Thesis (Ph. D.)--Stanford University, 1980. / Includes bibliographical references (leaves 286-291).

Diss.--Philosophische Fakultät--Düsseldorf--Heinrich-Heine-Universität, 1989.

Thesis--Marburg/Lahn. / Vita. "Auswahl vollstandiger Kompositionsbeispiele": p. 1-89 (2d group). Includes bibliographical references (p. 204-206).

Inaug.-Diss.--Cologne. / Lebenslauf. "Verzeichnis der im Druck erschienenen Klavierwerke F. v. Hillers": p. 89-92. Includes bibliographical references.

FAMU Department of Photography Final masters thesis reflecting life and work of photographer and famous artist Susan Hiller (*1940), american-british author, in context of her experiences and life period. This work includes main works, an interview with author's close friend and colleague Simon Read. As well with an analysis of Hiller's last project "Gedanken sind frei" (Thoughts are free) presented in dOCUMENTA(13) in Kassel, Germany. To this Master thesis is attached audiovisual documentation of Susan Hiller's conceptual project from Kassel which was made directly for purposes of this text.

This study traces the significant developments in the late nineteenth and early twentieth centuries which led to the development of electronic music and increased writing for percussion. Whether by coincidence or premeditation, the field of percussion in Western culture and electronic music share many parallel aspects in their history. Carlos Chavez, Edgard Varese and John Cage foresaw a time when electronic music would allow composers to realize compositions with ease, provide new sounds to the spectrum of possible material for pieces and aid in the conception of works. Significantly, these same composers were important figures in the development of percussion composition. In many ways, Lejaren Hiller's Machine Music can be seen as a culmination of the developments which had been taking place in the history of electronic music and percussion music. A product of the innovations in both fields, it poses some formidable problems for the performers. This study will give some background into its composition, examine its structure and deal with its performance problems.

Die 1778 gedruckte Operette "Die kleine Aehrenleserinn" von Johann Adam Hiller bildete bei einem Instrumentationprojekt an der Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig die Vorlage. Exemplarisch wird von den bei dem Projekt gemachten praktischen und ästhetischen Erfahrungen berichtet.

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Die 1778 gedruckte Operette "Die kleine Aehrenleserinn" von Johann Adam Hiller bildete bei einem Instrumentationprojekt an der Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig die Vorlage. Exemplarisch wird von den bei dem Projekt gemachten praktischen und ästhetischen Erfahrungen berichtet.

Graduate