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Nathaniel Hawthorne: The Study of an Elusive ArtistMoore, Roger Wright January 1939 (has links)
No description available.
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Nathaniel Hawthorne, Henry James, and \"the deeper psychology\" /Petrick, Joanne Luckino January 1979 (has links)
No description available.
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Atoning for the past, writing for the future an analysis of Nathaniel Hawthorne's The scarlet letter /Garibotto, Becky. January 2009 (has links)
Thesis (B.A.)--Haverford College, Dept. of English, 2009. / Includes bibliographical references.
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The rhetoric of the primitive savior in Cooper's The deerslayer, Melville's Moby Dick and Hawthorne's The scarlet letter and The Blithedale romance /Paley, Samuel Gordon, January 2005 (has links)
Thesis (M.A.) -- Central Connecticut State University, 2005. / Thesis advisor: John A. Heitner. "... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 153-155). Also available via the World Wide Web.
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Mask-Veil Imagery in Hawthorne's FictionWyatt, Doris Chapman 08 1900 (has links)
The purpose of this study is to determine, by a chronological review, the evolution of the mask-veil symbol as a device in Hawthorne's fiction and to ascertain its relevancy as a concrete manifestation of the abstract idea it betokens.
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Origin of dolomite in the Miocene Hawthorn Group, northeastern FloridaHall, Donald L., January 1993 (has links) (PDF)
Thesis (M.S.)--University of South Florida, 1993. / Includes bibliographical references (leaves 87-93).
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The story of A : the alphabetization of America from The New England primer to The scarlet letter /Crain, Patricia. January 1900 (has links)
Texte remanié de: Diss. Ph. D.--New York--Columbia university, 1996. / Bibliogr. p. 273-300. Notes bibliogr. p. 227-271. Index.
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A formal and structure study of Hawthorne's tales /Conley, Brian Patrick January 1975 (has links)
No description available.
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Comparing Gait Between Outdoors and Inside a LaboratoryScanlon, John Michael 23 May 2014 (has links)
Gait biomechanics have been studied extensively. Many existing studies, though, have been performed in a controlled laboratory setting, and assumed that measures obtained are representative of gait in a naturalistic environment (e.g., outdoors). Several environmental and psychological factors may contribute to differences between these environments, and identifying any such differences is important for generalizing results outside the laboratory. The purpose of this study was to test the implicit assumption that gait inside a research laboratory does not differ from gait outdoors, when a participant is unaware of data collection in the latter. Means and interquartile ranges (IQR) of several spatio-temporal and kinematic gait characteristics were obtained from 19 young adults during several gait conditions both inside a laboratory environment and outdoors. Four comparisons were made between the two environments, including conditions involving: 1) self-selected speeds, 2) matching outdoors self-selected speeds, 3) matching outdoors self-selected speeds while carrying a crate, and 4) matching outdoors hurried speeds. Spatio-temporal variables differed between the two environments in that self-selected walking speed was 1.7% slower inside the lab and cadence was 1.4-2.6% lower for all four comparisons. At heel contact, the foot was 4.4-8.1% more dorsiflexed inside the lab for all comparisons except in matching hurried outdoors walking speed. Minimum toe clearance was 6.5-16.2% lower outdoors for all four comparisons. It is unclear if these differences impair the ability to generalize gait study results to outside the laboratory. Nevertheless, some specific differences exist in gait between environments, and that research should recognize. / Master of Science
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The Opened Letter: Rereading HawthorneSmith, Grace Elizabeth 12 1900 (has links)
The recent publication of the bulk of Hawthorne's letters has precipitated this study, which deals with Hawthorne's creative and subversive narration and his synchronic appeal to a variety of readers possessing different tastes. The author initially investigates Hawthorne's religion and demonstrate how he disguised his personal religious convictions, ambiguously using the intellectual categories of Calvinism, Unitarianism, and spiritualism to promote his own humanistic "religion." Hawthorne's appropriation of the jeremiad further illustrates his emphasis on religion and narration. Although his religion remained humanistic, he readily used the old Puritan political sermon to describe and defend his own financial hardships. That jeremiad outlook has significant implications for his art.
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