Esta pesquisa visou possibilitar o conhecimento da Ikebana como uma manifestação estética significativa, integrante da história da arte japonesa e que vem se disseminando pelo mundo. Para compreensão da sua estética, será demonstrado como exemplo o trabalho do artista contemporâneo Toshiro Kawase, o estudo do Zen e suas características. Toshiro Kawase é um artista especializado na arte da Ikebana, e suas obras resultaram em dois livros de âmbito internacional: Inspired Flower Arrangements (1990) e The Book of Ikebana (2000). A arte japonesa é baseada nos sentimentos e na simplicidade de expressão, que motivaram este povo a utilizar a natureza como suporte para executar memoráveis obras de arte. Ao longo da história, no oriente e no ocidente da mesma forma, a beleza das flores adicionou graça e charme na vida das pessoas. A pesquisa analisa a arte japonesa e sua ligação inseparável com a religião, abordando principalmente os aspectos do sagrado, o conceito do belo e a real função do artista de Ikebana. / This research intends to show Ikebana by being an esthetic manifestation of art, that been walking side by side with all stages of Art History. To understand the esthetic of Ikebana, will be demonstrated by example, the contemporary artist Toshiro Kawase, the Zen study and its characteristics. Toshiro Kawase is an artist specialized in Ikebanas Art, and his production inspired two international books: Inspired Flower Arrangements (1990) and The Book of Ikebana (2000). The Japanese art is based on emotions and expression simplicity that motivated this people to use the nature like a support to execute memorable works of art. In all parts of history of the art, in occident and in the orient at the same way, the beauty of flowers added grace and charm in peoples life. The question is: Why do Ikebanas art appeared only in Japan or related to Japanese? This research, analyses the Japanese art and its unbreakable link with religiosity, often the sacred aspect, the definition of beauty and the real functionality of the artist. This research also presents aspects of the principal objective of art, and how to do its communication purposing the perpetuation of his human experiences.

Esta pesquisa visou possibilitar o conhecimento da Ikebana como uma manifestação estética significativa, integrante da história da arte japonesa e que vem se disseminando pelo mundo. Para compreensão da sua estética, será demonstrado como exemplo o trabalho do artista contemporâneo Toshiro Kawase, o estudo do Zen e suas características. Toshiro Kawase é um artista especializado na arte da Ikebana, e suas obras resultaram em dois livros de âmbito internacional: Inspired Flower Arrangements (1990) e The Book of Ikebana (2000). A arte japonesa é baseada nos sentimentos e na simplicidade de expressão, que motivaram este povo a utilizar a natureza como suporte para executar memoráveis obras de arte. Ao longo da história, no oriente e no ocidente da mesma forma, a beleza das flores adicionou graça e charme na vida das pessoas. A pesquisa analisa a arte japonesa e sua ligação inseparável com a religião, abordando principalmente os aspectos do sagrado, o conceito do belo e a real função do artista de Ikebana. / This research intends to show Ikebana by being an esthetic manifestation of art, that been walking side by side with all stages of Art History. To understand the esthetic of Ikebana, will be demonstrated by example, the contemporary artist Toshiro Kawase, the Zen study and its characteristics. Toshiro Kawase is an artist specialized in Ikebanas Art, and his production inspired two international books: Inspired Flower Arrangements (1990) and The Book of Ikebana (2000). The Japanese art is based on emotions and expression simplicity that motivated this people to use the nature like a support to execute memorable works of art. In all parts of history of the art, in occident and in the orient at the same way, the beauty of flowers added grace and charm in peoples life. The question is: Why do Ikebanas art appeared only in Japan or related to Japanese? This research, analyses the Japanese art and its unbreakable link with religiosity, often the sacred aspect, the definition of beauty and the real functionality of the artist. This research also presents aspects of the principal objective of art, and how to do its communication purposing the perpetuation of his human experiences.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2016-11-09T10:57:53Z No. of bitstreams: 1 Tadeu Ulisses Barros Leite.pdf: 5272813 bytes, checksum: 0fbdae96b6d1d29d0f02ec4e398bd06a (MD5) / Made available in DSpace on 2016-11-09T10:57:53Z (GMT). No. of bitstreams: 1 Tadeu Ulisses Barros Leite.pdf: 5272813 bytes, checksum: 0fbdae96b6d1d29d0f02ec4e398bd06a (MD5) Previous issue date: 2016-09-16 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Pontifícia Universidade Católica de São Paulo / This research aims to reflect on the connection between religion and art on the philosophical and practical basis of the World Messianic Church of Brazil (IMMB), according to Mokichi Okada, and to analyze the influence of the Ikebana Sanguetsu Art on the spirituality of members and non-members of this institution. It was used on this research the bibliographical review methodology and the application of two questionnaires of interview with the subjects: (1) Underwood`s Spiritual Everyday life Modified Experience Scale and (2) Questionnaire about the practice and appreciation of the Ikebana Sanguetsu Art. The questionnaires were applied to 76 people, 57 members and 19 non-members of the institution, randomly raffled from the IMMB register, including São Paulo state region. First it was asked to the participants to read and sign an authorization (Termo de Consentimento Livre e Esclarecido). The participants who declared not to know the Ikebana Sanguetsu Art were excluded from the study. The data was analyzed in two phases: the first was quantitative and it was used the Statistical Package for Social Sciences – SPSS; the second was qualitative / A pesquisa tem como objetivo refletir sobre a relação entre religião e arte dentro da base filosófica e prática da Igreja Messiânica Mundial do Brasil - IMMB, sob a visão de Mokiti Okada, analisando a influência da arte Ikebana Sanguetsu na espiritualidade dos membros e frequentadores dessa instituição. Utilizamos nesta pesquisa a metodologia de revisão bibliográfica e a aplicação de dois questionários de entrevistas com os sujeitos: (1) Escala sobre a Experiência Espiritual Cotidiana Modificada de Underwood e (2) Questionário sobre A Prática e Apreciação da Arte Ikebana Sanguetsu. Os questionários foram aplicados a 76 pessoas, sorteadas aleatoriamente, a partir dos cadastrados da Igreja Messiânica Mundial do Brasil - IMMB, na região da Grande São Paulo, sendo 57 membros e 19 frequentadores da instituição. Para a realização da pesquisa, inicialmente solicitamos aos participantes que lessem e assinassem o Termo de Consentimento Livre e Esclarecido. Os indivíduos que declararam não conhecer a Arte Ikebana Sanguetsu foram excluídos do estudo. A análise dos dados obtidos foi realizada a partir de dois momentos distintos, sendo a primeira análise com enfoque quantitativo, onde utilizamos o recurso Statistical Package for Social Sciences – SPSS – e a segunda análise com enfoque qualitativo

いけばなの制作プロセスや作品を心理学や認知症ケアの学術研究の知見でとらえ直し、非薬物療法として開発した「いけばな療法」は、疫学的にも社会科学的にも信頼され、有効であることを明らかにした。さらに、「いけばな療法」の普及過程は、社会的包摂を実現しようとする伝統的な文化を活用したソーシャル・イノベーションの一例であることを示し、他の生活文化領域の振興にも活用できるモデルとなる可能性を示した。 / "Ikebana therapy" has been developed as a non-pharmacological treatment by reconsidering the making process and works of Ikebana, and based on the knowledge of academic research in psychology and dementia care theoretically. It has been verified and clarified that this therapy should be trusted and effective both in the perspective of epidemiology and social science. Furthermore, as the process of disseminating "ikebana therapy" shows that it is an example of social innovation that takes advantage of the traditional culture to realize social inclusion, it may be a framework model that can be utilized to promote the activity in other traditional culture closely related to daily life. / 博士(ソーシャル・イノベーション) / Doctor of Philosophy in Social Innovation / 同志社大学 / Doshisha University