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Malerei und Installation bei Robert Irwin : vom Bild-Raum zum Raum-Bild /Hirsch, Vanessa. January 2008 (has links)
Zugl.: Berlin, Humboldt-Universiẗat, Diss., 2004.
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An Analysis and Production Book for a Contemporary Staging of Irwin Shaw's Bury the DeadHolland, Charles Austin 08 1900 (has links)
The problem of this thesis is concerned with the directing and producing of a 1936 peace play, Bury the Dead, by Irwin Shaw. The production attempts to heighten the relevancy of the play to modern audiences. The project experiments with applying contemporary machines and techniques to a dated script containing realistic dialogue, a dualistic point of view, and a surrealistic idea of dead soldiers rising from their graves. The task generates a particular responsibility and challenge in that the use of contemporary machinery must be carefully chosen in such a way that it does not interfere with the message of the play.
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A Fool's Journey: An Exploration of Physical Comedy in Theory and PracticePinkham, Bryce Allen January 2005 (has links)
Thesis advisor: Scott T. Cummings / My Senior Honors Thesis may be understood as a two-part investigation that addresses both theoretical and practical concerns of physical comedy and the language of gesture. I will first present some of my more general findings about comedy in order to more accurately zero in on the figure of 'the Fool.' I will thereafter investigate the function of the Fool in society and report on two of his most definitive iterations: Arlecchino, of the Italian Commedia dell'Arte and Bill Irwin of the contemporary stage. These theoretical components will eventually serve as a foundation for the practical side of my project- the creation of my own physical performance piece. In the final part of this document I will outline the process of conceiving and developing a physical comedy performance all my own, referring to my research whenever possible. My hope is that this paper will serve as both an informational document about some of the most important historical influences on physical comedy and the language of gesture, as well as relate how those influences affected me in the process of imagination and creation that is the joy of theatre. / Thesis (BA) — Boston College, 2005. / Submitted to: Boston College. College of Arts and Sciences. / Discipline: Theater. / Discipline: College Honors Program.
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Petrology of permian coal, Vasse Shelf, Perth Basin, Western AustraliaSantoso, Binarko January 1994 (has links)
The Early Permian coal samples for the study were obtained from the Vasse Shelf, southern Perth Basin, located approximately 200 km south- west of Perth. The selected coal samples for the study were also obtained from the Premier Sub-basin of the Collie Basin and the Irwin Sub-basin of the Perth Basin. The Early Permian coal measures are described as the Sue Coal Measures from the Vasse Shelf, the Ewington Coal Measures from the Premier Sub-basin and the coal measures from the Irwin sub-basin are described as the Irwin River Coal Measures.The Vasse Shelf coal is finely banded and the dominant lithotypes are dull and dull banded types, followed by bright banded and banded types, with minor bright types. The variation of dull and bright lithotypes represents fluctuating conditions of water table level during the growth of peat in the swamp. The maceral composition of the coal is predominantly composed of inertinite, followed by vitrinite and minor exinite and mineral matter. The coal is characterized by very low to medium semifusinite ratio and medium to high vitrinite content, supporting the deposition in anaerobic wet conditions with some degree of oxidation. The coal is classified as sub- bituminous to high volatile bituminous of the Australian classification. In terms of microlithotype group, the predominance of inertite over vitrite suggests the coal was formed under drier conditions with high degree of oxidation during its deposition. On the basis of the interpretations of lithotypes, macerals, microlithotypes and trace elements, the depositional environment of the coal is braided and meandering deltaic-river system without any brackish or marine influence.The maceral composition of the Collie coal predominantly consists of inertinite and vitrinite, with low exinite and mineral matter. The very low to low semifusinite ratio and low to medium vitrinite content of ++ / the coal indicate that the coal was formed under aerobic dry to wet conditions with some degree of oxidation. The coal is categorized as sub-bituminous according to the Australian classification. The domination of inertite and durite over vitrite and clarite contents in the coal reflects the deposition under drier conditions with fluctuations in the water table. On the basis of the interpretations of macerals, microlithotypes and trace elements distribution, the depositional environment of the coal is lacustrine, braided to meandering fluvial system, without the influence of any marine influx.The maceral composition of the Irwin River coal consists predominantly of vitrinite and inertinite, and minor exinite and mineral matter. The coal has very low semifusinite ratio and medium to high vitrinite content, suggesting the coal was deposited in anaerobic wet conditions with some degree of oxidation. The coal is classified as sub-bituminous of the Australian classification. The predominance of vitrite and clarite over inertite and durite contents in the coal indicates that the coal was formed in wetter conditions and in high water covers with a low degree of oxidation. Based on macerals and microlithotypes contents, the depositional environment of the coal is braided fluvial to deltaic, which is in accordance with the interpreted non- marine and mixed marine environment of deposition in the sub-basin.The petrological comparisons of Vasse Shelf, Collie and Irwin River coals show that the average vitrinite content of the Irwin River coal is highest (49.1%) and of the Collie coal is lowest (37.3%) of the three. The inertinite content is highest in Collie coal (49.1%), followed by Vasse Shelf (46.4%) and Irwin River (39.2%) coals. The exinite content is low in Irwin River coal (6.3%) as compared with Vasse Shelf (9.0°/,) and Collie (8.3%) coals. The mineral matter content ++ / is relatively low for all the three coals. The rank of the Vasse Shelf coal is high as compared with the Collie and Irwin River coals, either due to tectonic uplift after the deposition in post-Permian in the southern Perth Basin, or due to the average depth of burial over Vasse Shelf which is much greater than that of Collie and Irwin River coals.The comparisons of the coal from Western Australia with the selected Gondwana coals show that the predominance of inertinite over vitrinite occurs in the Western Australian coals (Vasse Shelf and Collie Basin). On the other hand, the Brazilian, eastern Australian, Indian and Western Australian (Irwin Sub-basin) coals are dominated by vitrinite over inertinite. The exinite content is highest in the Indian coals and lowest in the eastern Australian coals. The mineral matter content is highest in the Brazilian and Indian coals, and lowest in Western Australian (Vasse Shelf) and eastern Australian (Sydney Basin) coals. The rank of the coals ranges from sub- bituminous to medium volatile bituminous according to the Australian classification.
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The Crocodile Hunter, the Jeff Corwin experience, and the construction of nature examining the narratives and metaphors in television's environmental communication /Tschida, David A. January 2004 (has links)
Thesis (Ph. D.)--University of Missouri-Columbia, 2004. / Typescript. Vita. Includes bibliographical references (leaves 167-176). Also available on the Internet.
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The Crocodile Hunter, the Jeff Corwin experience, and the construction of nature : examining the narratives and metaphors in television's environmental communication /Tschida, David A. January 2004 (has links)
Thesis (Ph. D.)--University of Missouri-Columbia, 2004. / Typescript. Vita. Includes bibliographical references (leaves 167-176). Also available on the Internet.
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Patricia A. Irwin, forty years working a public health nurse life (1961-2001) quest for meaning through the nursing oral history process /Miller, Elizabeth J. January 2001 (has links)
Thesis (M.S.)--University of Michigan, 2001. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 105-109).
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Patricia A. Irwin, forty years working a public health nurse life (1961-2001) quest for meaning through the nursing oral history process /Miller, Elizabeth J. January 2001 (has links)
Thesis (M.S.)--University of Michigan, 2001. / Includes bibliographical references (leaves 105-109).
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Columbus, Indiana : Eero Saarinen’s legacyMarisavljevic, Amy E. 05 May 2012 (has links)
The American Institute of Architects ranks Columbus, Indiana, a small city of 44,000 people, sixth among American cities for the quality of its architectural design and
innovation. The community’s total of over 70 excellent modern and post-modern buildings are a result of highly ambitious public and private patronage of design excellence. However, no document explains how just a few individuals were responsible for this extraordinary achievement. This graduate thesis will focus on those individuals. In addition to documenting the involvement of J. Irwin Miller, an industrialist known for
his local and national leadership, this thesis will explore the critical, yet often uncredited, role that Eero Saarinen, one of the nation’s most distinguished architects, played in this achievement. / The context for Columbus architectural development -- Eero Saarinen : the man behind the architecture -- The origins of Columbus' architectural development -- The Cummins Engine Foundation Architecture Program during the life of Eero Saarinen -- The Cummins Engine Foundation Architecture Program after Eero Saarinen -- Corporate architecture in Bartholomew County. / Department of Architecture
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Creating own context(s) - meeting the challenge of participationDarian, Veronika 16 June 2011 (has links) (PDF)
The Slovenian painters’ collective IRWIN, founded in 1983 in Ljubljana and co-founder of the NSK (i.e. Neue Slowenische Kunst) organization, has been engaged in a series of projects of active and concrete intervention in social and historical contexts in the decade that redefined the status of art in Eastern Europe. Ever since IRWIN confronts the art world with the EAST ART MAP (EAM), a map of artworks from Eastern Europe between 1945 and 2000, various provocative questions come up: regarding the selection within curatorial practice, the intrusion of artists in the field of art theory and historiography, the gap between the apparent dominant Western and assumed backward Eastern art market or – not least – the challenge of the participative integration of art observers and users.
The interview with Miran Mohar and Borut Vogelnik focuses on the issues raised within the EAM project that are surfacing in current projects like the NSK State in Time (since 1992) and its diversifications, questioning the challenge of participation back to the 1990ies till now.
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