Esta pesquisa tem por objetivo analisar a trajetória intelectual do escritor Ramon del Valle-Inclán que transitou entre os círculos intelectuais de Madrid e da Cidade do México produzindo interpretações sobre a América Hispânica num contexto de tentativas de reaproximação entre a metrópole e suas ex-colônias na década de 1920. Também objetivamos analisar o significado dos contatos intelectuais entre o escritor e intelectuais hispano-americanos que foram relevantes para a gestação e produção de seu romance Tirano Banderas (1926). Em um contexto de comemoração dos centenários de independência, esta obra teve grande repercussão e suscitou debates sobre o papel cultural da Espanha em toda América Hispânica. A análise sobre sua gestação, produção e primeira recepção na América e na Espanha, só se torna possível porque um vasto e rico epistolário relacionado ao autor foi, recentemente, publicado. Além dessa fonte básica para este tipo de estudo, pretendemos analisar os debates registrados na imprensa dos dois lados do Atlântico, o que nos permitirá fazer um contraponto entre esses registros e a referida obra do autor. / I intend to analyze in this research the Valle-Inclán\'s intellectual trajectory as an artist that produced some interpretations about Hispanic America in the context of Independence Centenary Celebrations. Also intend to analyze the intellectual contacts between Valle-Inclán and hispanicamerican intellectuals that were important to produce its masterpiece Tirano Banderas. This research is only possible because it recently was published Valle-Inclán\'s vast collection of letters.

Made available in DSpace on 2017-07-21T14:49:48Z (GMT). No. of bitstreams: 1 Leonildo Jose Figueira.pdf: 4430409 bytes, checksum: 6f0608f525f9a563cbe625d45e20b8ea (MD5) Previous issue date: 2016-08-18 / During the 19th Century, several adventurers, mainly European, roamed the Brazilian territory, producing countless reports which are used as sources for the study of the land, people and nature or the time, since such travel literature deals with the experience of contact. Such reports are not only sources of information about Brazil, but also indicate important interpretative lines of Brazilian history. As such, this work tries to study one of the most noteworthy scholars of the 19th Century, Richard Francis Burton, born in 1821 in Torquay e deceased in 1890, in Trieste. This voyager lived during a very important time in politics for his country, the Reign of Queen Victoria of England. He was a military, diplomat, scientist, naturalist, author translator, and so on, and a known explorer of the African continent, where he involved himself in daredevil expeditions beside John Hanning Speke, being at the center of the debates about the source of the Nile. In Brasil, Burton was the British consul at Santos, between 1865 and 1869, writing several important voyage reports and a narrative on the Paraguayan war and the Brazilian context of the time, in the form of letters, sent to an anonymous character: “Z...”. In the work Letters from the Battlefield of Paraguay, published in London (1870), Richard Burton gathered 27 letters, the first one written in Montevideo in August 11, 1868, and the last one written in em Buenos Aires in April 21, 1869, after he visited the battlefields twice (from August 17 to September 5, 1868) and from April 4 to 18, 1869). We will analyze the peculiar trajectory of this traveler, as well as his “social place”, his reports which go beyond picturesque observation and are historical sources for studies about the people, landscape, nature, social relations, conflicts, etc. We will study the interests he had which made him travel through Brasil and the Plata region, where the Paraguayan war took place, as well as his representations and relationships established in these territories. / No século XIX, diversos aventureiros, principalmente europeus, percorreram o território brasileiro, produzindo, inúmeros relatos os quais nos servem de fontes para o estudo da terra, da gente e da natureza da época, uma vez que estas literaturas de viagem tratam da experiência do contato. Tais relatos não são apenas fontes de informações sobre o Brasil, mas apontam para importantes linhas interpretativas da nossa história. Nesse sentido, o presente trabalho pretende abordar um dos mais marcantes intelectuais do século XIX, Richard Francis Burton, nascido em 1821 em Torquay e falecido em 1890 em Trieste. Este viajante viveu numa época de grande importância política para seu país, período de reinado da Rainha Vitória na Inglaterra. Ele foi militar, diplomata, cientista, naturalista, autor, tradutor etc., e um conhecido explorador do continente africano, onde empreendeu ousadas expedições ao lado de John Hanning Speke, estando envolvido nos debates sobre a nascente do Rio Nilo. No Brasil, Burton foi cônsul inglês em Santos entre 1865 e 1869, deixando importantes relatos de viagem, uma importante narrativa sobre a Guerra do Paraguai e sobre o contexto brasileiro da época, sob forma epistolar. As cartas-reportagens de Burton eram endereçadas a um destinatário anônimo “Z ...”; Na obra Letter From the Battlefield of Paraguai, publicada em Londres (1870), Richard Burton reuniu 27 missivas, a primeira datada de Montevidéu em 11 de agosto de 1868, e a última escrita em Buenos Aires em 21 de abril de 1869, depois de visitar os campos de batalha por duas vezes (de 15 de agosto a 5 de setembro de 1868 e de 4 a 18 de abril de 1869). Analisaremos a trajetória peculiar desse viajante, bem como seu “lugar social”; seus relatos que vão além da observação pitoresca e nos servem de fonte histórica para estudos sobre a gente, a paisagem, a natureza, as relações sociais, os conflitos, etc. Analisaremos os interesses que motivaram Burton a percorrer o Brasil e a região platina onde se deflagrou a Guerra do Paraguai, bem como suas representações e as relações estabelecidas nesses território.

Este trabalho investiga como as ideias românticas foram introduzidas na Itália após 1816. Isso é feito através da análise de artigos do periódico milanês Il Conciliatore. Esse jornal literário circulou em Milão de setembro de 1818 a outubro de 1819 e teve entre seus colaboradores Silvio Pellico, Giovanni Berchet, Ermes Visconti entre vários outros. Nosso objetivo é abordar o nosso objeto de estudo em duas perspectivas: nós exploramos o papel de Il Conciliatore como difusor das concepções românticas na Itália e procuramos, através de seus artigos, reconstruir algumas visões históricas contemporâneas ao período da Restauração Italiana. / This work investigates how romantic ideas were introduced in Italy after 1816. It is done through the analysis of articles from the Milanese periodic Il Conciliatore. This literary newspaper circulated in Milan from September 1818 to October 1819, having as its contributors Silvio Pellico, Giovanni Berchet, Ermes Visconti among a lot of others. Our aim is to approach our studying object by two perspectives: we explore Il Conciliatores role in spreading romantic conceptions in Italy and we seek through its articles to reconstruct some historical views contemporary to the Italian Restauration period.

This thesis in intellectual history examines the work of art historian Ernst Gombrich (1909-2001), one-time Director of London's Warburg Institute, on that institute's founder, Aby Warburg (1866-1929). The memory of War burg, as evoked in Gombrich's scholarship, is investigated as a focal point for contemporary concerns on the part of Gombrich and his peers, and as an influence on Warburg's reception in 20th century scholarship. The thesis gives a close account of Gombrich's particular intellectual achievements, in order better to understand his status as a figure of great popular and academic significance in mid-to-Iate 20th century art history and art theory. Gombrich was an emigre who left his native Austria for the United Kingdom in the 1930s and this thesis also considers the impact on intellectual history of the mid-20th century emigration from Central Europe, which was driven by ethnonationalist and above all Nazi persecution. Specifically, the thesis examines the significance for Gombrich's work of his Austrian background, in terms of both the German-language humanist culture of Bi/dung and Gombrich's sense, as a person of Jewish background, of Jewish identity. Using a methodology informed by the anthropology of emotions and the discipline of memory studies, Warburg is approached specifically as a lieu de memoire on Pierre Nora's model. The argument is that Gombrich invested his own concerns in his scholarly representations of the older art historian. The means by which this investment was made, and the negotiation of this investment amongst Gombrich's colleagues at the Warburg Institute, are traced through archival research. The impact of Gombrich's investment in Warburg on the older art historian's subsequent, posthumous reception in academia is examined, and the potential for alternative visions of Warburg marginalised by Gombrich's representation is also considered.

Made available in DSpace on 2015-03-03T19:29:14Z (GMT). No. of bitstreams: 0 Previous issue date: 28 / Milton Valente / A presente dissertação constrói uma “biografia intelectual” do médico, literato e político Dyonélio Machado, personagem destacado da sociedade gaúcha durante o século XX, que assumiu posição marginal em virtude de seus posicionamentos político-ideológicos e de seu estilo. Tem como objetivo geral examinar as possíveis relações existentes entre Dyonélio Machado, sua biografia e a história, considerando os múltiplos papéis sociais que este desempenhou durante sua existência – como político, jornalista, escritor e médico. Ao longo deste estudo, procuramos verificar o modo como se inseria nos debates da intelectualidade, como se relacionava com seus pares e com o poder. Para o desenvolvimento desta pesquisa foram empregadas diversas fontes, sobretudo, documentais, dentre as quais se destaca o conjunto da obra literária e científica do intelectual e suas escritas auto-referenciais, entre outras, cujos conteúdos, uma vez analisados, permitem a chegada a uma compreensão de que o personagem vanguardista, em alguns asp / The present thesis introduces an “intelectual biography” of the physician, litterateur, and politician Dyonélio Machado, an outstanding character of the gaúcha society during the 20th century, who was undermined due to his political and ideological viewpoints as well as his style. The general objective of this study is to examine the possible existing relationship among Dyonélio Machado, his biography and History, considering the multiple social roles that he played during his living time – as a politician, a journalist, a writer, and a physician. Throughout this study, we attempted to verify the way he addressed the debates of intellectual groups, the way he related to his peers, and to power. In order to develop this study, a great variety of sources, mainly documents, were employed. Among these, particular attention was paid to Dyonélio´s literary and scientific body of work and his self-reference writings. Once these sources were analyzed, one was able to understand that this, at times avant-garde, at o

Jaime Cortesão (1884-1960) viveu no Brasil entre 1940 e 1957 e durante esse período constituiu grande parte de sua obra historiográfica. Emigrado de Portugal por pressão do salazarismo, desfrutou de condições bastante privilegiadas à sua produção intelectual, favorecidas tanto pelas instituições governamentais nas quais trabalhou quanto pelas relações que cultivou. A análise das condições de sua produção intelectual no Brasil permite iluminar questões da política cultural e da produção do conhecimento no contexto da Era Vargas. Considerando que identidade nacional, modernidade, interiorização do país eram alguns dos temas que mobilizavam a intelligentsia nacional, busco neste trabalho identificar as conexões entre os trabalhos de Cortesão e o intenso debate promovido dentro e fora do aparelho do Estado brasileiro. Neste aspecto, a sua atuação na Biblioteca Nacional e no Ministério das Relações Exteriores, ampliada por uma intensa colaboração na imprensa paulistana e carioca, suscita reflexões acerca dos percursos de sua escrita da história da colonização portuguesa. Do ponto de vista do autor, a ação colonizadora é protagonizada pelos bandeirantes e é criadora de uma família luso-tupi, de relações simbióticas entre colonos e nativos a partir do planalto paulista. Essas concepções, que se encontraram também na exposição histórica em comemoração ao quarto centenário da fundação da cidade de São Paulo (1954), organizada por Cortesão no conjunto de um amplo evento, local e nacionalmente significativo, permitiam a Portugal manter-se presente na identidade brasileira, bem como participar com relevo da celebração do ingresso do Brasil na modernidade. / Jaime Cortesão (1884-1960) lived in Brazil between 1940 and 1957 and during this period constituted most part of his historiographical work. Emigrated from Portugal by Salazar pressure, he has enjoyed quite privileged conditions to his intellectual production; both government institutions in which he worked as well as the relationships he has cultivated favored those conditions. The analysis of the conditions of his intellectual production in Brazil allows illuminate issues of cultural policy and production of knowledge in the context of Vargas government. Taking into consideration that national identity, modernity, the country internalization were some of the issues which mobilized the national intelligence, I aim in this paper identify the connections between Cortesão works and the intense debate promoted within and outside the Brazilian state apparatus. In this respect, his performance at the National Library and the Ministry of Foreign Affairs, magnified by intense collaboration in São Paulo and Rio de Janeiro press, raises reflections on the paths of his writing about the history of Portuguese colonization. From the author\'s point of view, the colonizing action is led by pioneers and is the creator of a Portuguese-Tupi family of symbiotic relationships between settlers and natives from the Sao Paulo plateau These concepts, which are also found in the historical exhibition commemorating the fourth centenary of the founding of the city of São Paulo (1954), organized by Cortesão in the set of a large event, locally and nationally significant, allowed Portugal to keep present inside the Brazilian identity and participate considerably of the celebration of Brazil\'s entry into modernity.

Este trabalho investiga como as ideias românticas foram introduzidas na Itália após 1816. Isso é feito através da análise de artigos do periódico milanês Il Conciliatore. Esse jornal literário circulou em Milão de setembro de 1818 a outubro de 1819 e teve entre seus colaboradores Silvio Pellico, Giovanni Berchet, Ermes Visconti entre vários outros. Nosso objetivo é abordar o nosso objeto de estudo em duas perspectivas: nós exploramos o papel de Il Conciliatore como difusor das concepções românticas na Itália e procuramos, através de seus artigos, reconstruir algumas visões históricas contemporâneas ao período da Restauração Italiana. / This work investigates how romantic ideas were introduced in Italy after 1816. It is done through the analysis of articles from the Milanese periodic Il Conciliatore. This literary newspaper circulated in Milan from September 1818 to October 1819, having as its contributors Silvio Pellico, Giovanni Berchet, Ermes Visconti among a lot of others. Our aim is to approach our studying object by two perspectives: we explore Il Conciliatores role in spreading romantic conceptions in Italy and we seek through its articles to reconstruct some historical views contemporary to the Italian Restauration period.

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In the course of a fairly brief lifetime, lasting only a little over fifty years (1897-1949), Tan Malaka was variously a schoolteacher, the chair of the Indonesian Communist Party (PKI), a Comintern agent, a political exile, and a revolutionary leader. He travelled the world, living for spells in the Netherlands, Germany, Russia, China, the Philippines, Singapore, and Thailand. Tan Malaka's colourful life and political career have attracted comment from historians, but there has not yet been an in-depth treatment of his ideas, even though he produced a large corpus of writings and was acknowledged to be among the foremost political intellects of his generation in Indonesia. This thesis is an analysis and contextualization of Tan Malaka's political thought. It places his writings within a series of contemporary debates: on the nature of the Indonesian past and the country's potential for revolution; on imperialism and the post-colonial future of Asia; on the relationship between Islam, capitalism, and Communism; on the reformation of Indonesian thinking; and on the appropriate strategy and goals for the Indonesian revolution. These debates, and Tan Malaka's interventions within them, reveal that Indonesia during the 'national awakening' period (1900-50) was the scene of great intellectual innovation, where foreign and indigenous concepts were fused, adapted and reworked. Tan Malaka's writings provide a particularly vivid example of this, combining as they do the concepts and language of Marxism, Islamic morality, and Minangkabau custom, sometimes in tension, in other places flowing together without apparent strain. Tan Malaka was not unique in this respect, as the thesis shows, which suggests that late- colonial Indonesia provides promising terrain for the 'global turn' in intellectual history, that seeks to understand the circulation, interaction and transformation of ideas across national and cultural boundaries, especially in the non-Western world.