert, Christine 03 September 2020 (has links)
No description available.
97

Der kadenzielle Prozess in den Durchführungen bei Joseph Haydn. Spielerisches und planvolles Komponieren in den Streichquartetten

Zimpel, Christhard 03 September 2020 (has links)
No description available.
98

Die »Überleitung« im klassischen Stil: Hauptwege und Seitenwege in der Sonatenexposition bei Haydn, Mozart und Beethoven

Fuß, Hans-Ulrich 12 September 2023 (has links)
The bridge passage of sonata form has generally been considered less attractive to listeners and analysts than the themes it connects. This applies to general aesthetic judgements as well as to music analyses where it has been usually neglected. Sequential structures and other conventional materials typical of these transitions for a long time have deterred music theory from acknowledging the fact that many of the most important innovations of the classical sonata were shaped in the multifarious linear processes and harmonic contents of the bridge passage. The movement away from the initial tonic and the introduction of a new tonal area has become a key feature of the sonata form between 1730 and 1780 and thus has provoked many highly original compositional solutions. After general components of a formal model of the sonata bridge passage are introduced, the main section of this article discusses a broad number of examples from symphonic, chamber and solo works by Haydn, Mozart, and Beethoven in order to demonstrate how they continuously modified this scheme in order to raise attention, expectancy and expressive power. On the basis of James Hepokoski and Warren Darcy’s seminal book on sonata form (Elements of Sonata Theory, 2006) it can be shown how the compositional function of a bridge passage (exposition and extension of the principle theme, harmonic transformation from the tonic to a new key and its affirmation by a cadence, exposition of contrasting material) is modified through procrastination or hurry, displacement in time, exaggeration and understatement, interrupted processes, interpenetration, and the incongruence of design and function. Such a dialogue between generic norm and individualization can also imply semantic perspectives.
99

Cultivating Perception: Bridging Schematic Patterns and Audience in Franz Joseph Haydn's Violoncello Concertos

Gillingham, Amy E. 03 August 2010 (has links)
No description available.
100

Through nature to eternity: a work for wind ensemble and a quantitative study of chromaticism: changes observed in historical eras and individual composers

Perttu, Daniel Erkki Hiram 17 May 2007 (has links)
No description available.

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