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51	Die Glossen in der arabischen Dioskurides-Übersetzung des Ms. Paris, BnF, arabe 2849. Teiledition und Analyse romanischer und lateinischer Elemente / The glosses of the Arabic Dioscorides’ translation of Ms. Paris, BnF, arabe 2849. Partial edition and analysis of Romance and Latin elements. Lübke, Mailyn 04 May 2020 (has links) No description available. 400 800 medizinisch-botanische Literatur arabische Dioskurides-Übersetzung Ms. Paris, BnF, arabe 2849 Materia Medica Versio Stephani Glossen Altsüdiberoromanisch Mozarabisch 10.–13 Jh. al-Andalus revisión andalusí Entfossilisierung Diktierung Memorierung Kollation Ms. Oxford, Bodleian, Hyde 34 romanische Etymologie Isidor von Sevilla Ibn Ǧulǧul al-Išbīlī b. Ṣāliḥ Ibn al-Rūmiyya Ibn al-Bayṭār medico-botanical literature Arabic Dioscorides’ translation Ms. Paris, BnF, arabe 2849 Materia Medica Versio Stephani glosses Old Southern Ibero-Romance Mozarabic 10th–13th centuries al-Andalus Andalusi revision defossilisation dictation memorisation collation Ms. Oxford, Bodleian, Hyde 34 Romance etymology Isidore of Seville Ibn Ǧulǧul al-Išbīlī b. Ṣāliḥ Ibn al-Rūmiyya Ibn al-Bayṭār Philologien (PPN621711713)
52	The First Mission of the Twelve Apostles: 1835 Heward, Maclane Elon 19 March 2013 (has links) (PDF) The Quorum of the Twelve Apostles for the Church of Jesus Christ of Latter-day Saints is an administrative and ecclesiastical quorum. The Church, first organized in 1830, did not organize the Quorum of Twelve Apostles until 1835. When it was organized, Joseph Smith outlined the quorum's responsibilities through revelation. The Twelve were assigned two unique and specific responsibilities: to take the gospel to the nations of the earth and to form a traveling high council for the regulating of the Church outside of its stakes. The first opportunity for the Twelve to fulfill their responsibilities was in May 1835 when they were assigned to travel to the eastern United States and southern Canada. There they both preached the gospel and regulated the branches of the Church. This mission represents not only the first time the Apostles fulfilled their assigned responsibilities but the only time that they filled their responsibilities as an entire quorum. It is surprising that more secondary literature on this mission is not available. This thesis seeks to commence an academic conversation regarding this mission and its impact both on the quorum's development and on the Church in its outlying areas. Chapter 1 details the preparation of the individual members of the Twelve to fulfill this mission. It discusses the preparation of the Twelve prior to their call to the apostleship. It also discusses the training that took place between their call and the commencement of this mission. As an administrative body for the membership of the Church, the Twelve spent the majority of their time on this mission with the members of the Church. Chapter 2 identifies the unique purpose of the Twelve on this mission and how that purpose was fulfilled. Joseph Smith originally laid out the geographic framework for this mission, which sent the Twelve into Canada and throughout much of the northeastern United States. Chapter 3 identifies the locations of the Twelve based on available records and seeks to provide an answer to how the Twelve decided which areas to preach in. Many individuals were baptized during this five-month mission. Chapter 4 identifies what the Twelve taught and the sources that they used. It also discusses the reaction of the people they taught. The concluding chapter summarizes the thesis and identifies areas for further research. The Quorum of the Twelve Apostles Latter-day Saints Mormon apostles mission evangelism Thomas B. Marsh David W. Patten Brigham Young Heber C. Kimball Orson Hyde William E. McLellin Parley P. Pratt Luke S. Johnson William Smith Orson Pratt John F. Boynton Lyman E. Johnson History of Christianity
53	Shame and late Victorian gothic : The picture of Dorian Gray, The beetle, and The strange case of Dr Jekyll and Mr Hyde Paquin, Marianne 20 December 2019 (has links) Suite aux grands changements qui bousculèrent la société, la fin du dix-neuvième siècle fut une période de grande instabilité pour l’Angleterre. Les anxiétés créées par ces bouleversements se reflétèrent dans une prolifération de la littérature Gothique. Bien que le genre soit généralement étudié en relation avec la peur, ce mémoire soutient que le gothique tire son essence d’un large éventail d’émotions — et, tout particulièrement, de la honte. Étroitement liée à la notion de moralité, la honte est profondément ancrée dans les codes sociaux et les conventions. Dans une société aussi conservatrice et rigoureusement structurée que celle de la fin de la période victorienne, la honte révèle les conflits auxquels les individus faisaient face, ainsi que leur manière de les gérer. Pour comprendre les dynamiques de ces enjeux et les valeurs à leur fondement, ce mémoire explore trois romans importants de l’époque : The Picture of Dorian Gray, de Oscar Wilde, The Beetle, de Richard Marsh et The Strange Case of Dr Jekyll and Mr Hyde de Robert Louis Stevenson. En se concentrant particulièrement sur la figure du monstre gothique, cette étude considère deux types de honte : interne et externe. Tandis que le portrait de Dorian Gray illustre le conflit interne du protagoniste, la créature de The Beetle offre un exemple de honte externe comme châtiment; enfin, le double dans Jekyll and Hyde expose la mécanique de coexistence des hontes externe et interne. Au moyen de cet angle d’analyse, ce mémoire ouvre alors de nouvelles perspectives d’études sur la littérature gothique de la fin du dixneuvième siècle. / The end of the nineteenth century in England was a period of great instability as society experienced significant changes. These disruptions created anxieties, which were manifested in the proliferation of Gothic literature. While the Gothic genre is generally studied through the lens of fear, this thesis argues that it is governed by a range of affects, especially shame. Closely linked with morality, shame is deeply embedded in social codes and conventions. In a rigidly structured, conservative society such as that of late Victorian Britain, shame reveals much about the struggles that people faced and how they handled them. To understand the dynamics of these struggles and the values that underpinned them, this thesis explores three major novels from the fin de siècle period: The Picture of Dorian Gray by Oscar Wilde, The Beetle by Richard Marsh and The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson. With a particular focus on the figure of the Gothic monster, this study considers two different types of shame, internal and external. The portrait in Dorian Gray illustrates the internal conflict of the protagonist, while the creature in The Beetle offers an example of external shame as punishment. Meanwhile, the double in Jekyll and Hyde provides an opportunity to understand how internal and external shame coexist. In so doing, this thesis provides new insights into Gothic literature of the fin de siècle. PR 13.5 UL 2019 Marsh, Richard, -1915. Beetle Marsh, Richard, -1915 -- Thèmes, motifs Honte dans la littérature Monstres dans la littérature
54	Uncanny modalities in post-1970s Scottish fiction : realism, disruption, tradition Syme, Neil January 2014 (has links) This thesis addresses critical conceptions of Scottish literary development in the twentieth-century which inscribe realism as both the authenticating tradition and necessary telos of modern Scottish writing. To this end I identify and explore a Scottish ‘counter-tradition’ of modern uncanny fiction. Drawing critical attention to techniques of modal disruption in the works of a number of post-1970s Scottish writers gives cause to reconsider that realist teleology while positing a range of other continuities and tensions across modern Scottish literary history. The thesis initially defines the critical context for the project, considering how realism has come to be regarded as a medium of national literary representation. I go on to explore techniques of modal disruption and uncanny in texts by five Scottish writers, contesting ways in which habitual recourse to the realist tradition has obscured important aspects of their work. Chapter One investigates Ali Smith’s reimagining of ‘the uncanny guest’. While this trope has been employed by earlier Scottish writers, Smith redesigns it as part of a wider interrogation of the hyperreal twenty-first-century. Chapter Two considers two texts by James Robertson, each of which, I argue, invokes uncanny techniques familiar to readers of James Hogg and Robert Louis Stevenson in a way intended specifically to suggest concepts of national continuity and literary inheritance. Chapter Three argues that James Kelman’s political stance necessitates modal disruption as a means of relating intimate individual experience. Re-envisaging Kelman as a writer of the uncanny makes his central assimilation into the teleology of Scottish realism untenable, complicating the way his work has been positioned in the Scottish canon. Chapter Four analyses A.L. Kennedy’s So I Am Glad, delineating a similarity in the processes of repetition which result in both uncanny effects and the phenomenon of tradition, leading to Kennedy’s identification of an uncanny dimension in the concept of national tradition itself. Chapter Five considers the work of Alan Warner, in which the uncanny appears as an unsettling sense of significance embedded within the banal everyday, reflecting an existentialism which reaches beyond the national. In this way, I argue that habitual recourse to an inscribed realist tradition tends to obscure the range, complexity and instability of the realist techniques employed by the writers at issue, demonstrating how national continuities can be productively accommodated within wider, pluralistic analytical approaches. 823

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