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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.

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Showing 1 to 2 of 2 (0.116 seconds)

Spelling suggestions: "subject:"historiography off performance art"" "subject:"historiography oof performance art""

1

Staging the documentary

Clausen, Barbara 17 July 2015 (has links) (PDF)
Barbara Clausen thinks about the relationship between experience and knowledge in curating performance art. She will in particular explain her curatorial work on Babette Mangolte's first international solo exhibition which took place at the VOX center for contemporary art in Montreal in 2013. This exhibition and film retrospective showcased Mangolte's various practices and modes of production, as one of the key chroniclers of 1970s performance in dance, visual arts and theater, ranging from early archival works to new site specific multi-media installations. Clausen will consider the complexity of Mangolte's practices in light of the current processes of change that are taking hold in the visual politics of performance arts’ past and present.
Performance
Geschichte
Ausstellung
Babette Mangolte
Performancegeschichte
Historiography of performance art
Exhibiting performance
ddc:700
rvk:AP 51400
rvk:LH 65830
2

Staging the documentary: Babette Mangolte and the curatorial ‘dispositif’ of performance’s histories

Clausen, Barbara January 2014 (has links)
Barbara Clausen thinks about the relationship between experience and knowledge in curating performance art. She will in particular explain her curatorial work on Babette Mangolte''s first international solo exhibition which took place at the VOX center for contemporary art in Montreal in 2013. This exhibition and film retrospective showcased Mangolte''s various practices and modes of production, as one of the key chroniclers of 1970s performance in dance, visual arts and theater, ranging from early archival works to new site specific multi-media installations. Clausen will consider the complexity of Mangolte''s practices in light of the current processes of change that are taking hold in the visual politics of performance arts’ past and present.
info:eu-repo/classification/ddc/700
ddc:700

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