1,000 miles marks the culmination of my course of study at the University of Texas. As an MFA student in the playwriting program, I have juggled my responsibilities to the department with my role as a professional playwright, frequently splitting time between Austin and my hometown of Chicago, where I opened four world premieres from 2010-2012. In this thesis, I discuss the ways in which my work has been influenced by the aesthetics of both artistic communities. I focus on two of my plays in particular: Kingsville, which premiered in Chicago during my first semester at UT, and Colossal, which opened in Austin just weeks before graduation. Through the lens of these two plays, I outline my artistic evolution over the past three years, highlighting the ways in which my work has drawn from the very best of Chicago’s storefront theaters and Austin’s experimental scene. / text