This thesis examines Derek Parfit's theory of personal identity. Parfit argues that what matters in the continued existence of persons through time is psychological connectedness and continuity (relation R), and that the identity relation does not matter. He makes this claim through a series of arguments which, he says, inevitably lead to the conclusions that relation R is the only relation that matters, in all cases. I argue that Parfit does not convincingly demonstrate that relation R is in fact all that matters. In examining each of Parfit's arguments, I show that it is possible to draw conclusions that are inconsistent with those drawn by him. I argue that this shows Parfit's position to be an arbitrary one. If Parfit's arguments do not necessarily lead to the conclusion that relation R is all that matters in questions of survival, then his theory is not an adequate solution to the problem of personal identity.

The first part of my master's thesis in creative writing explores the way the leading character's identity is structured as a function of memory. The protagonist, limited to a confined space, does not have access to his existence other than through the senses which are drawn from different episodes of his past. These reminiscences, that open the way to experience, forge his becoming, and allow him to superimpose his own individual path to memories that he has of those persons who have shaped his experience of the world. / The critical part of my work concerns the genesis and the elaboration of the last draft of Hubert Aquin's novel entitled "Obombre" in which the fragmented identity of the protagonist is defined through the destiny of other characters with whom he shares a common experience. The genetic studies approach in literature sheds light on the creative mechanisms and, in this particular case, the construction of a literary work by the superimposition of different narrative threads in a unique discourse.

For Milan Kundera, the question of identity is one of the essential questions around which a novel is constructed. The novelist attempts to define the issue by exploring the existential themes that are tied to it. These themes are examined from different angles with the aid of what the author calls "motifs". Our study is centered on one of those motifs, that of the mirror, through which the author explores the "enigma of the ego". The typological analysis of this motif in Kundera's ten novels brings out in the characters two fundamental attitudes with regard to their identity. The first consists in clinging to it, which results in the character's disquiet, while the second consists in freeing oneself from it, which leads to a better understanding of reality as well as to a certain form of wisdom.

This thesis examines representations of nation, race and gender in three postcolonial texts: Salman Rushdie's Midnight's Children; Meena Alexander's autobiographical memoirs Fault Lines; and Bengali writer Mahasweta Devi's collection of short stories entitled Imaginary Maps. All three texts reconfigure conventional accounts of nationhood by positing fictions based on what I am calling the poetics of displacement. The diasporic perspective provides Salman Rushdie's novel with the ability to suggest hybrid identities arising from the experience of cultural migration. In Meena Alexander's autobiography, displacement is figured in terms of both a diasporic and feminist vision that allows for the deconstruction of masculinist narratives of identity and nation. Mahasweta Devi's short stories, by contrast, represent displacement in terms of the violences and dislocations suffered by the Indian subaltern as a result of ecological degradation and cultural uprootment. In looking at these differential articulations of displacement, this thesis thus attempts to illustrate that what is often seen as an unified body of postcolonial literature emerges from a heterogeneous set of textual practices which are the products of varying social, cultural, political and economic contexts. In this way, this thesis rethinks the categories of nation, race and gender in order to consider the bases upon which people make claims to identity along with the boundaries of inclusion or exclusion often invoked by such claims.

In this thesis I discuss personal identity (the self) as it relates to authoritative contexts (the sublime). I show how these contexts confer meaning on personal and cultural narratives, which in turn confer meaning on facts and knowledge claims. I outline three conceptions of the self and sublime (Richard Rorty's, Charles Taylor's and Robert Kegan's), and address the implications of these for education. In conclusion I isolate a common product of all three perspectives---unconditional love---and recommend a 'will to positive description' as a necessary and desirable pedagogical goal.

This thesis explores how young resisters and desisters in their teenage years maintain their resistance to and desistance from offending and asks to what extent they are agentic in the process. The term 'resister' refers to those who, according to a self-report survey, have never offended, and the term 'desister' to those who have offended and then ceased for at least twelve months. By situating desisters analytically adjacent to resisters, I have moved towards conceptualising desisters as current non-offenders. Desisters may have shared a past with persisters, as they have both offended. However, desisters share their current experience, that of maintaining non-offending, with resisters. It is this obvious, yet largely ignored, link between young resisters and desisters which underpins the thesis. Two qualitative methods, both of which elicited young people's own perspectives, were employed between 2003 and 2005. Secondary analysis of 112 qualitative interviews with resisters and desisters in their teenage years was conducted and peer led focus groups (in which a young peer, rather than an adult researcher, acted as the facilitator) were held with 52 teenage resisters. Young people's resistance to offending does not feature prominently in the literature. When it does, it is often associated with a state of innocence or passivity, while young desisters are said to 'grow out of' offending. This emphasis on an absence of offending, rather than on actively attained resistance, reflects an adult oriented view. The thesis challenges this by drawing on the sociology of childhood, a theoretical perspective which has not previously been applied to young people's resistance to and desistance from offending and which emphasises young people as agentic. Their agency is evidenced by the findings. Chapters Four and Five report how young people employ numerous strategies of resistance and desistance and Chapter Six how that they face trials and tribulations in maintaining their nonoffending, while Chapter Seven focuses on the 'being' rather than the 'doing' of sustaining non-offending. It is the work of Derrida that enables the argument to be taken a step further. Derrida's (1981) assertion is that binary oppositions are rarely neutral, but that one is the dominant pole. For example, in Western society the first of the following binary oppositions are usually regarded as the dominant or privileged pole: white/black, masculine/feminine, adult/child. In respect of the binary opposition at the heart of the current thesis, namely offender/non-offender, the non-offender is - from an adult perspective at least - the dominant pole and the non-offender is hailed as the norm. By contrast, several findings in the thesis point to the fact that the dominant pole in the binary opposition for young people is the offender rather than the non-offender. First, the discourse of young resisters and desisters suggests a view of the offender rather than non-offender as the norm. Secondly, many resisters and desisters face trials and tribulations, such as bullying, relating to their nonoffending status. Yet, if it were the case that the non-offender was the dominant pole and was privileged by young people (as it is in the adult population), resisters would not be penalised in such ways for not offending. Thirdly, some of the strategies used by resisters, such as involvement in anti-social behaviour, signify an attempt to compensate for their non-offending status. Again, if the non-offender was the dominant pole in the binary opposition, far from resorting to mechanisms to compensate for their non-offending behaviour, this behaviour would be encouraged, as it is by adults. This inverted world has implications for young resisters and desisters. Their resistance is to be understood in the context of an expectation of offending, rather than non-offending. Contrary to the notion of the pull of normality bringing desisters back to a non-offending state, the pull of normality among young desisters - and many resisters - is better understood as being towards offending. Resistance, evidenced by the strategies and trials and tribulations of resisters and desisters, is against this pull. Moreover, as non-offending is the modus operandi in the adult world, to be an adult non-offender requires less effort. For a young person, being a non-offender is more challenging than it is for adults and maintenance of resistance constitutes a struggle not previously reflected in adult representations. Adults, not having taken account of the different modus operandi of the young person's world, have not attributed agency to resistance and have underestimated young people's struggle to maintain resistance. The strategies demanded of resisters and desistcrs to maintain non-offending and the trials and tribulations which they face when they do have heretofore been overlooked.

This thesis uncovers the rational and Romantic assumptions about the relationship between objects and identity that are embedded in occupational therapy, and critiques current practice from that perspective. It is based on an initial assumption that there is in fact a relationship between people's identity and the objects they make, have, use and are associated with. This assumption is explored through an interpretive examination of the fields of literature that are commonly identified as informing occupational therapy, supplemented by selected popular literature. The exploration takes a philosophical approach, guided by notions from philosophical hermeneutics, including pre-understandings, the hermeneutic circle and fusion of horizons. The conclusion reached is that people informed by Western philosophies interpret the identity meanings of objects in both rational and Romantic ways. To inform the study, the nature of rationalism and Romanticism are then explained, and the implications of these philosophical traditions in relation to objects and identity are teased out. This interpretation is guided by a history of ideas methodology, which entails approaching historical texts from a new perspective, in this case the identity meanings of objects. Thus informed, occupational therapy literature, primarily that published in Britain between 1938 and 1962 is examined from the perspective of objects and identity. What is revealed is that rational and Romantic understandings of objects, and of patients' and their own identity are clearly discernible. Such understandings afforded early occupational therapists both ways to organise their growing knowledge of the therapeutic application of crafts and the transformative outcomes of occupational therapy intervention. Gradually however, factors both internal and external to the profession served to undermine therapists' Romanticism. Primary amongst these were World War II, which saw a redeployment of occupational therapists from mental health to physical rehabilitation settings; advances in rehabilitative medicine, which brought a reduction in secondary complications and the adoption of teamwork; and the development of new practice areas including domestic rehabilitation using gadgets to enhance function and pre-vocational rehabilitation. As a result, tensions between rational and Romantic understandings crystallised around two long-standing controversies. These were whether or not craft equipment such as weaving looms should be adapted to serve specific remedial purposes, and whether it was the process of making a crafted object or the quality of the finished product that was more important. In the event, these contested ideologies became largely irrelevant as craftwork was sidelined from mainstream practice. With it, occupational therapists' Romantic vision of transforming people's lives through creative activity also slipped away. Several reasons for this loss of one of the profession's founding philosophies are proposed. They include the substantial absence of the professions' philosophical foundations from its education, and the paucity of theory and research methodologies that might have informed the nature and process of transformative change that earlier occupational therapists had observed and reported. The thesis concludes by arguing for the importance of recovering a balance between rationalism and Romanticism. A call to action is issued, addressing change in educational practice, concerted research effort to identify and articulate transformative processes within occupational therapy, and political action focusing on the inclusion of Romantic perspectives within policy and strategic documents.

Thesis (Ph.D.)--University of Nebraska-Lincoln, 2007. / Title from title screen (site viewed Feb. 19, 2008). PDF text: 217 p. ; 443 K. UMI publication number: AAT 3271923. Includes bibliographical references. Also available in microfilm and microfiche formats.

Thesis (Ph.D.)--Tufts University, 2001. / Adviser: Julio Garcia. Submitted to the Dept. of Experimental Psychology. Includes bibliographical references (leaves 56-61). Access restricted to members of the Tufts University community. Also available via the World Wide Web;

Thesis (Ph.D.) -- McMaster University, 2000. / Includes bibliographical references (leaves 240-258). Also available via World Wide Web.