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Le sacré dans trois romans de Victor-Lévy BeaulieuRouleau, Caroline January 1999 (has links) (PDF)
No description available.
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La présence du sacré dans l'oeuvre de Milan Kundera /Livernois, Jonathan. January 2006 (has links)
For several critics, Milan Kundera's novels illustrate the disenchantment of the world and the demystification of all myths. In this thesis, we accept this point of view while insisting on the persistence of sacred elements in the works of Kundera. We formulate the hypothesis of the "inoculation" of a sacred part (i.e. myths, scenes and figures of the Holy Bible, etc.) in the prose of the novel---"le caractere concret, quotidien, corporel de la vie", as Kundera wrote---in order to anchor this often unstable matter and alleviate the brevity of the character's life. Our analysis of three novels (The Book of Laughter and Forgetting, The Farewell Party and The Joke) reveals an oscillation between the sacred and the prose within the works of Milan Kundera. This movement is illustrated, in the text, by the motif of the baroque angel.
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La présence du sacré dans l'oeuvre de Milan Kundera /Livernois, Jonathan January 2006 (has links)
No description available.
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Le sacré dans trois romans de Victor-Lévy Beaulieu / / Scare dans trois romans de Victor-Lévy BeaulieuRouleau, Caroline. January 1999 (has links)
Victor-Levy Beaulieu's novels all centre around the search for the sacred, a quest for meaning and the Absolute which is accomplished through self-degradation and transgression. In order to define and analyse the need for the sacred that motivates Beaulieu's characters (a need that is at the very heart of the literary project of both the prolific Quebec author and his fictional alter ego, Abel Beauchemin), we will focus on the following novels: La nuitte de Malcomm Hudd (1969), Un reve quebecois (1972) and Oh Miami, Miami, Miami (1973). By means of an analysis of three essential aspects of Beaulieu's writing---the relationship to time and space, the role of women in the male character's universe, and the function of violence---we will show how the author represents, in his novels, the complex interplay of (i) the two modes (the sacred and the profane) of existence, (ii) the bipolar nature of the sacred itself and (iii) the complicity linking taboo and transgression.
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Le féminin et le sacré dans l'oeuvre en prose d'Anne HébertFonteneau, Anne January 2001 (has links) (PDF)
No description available.
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Le sacré dans trois romans de Victor-Lévy Beaulieu /Rouleau, Caroline. January 1999 (has links)
No description available.
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Hier, l'enfance, et Chaque blessure dénoue l'amour ; suivis de La poésie est-elle encore sacrée?Boucher, Micheline January 1998 (has links) (PDF)
No description available.
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John Milton's Bible : scriptural resonance in Paradise lost /Stallard, Matthew S. January 2008 (has links)
Thesis (Ph.D.)--Ohio University, August, 2008. / Abstract only has been uploaded to OhioLINK. Includes bibliographical references (leaves 691-701)
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"Strange instruments" : women as vessels of the Holy Spirit in late nineteenth-century American literature /Gable, Janice Marie. January 2002 (has links)
Thesis (Ph. D.)--Lehigh University, 2003. / Includes vita. Includes bibliographical references (leaves 183-199).
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