Since 2000, there has been an explosion of "reality," or unscripted, television shows in a variety of formats. The series in which new societies are created in isolation appeared almost immediately to be influenced by certain identity constructs, particularly gender and sexual orientation. Audiences came to these shows with definite expectations already in place. I intend in this study to determine why this is so and what those expectations are. Survivor, the germinal presentation of this genre, has as its motto "Outwit, Outplay, Outlast." However, as the show has developed through many iterations, the ability to literally survive in a hostile environment has been eclipsed by what is now called "the social game" by contestant, viewers, producers and observers of the phenomenon. Because of cultural stereotypes about gender, amateur review writers, along with regular viewers who frequent internet communications spaces, began to remark on how women win (when they do) compared to how men win, and to comment upon the various player behaviors and strategies in terms of sexual orientation, race, age and other constructs. Because I was hooked in the first Survivor series, and subsequently became interested in Big Brother as well, I searched for information online and discovered the explosion of discussions. Despite all the other aspects of, and activities in, these games, the large majority of the texts seemed to center upon identity constructs. Although there is a great deal of strategy to observe and discuss, even that was frequently couched in what a viewer could expect of a person of given gender or sexual orientation. It wasn't long before I began to perceive both the programs and the writing generated by them as texts that could be analyzed in terms of rhetorical appeals. Certain texts which might be expected to demonstrate credibility were ignored in favor of emotional reinforcement. Viewers and reviewers seemed most pleased with, and attributed the most credibility to, those speech acts and behaviors which resonated with their values and beliefs systems, regardless of their effectiveness I found this trend interesting enough, and distressing enough, to examine in depth to learn how people read the texts of strategy-genre reality television. In general, there is a complete lack of critical viewing and no application of logic except by academics and journalists. Average viewers reject whatever does not match their belief system, even if that behavior wins the game. Feelings have eclipsed all else as the standard of credibility and value. I conclude that credibility may only be derived from a text when feelings match viewer values. Of paramount importance in matching these values are the behaviors of the players, in that they must meet expectations in stereotype and tradition, and of course, the gender and sexual orientation of the winner.

This thesis looks at the functions and effects of the ‘second-person’ pronoun in narrative prose fiction, with particular focus on the fluidity and ambiguity of the mode that I will call Protean-'you.' It is a mode in which it is unclear whether the ‘you’ is a character, the narrator, a reader/narratee, or no-one in particular—or a combination of these—so that readers find ‘second-person’ utterances at once familiar and deeply strange. I regard the ‘second person’ as a special case of narrative ‘person’ that, at its most fluid, can produce an experience of reading quite unlike that of reading traditional ‘first-‘ and ‘third-person’ narrative. Essentially, this unique experience comes about because Protean-‘you’ neglects to constitute the stable modes of subjectivity that readers expect to find within narrative textuality. These stable modes of subjectivity, modelled on what I will refer to as Cartesianism’s hegemonic notion of the self, have been thoroughly formalised and naturalised within the practices of ‘first-‘ and ‘third-person’ narrative. The Protean-‘you’ form of ‘second-person’ narrative, conversely, is a mode of narrative discourse that puts readers in a place of doubt and uncertainty, its unsettling equivocations forcefully disrupting accustomed, mimetic explanations of narrative and denying us access to the foundational, authorising subject of classical Cartesian thought. Rather than founding a notion of ‘second-person’ narrative and narrative ‘person’ generally on Cartesianism's ‘self-ish’ logic of unified, privatised identity, I turn to C.S, Peirce's notion of the semiotic self and to developments in post-structuralist thought. Essentially, the conception of subjectivity underpinning my arguments is Peirce's proposition that the self is to be conceived of not as a cogito, but as a sign by which the conscious entity knows itself. It is a sign, moreover, that is constantly being re-read, reinterpreted, so that identity is never self-complete. This reconception of subjectivity is necessary because 1 will argue that the effects of Protean-‘you’ arise in some part from a tension between Cartesianism's hegemony and what philosophical pragmatism and post-structuralism glimpse as the actual condition of the human subject—the subject as dispersed and contingent rather than unified and authoritative. Most discussions of ‘second-person’ narrative conceive of the mode in terms of implicit communicative relations, in some measure instituting Cartesianism's notion of the intentionalist self at the centre of literary meaning. I contrast the paradigmatic address model that arises from this conception against a model that approaches the analysis of ‘second-person’ narrative modality in terms of a referential function, that is, in terms of the object or objects referred to deictically by the ‘second-person’ pronoun. Two principal functions of ‘second-person’ textuality are identified and discussed at length. The first is generalisation, which is rarely dissipated altogether, a situation that contributes to the ambiguities of the pronoun's reference in much ‘second-person’ fiction. The second principal function is that of address, that is, the allocutionary function. Clearly, although stories that continually refer to a ‘you’ can seem quite baffling and unnatural, not all ‘second-person’ narratives unsettle the reader. In order to make the ‘second person's’ outlandish narratives knowable and stable, we bring to bear on them in our habits of reading whatever hermeneutic frames, whatever interpretive keys, come to hand, including a large number of unexceptional forms of literary and ‘natural’ discourse that employ the ‘second-person’ pronoun. These forms include letter writing and internal dialogue (i.e., talking to one's self), the language of the courtroom, the travelogue, the maxim, and so on. In looking at the ways in which the radicalising potentials of ‘second-person’ discourse are contained or recuperated, I focus on issues of vraisemblance and mimesis. Vraisemblance can be described as the ‘system of conventions and expectations which rests on/reinforces that more general system of ‘mutual knowledge’ produced within a community for the realisation and maintenance of a whole social world’. All of the forms of the vraisemblable are already instituted within social, cultural relations, so that what vraisemblance describes is the way we fit the inscriptions we read-that is, the way in which we naturalise what we read-into those given cultural and social forms. I also look at the conventionalising and naturalising work done by notions of mimesis in explaining relations between the world, our being in it, and texts, proposing that mimesis provides a principle buttress by which the good standing of the metaphor of ‘person’ is preserved in traditional and pre-critical modes of analysis. Indeed, the critic’s recourse to ‘person’ is in some measure always an engagement with mimesis. Any discussion that maintains that mimesis is in some way productive of meaning-which this thesis in fact does-must identify mimesis as a merely conventional category within practices of reading and semiosis more generally, and at the very least remove that term from its traditional position of transparent primacy and authority. Some of the most interesting and insightful arguments about ‘second-person’ narrative propose that the ‘second person’s’ most striking effects derive from the constitution of an ‘intersubjective’ experience of reading in which the subject positions of the ‘you’-protagonist, reader-narratee and narrator are combined into a fluid and indeterminate multiple subjectivity. Notions of intersubjectivity frequently position themselves as liberating the reader from Cartesianism's fixed, authoritative modes of subjectivity, Frequently, however, they tend implicitly to reinstate Cartesianism's notion of the self at the centre of textual practice and subjectivity. I look at Daniel Gunn's novel ‘Almost You’, at length in this context, illustrating the constant overdetermination of the ‘you’ and the novel's narrating voice, and demonstrating that this overdetermination leaves the origin of the narrative discourse, the identity of the narrator, and the ontological nature of both principal protagonists utterly ambiguous. The fluidity and ambiguity of Protean-‘you’ in ‘Almost You’ is discussed in terms of ‘second-person’ intersubjectivity, but with a view to demonstrating the indebtedness by the notion of intersubjectivity to Cartesianism's hegemony of ‘person’. I then turn to a discussion of what might be a more ‘old fashioned’ if perhaps ultimately more far-reaching approach to the ‘second person’s’ often startling ambiguities. This is Keats's notion of negative capability, a capacity or quality in which a person ‘is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching after fact and reason.’ I suggest that Protean-‘you’ texts will license all of the readings of ambiguity and fluidity proposed in my discussion of ‘Almost You’, but conclude that the instances of indeterminacy illustrate no more than that: the fluidity and deep ambiguity, and thus, finally, the lack of coherence, of Protean-‘you’ discourse. This has particular implications for how we are to consider readers’ experiences of narrative texts. More fundamentally, it has implications for how we are to consider readers as subjects. I suggest that unstable, ambiguous instances of ‘second-person’ narrative can tear the complex and systematic embroidery of ideological suture that unifies Cretinism’s experience or sense of subjectivity, leaving the reader in a condition of epistemological and ontological havoc. I go on to argue that much of the deeply unsettling effect of Protean-‘you’ discourse anises because its utterances explicitly gesture towards Cretinism’s notion of self. Protean-‘you’ involves a sense of address that is much more pronounced than we are accustomed to facing when reading literary narrative, alerting us to the presence of inscribed anthropomorphic subjects. At the very same time, protean-‘you’ leaves its inscribed subjects indeterminate, ambiguous. This conflict generates a tension between the anticipation of the emergence of speaking and listening selves and our inability to find them. I go on to propose that Protean-‘you’ narrative's lack of coherence is also to be understood as the condition of narrative actuality generally, but a condition that is vigorously mediated against by dominant practices of reading and writing, hocusing my discussion in this respect on the issue of narrative ‘person,’ I argue that narrative ‘person’ is constituted within texts as an apparent unity, but that it is in fact, produced as unitary solely within the practice of making sense, that is, Within our habits of reading, and so is never finally unified. I propose that this is the case for ‘first-‘ and ‘third-person’ modes no less than for the ‘second.’ Where ‘second-person’ narrative at its most radical and Protean differs from conventional ‘first-‘ and ‘third-person’ narratives is the degree to which each has been circumscribed by practices of tantalization, containment and limit, and, in particular, Cretinism’s hegemony of ‘person.’ It may be that the most significant insights ‘second-person’ narrative has to offer are to be found within its capacity to reveal to the engaged reader the underlying condition of narrative discourse, and more generally, its capacity to reveal the actual condition of the human subject-a condition in which, exactly like its textual corollary of narrative ‘person,’ the self is glimpsed as thoroughly dispersed and contingent.

No description available.

<p><!-- @page { margin: 2cm } P { margin-bottom: 0.21cm; line-height: 150% } P.western { font-family: "Times New Roman", serif; font-size: 12pt } P.cjk { font-size: 12pt } P.ctl { font-size: 12pt } H1 { margin-bottom: 0.21cm; text-align: center } H1.western { font-family: "Arial", sans-serif; font-size: 15pt } H1.cjk { font-family: "Lucida Sans Unicode", sans-serif; font-size: 15pt } H1.ctl { font-family: "Tahoma", sans-serif; font-size: 16pt } --></p><p>I have studied the curriculum for the compulsory Swedish school, from the curriculum from year 1962 when the Swedish grundskolan became a reality, to the curriculum from year 1994, the one in practice today. My primary interest has been what the curriculum says about bringing up the Swedish youth. My theory has been the British analyst Norman Fairclough’s Critical Language Studies. His thoughts about actual discourse, type of discourse and order of discourse has led me through out this essay. The Irish scientist Kieran Egan has inspired the discourses I have used. His ideas on the history of western educational philosophy has also been a keystone to my work. To make a final analysis, I’ve also used the ideas of the late Italian marxist Antonio Gramsci, his thinking of hegemony in societies, how order is maintained by negotiation and consent.My results are that the four studied curriculums has changed their "sayings" of bringing up of the Swedish youth during the second half of the 20th century, but the mechanisms for power relations has not. There is an individual discourse that has been dominating in all the curriculum except for on of them, where there is a society based discourse that is dominating. The effect is that the curriculums are changing but very slowly and often with the tradition of earlier curriculum with them. Along with this the negotiation has strengthened the politics power over the school, thus making it common sense to leave the upbringing of Swedish youth, more then ever before, to politics.</p>

Social movements in various parts of the world have been attempting to challenge the forces of neoliberal globalization and the social problems caused by this economic trend. Many such movements have been advancing the idea of global civil society in order to counter 'globalization from above'. Despite the efforts of these movements to democratize social relations, the domination of these powerful forces persist and result in further oppression of marginalized people. This study attempts to discover the reasons why these social movements and civil society, despite popular support, fail to challenge effectively the power of such social forces. In particular, this study analyzes, through in-depth interviews with activists, and archival and observational data, the world-view of civil society activists in a movement against Coca-Cola initiated by the marginalized people in Kerala, India. While this struggle, popularly called the 'Plachimada movement', managed to effect the temporary closure of a Coca-Cola plant, whose operation reportedly affected the ground water in the region, the local people felt that it failed to address their conditions of marginality. The analysis of the movement's processes finds that hegemony, or indirect forms of domination, often stands in the way of such efforts at democratic social change. The study concludes with suggestions for rethinking civil society as an arena of reflexive collective action that is counter-hegemonic.

<p>This literature study aims to identify international best practice concerning the role of the board and more particularly that of the independent director in ensuring good corporate governance. The study is based on sources which include a large contingent of up to date sources on the subject ranging from newspaper articles, journal articles, various corporate governance codes, company reports and reports on governance such as Cadbury and Higgs.</p>

<!-- @page { margin: 2cm } P { margin-bottom: 0.21cm; line-height: 150% } P.western { font-family: "Times New Roman", serif; font-size: 12pt } P.cjk { font-size: 12pt } P.ctl { font-size: 12pt } H1 { margin-bottom: 0.21cm; text-align: center } H1.western { font-family: "Arial", sans-serif; font-size: 15pt } H1.cjk { font-family: "Lucida Sans Unicode", sans-serif; font-size: 15pt } H1.ctl { font-family: "Tahoma", sans-serif; font-size: 16pt } --> I have studied the curriculum for the compulsory Swedish school, from the curriculum from year 1962 when the Swedish grundskolan became a reality, to the curriculum from year 1994, the one in practice today. My primary interest has been what the curriculum says about bringing up the Swedish youth. My theory has been the British analyst Norman Fairclough’s Critical Language Studies. His thoughts about actual discourse, type of discourse and order of discourse has led me through out this essay. The Irish scientist Kieran Egan has inspired the discourses I have used. His ideas on the history of western educational philosophy has also been a keystone to my work. To make a final analysis, I’ve also used the ideas of the late Italian marxist Antonio Gramsci, his thinking of hegemony in societies, how order is maintained by negotiation and consent.My results are that the four studied curriculums has changed their "sayings" of bringing up of the Swedish youth during the second half of the 20th century, but the mechanisms for power relations has not. There is an individual discourse that has been dominating in all the curriculum except for on of them, where there is a society based discourse that is dominating. The effect is that the curriculums are changing but very slowly and often with the tradition of earlier curriculum with them. Along with this the negotiation has strengthened the politics power over the school, thus making it common sense to leave the upbringing of Swedish youth, more then ever before, to politics.

In this study the researcher explored what participation was like for Kenyan women involved in an international curriculum development project, considering important aspects of international curriculum development projects that have been neglected in the research literature. The main research purpose was to understand the womens experiences in a Canadian-sponsored post-secondary education curriculum development project titled "Supporting Environmental Education in Kenya". In addition the research investigated the conflicts, tensions, and contradictions the women experienced between their previous ways of learning and their workshop experiences. Finally, the researcher addresses what could be done to mitigate contradictions generated by the project implementation.<p> The study documented power relationships, issues of control and issues of role functionality; the researcher also identified the ways in which, in a patriarchal country women, especially married women, are closely monitored by their husbands or other significant males. In fact the women needed permission from their husbands to participate, to educate, to visit, and to consort with others such as the researcher. The study shares the womens stories about the experiences that they had during and after the workshop situations, and how they interpreted these experiences.<p> Additionally, the study identified differences in the teaching methods and learning styles experienced by the women. All the participants had experienced the Kenyan education system; the Kenyan curriculum was based on the English, post-colonial system that treated the learner as an empty vessel into which knowledge was poured; within classroom sessions this system did not encourage learner engagement that might be evidenced through questioning the teacher or discussing the topic at hand. Indeed, it was observed that all of the women participating in the project required encouragement to voice their thoughts.<p> By honouring the experiences of the women and including their voices, the researcher generated information for proposal writers and project leaders to make appropriate decisions for programming that includes cultural and indigenous ways of knowing, learning and dissemination of knowledge.

This analysis of children’s literature attempts to understand the relationship between social reproduction and ideology. This thesis argues that children’s literature written by Lynne Cheney is a cultural artifact that constitutes an ideological history. In addition, it argues that her books can be used by ideological institutions to strengthen socially accepted practices through the theory of social reproduction. Since there is a lack of theory regarding cultural artifacts in literary studies, an adoption from the field of pedagogy called the theory of hidden curriculum is used to explain social reproduction. The process of social reproduction reinforces socioeconomic structures put in place in order to reinforce social norms.

This project analyzes two sets of alien invasion films to understand lay opinions on hegemonic authority. It defines hegemonic authority along two major lines: neo-Gramscian hegemony and hegemonic stability theory. The project uses alien invasion films to study challenges to hegemonic authority because of the unique and confrontational narrative alien invasion films typically possess. Through a comparative process, the project concludes that alien invasion films reveal paradoxical relationships of power, where the hegemon encourages aggressive pre-emptive policies against its challengers but at the same time depends upon these challengers to maintain its power. It argues that despite arguments of growing globalism and cosmopolitanism in the world, the liberal hegemon remains clearly divided among notions of Us versus Them.