Com o estabelecimento do Conselho de Arquitetura e Urbanismo do Brasil (CAU/BR), no final de 2011, a categoria profissional dos Arquitetos e Urbanistas conquistou a formação de seu órgão regulador, voltado somente a esse profissional. Diante de tal fato, a necessidade de formulação e implantação de um novo Código de Ética e Disciplina para a profissão, junto com seus procedimentos disciplinares tornou-se evidente. Com isso, a tese buscou, primeiramente, acompanhar e registrar o processo de elaboração do Código, ressaltando a metodologia utilizada e destacando as principais discussões que envolveram a consolidação do texto final do primeiro Código de Ética e Disciplina voltado somente aos profissionais de arquitetura e urbanismo no Brasil. Tal investigação não só possibilitou o levantamento das principais discussões voltadas à estrutura do texto do Código, como também, as discussões que envolveram os conflitos predominantes que ocorriam na prática profissional do arquiteto e urbanista naquele momento. Em seguida a tese se concentrou na demonstração do levantamento e classificação das decisões publicadas pelos CAU/UF da Região Sudeste referente às sanções aplicadas às infrações ocorridas às regras do Código a partir de sua implementação no início de 2014 até o final de 2017, procurando destacar quais infrações se apresentarem recorrentes. Ainda, com a intenção de fornecer uma descrição do processo histórico do desenvolvimento da profissão do arquiteto e urbanista no Brasil, enfocado na evolução de seu comportamento profissional baseado nos códigos de conduta estabelecidos pelos órgãos reguladores, seguiu-se a elaboração de um estudo comparativo dos resultados alcançados no decorrer das investigações colocadas acima, com os resultados obtidos em pesquisa anterior, no período em que a classe profissional se encontrava sob vigência do então Código de Ética do Sistema CONFEA/CREA. / With the establishment of the Architecture and Urban Design Council of Brazil (CAU/BR), by the end of 2011, the professional category of architects and urban designers attained the formation of its regulatory entity, exclusively dedicated to its professionals. Therefore, the need to formulate and implement a new Code of Ethics and Discipline for the profession, along with its disciplinary procedures became evident. With that in mind, the thesis aimed, in the first place, to follow and record the elaboration process of the Code, explaining its methodology and highlighting the main discussions that took place to achieve the consolidation of its final draft, with the first Code of Ethics dedicated solely to the field of Architecture and Urban Design in Brazil. The research made possible the survey of the main topics regarding the Code contents structure, and also, discussions that encompassed the predominant conflicts that occurred within the professional practice of Architecture and Urban Design at that time. Subsequently, the thesis focuses on the demonstration of the survey and classification of the decisions published by CAU/UF1, from the southeast region, concerning the applied sanctions regarding infractions committed against the Code after its implementation in the beginning of 2014, until the end of 2017, seeking to highlight the more recurrent ones. With the intention to provide a description of the historical process of the development of the profession of Architect and Urban Designer in Brazil, focused on the evolution of its professional behavior, based on the Conduct Codes established by the regulatory entities, the next step was the elaboration of a comparative study of the obtained results during the investigations mentioned above, containing the data of a previous research, conducted in a period in which the professional category was still under the regulation of the past Code of Ethics, under the CONFEA/CREA System.

Com o estabelecimento do Conselho de Arquitetura e Urbanismo do Brasil (CAU/BR), no final de 2011, a categoria profissional dos Arquitetos e Urbanistas conquistou a formação de seu órgão regulador, voltado somente a esse profissional. Diante de tal fato, a necessidade de formulação e implantação de um novo Código de Ética e Disciplina para a profissão, junto com seus procedimentos disciplinares tornou-se evidente. Com isso, a tese buscou, primeiramente, acompanhar e registrar o processo de elaboração do Código, ressaltando a metodologia utilizada e destacando as principais discussões que envolveram a consolidação do texto final do primeiro Código de Ética e Disciplina voltado somente aos profissionais de arquitetura e urbanismo no Brasil. Tal investigação não só possibilitou o levantamento das principais discussões voltadas à estrutura do texto do Código, como também, as discussões que envolveram os conflitos predominantes que ocorriam na prática profissional do arquiteto e urbanista naquele momento. Em seguida a tese se concentrou na demonstração do levantamento e classificação das decisões publicadas pelos CAU/UF da Região Sudeste referente às sanções aplicadas às infrações ocorridas às regras do Código a partir de sua implementação no início de 2014 até o final de 2017, procurando destacar quais infrações se apresentarem recorrentes. Ainda, com a intenção de fornecer uma descrição do processo histórico do desenvolvimento da profissão do arquiteto e urbanista no Brasil, enfocado na evolução de seu comportamento profissional baseado nos códigos de conduta estabelecidos pelos órgãos reguladores, seguiu-se a elaboração de um estudo comparativo dos resultados alcançados no decorrer das investigações colocadas acima, com os resultados obtidos em pesquisa anterior, no período em que a classe profissional se encontrava sob vigência do então Código de Ética do Sistema CONFEA/CREA. / With the establishment of the Architecture and Urban Design Council of Brazil (CAU/BR), by the end of 2011, the professional category of architects and urban designers attained the formation of its regulatory entity, exclusively dedicated to its professionals. Therefore, the need to formulate and implement a new Code of Ethics and Discipline for the profession, along with its disciplinary procedures became evident. With that in mind, the thesis aimed, in the first place, to follow and record the elaboration process of the Code, explaining its methodology and highlighting the main discussions that took place to achieve the consolidation of its final draft, with the first Code of Ethics dedicated solely to the field of Architecture and Urban Design in Brazil. The research made possible the survey of the main topics regarding the Code contents structure, and also, discussions that encompassed the predominant conflicts that occurred within the professional practice of Architecture and Urban Design at that time. Subsequently, the thesis focuses on the demonstration of the survey and classification of the decisions published by CAU/UF1, from the southeast region, concerning the applied sanctions regarding infractions committed against the Code after its implementation in the beginning of 2014, until the end of 2017, seeking to highlight the more recurrent ones. With the intention to provide a description of the historical process of the development of the profession of Architect and Urban Designer in Brazil, focused on the evolution of its professional behavior, based on the Conduct Codes established by the regulatory entities, the next step was the elaboration of a comparative study of the obtained results during the investigations mentioned above, containing the data of a previous research, conducted in a period in which the professional category was still under the regulation of the past Code of Ethics, under the CONFEA/CREA System.

Notre étude s’intéresse à l’agence André entre 1929 et 1973, période d’activité des frères Jacques et Michel André, architecte et ingénieur. Nous interrogeons leur production dans son contexte spatial et historique, à la lumière des notions de filiations et de réseaux. Issus d’une importante dynastie d’architectes en Lorraine, ils bénéficient d’un héritage à la fois matériel et intellectuel. Cet ancrage, soutenu par la foisonnante École de Nancy du début du siècle, favorise les réseaux de proximité comme les échanges culturels internationaux. Les frères André prolongent ce dynamisme critique en s’impliquant dans le Comité Nancy-Paris,l’Union des artistes modernes et la revue L’Architecture d’aujourd’hui. Dans l’Entre-deux guerres,ils sont les premiers architectes à collaborer durablement avec Jean Prouvé, avant d’associer à l’agence Claude, le fils de ce dernier, dans les années 1960. Proche des entrepreneurs locaux, les deux frères questionnent la valeur constructive de l’architecture :ils s’attachent à atteindre la perfection technique et expérimentent les matériaux. Cette recherche traverse leur production, depuis leur première grande réalisation, l’Institut de zoologie, inspiré par les procédés de Frank Lloyd Wright, jusqu’au musée de l’Histoire du fer,symbole de gloire industrielle régionale. Tandis que les années 1930 constituent une période d’intense créativité, l’agence développe après-guerre les outils nécessaires pour faire face à une commande massive, notamment postale, et se met en quête de productivité. L’agence des frères André constitue ainsi un témoin privilégié des bouleversements de la production architecturale au cours du XXème siècle. / Our study focuses on the André agency between 1929 and 1973, period of activity of thebrothers Jacques and Michel André, architect and engineer. We question their production inits spatial and historical context, in the light of the notions of filiation and networks. Comingfrom a large dynasty of architects in Lorraine, they benefit from both material and intellectuallegacy. This rooting, supported by the teeming École de Nancy in the early century,promotes close networks as well as international cultural exchanges. The André brothersextend this critical dynamic by getting involved in the Comité Nancy-Paris, the Union desartistes modernes (UAM) and the L'Architecture d'aujourd'hui magazine. During the Interwarperiod, they were the first architects to work sustainably with Jean Prouvé, before associatingClaude, the son of the later, to the agency in the 1960s. Close to local building contractors,the two brothers question the constructive value of architecture: they focus on reaching ontechnical perfection and experimentation on materials. This research goes through theirproduction, since their first major achievement, the Institute of Zoology, inspired by FrankLloyd Wright’s processes, to the museum of iron history, symbol of the region's industrialglory. While the 1930s are a period of creativity, the agency develops postwar the toolsneeded to face intense order, in particular postal, and shifts toward a quest for productivity.The André agency thus constitutes a privileged witness to the upheavals of architecturalproduction during the 20th century.