Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-01-13T13:16:46Z No. of bitstreams: 1 HelioRonyvonGomesRocha_DISSERT.pdf: 1808478 bytes, checksum: 3e2d4c6833bac171a81bfdedfa0ce604 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-01-24T13:08:22Z (GMT) No. of bitstreams: 1 HelioRonyvonGomesRocha_DISSERT.pdf: 1808478 bytes, checksum: 3e2d4c6833bac171a81bfdedfa0ce604 (MD5) / Made available in DSpace on 2017-01-24T13:08:22Z (GMT). No. of bitstreams: 1 HelioRonyvonGomesRocha_DISSERT.pdf: 1808478 bytes, checksum: 3e2d4c6833bac171a81bfdedfa0ce604 (MD5) Previous issue date: 2016-04-08 / Esta pesquisa reflete sobre o encontro de subjetividades em A pessoa ? para o que nasce (2004), de Roberto Berliner, onde enxergamos o tempo como fator determinante para a constru??o de v?nculos entre o diretor e as personagens centrais da obra. Esse longametragem documental conta a hist?ria de Maria, Regina e Concei??o, tr?s senhoras irm?s cegas que viveram maior parte da vida nas feiras de rua no Nordeste brasileiro, cantando e tocando ganz? em troca de dinheiro. Durante o filme, vemos os quase sete anos de contato e produ??o servirem como ferramenta para a constru??o da narrativa da obra. Para entender a subjetividade das rela??es e o tempo partilhado, temos Bachelard (1988), Serres (2001) e Sodr? (2006) como corpus te?rico principal, e para identificar a influ?ncia desses encontros subjetivos no corte-final da obra, trazemos Todorov (1996) e Baitello (1997), pois interpretamos a produ??o de imagens n?o-visuais, criadas ao longo do filme, como reflexo da partilha do sens?vel (Ranci?re, 2009). Ao final da pesquisa, percebemos uma influ?ncia direta entre os anos de intera??o e o conhecimento m?tuo entre diretor e personagens, levando para a tela n?o apenas a hist?ria de vida dessas irm?s, mas o pr?prio encontro de subjetividades que extrapolam as grava??es. / This work reflects on the encounter between subjectivities in Born to be blind (2004), by Robert Berliner. There, we can see time as an important factor which establishes a link between the director and the film characters. This documentary feature narrates the life story of Maria, Regina and Concei??o, three blind sisters who make a living by singing in Brazilian fairs. During the film, the almost seven years of production and relations serve as a tool for the construction of the film narrative. In order to understand the subjectivity of relations and the shared time, we bring up Bachelard (1988), Serres (2001) and Sodr? (2006) as main theorists, and to identify how these encounters are reflected in the final cut of the movie, we use Todorov (1996) and Baitello (1997), once we read the production of non-visual images as a reflection of the distribution of the sensible (Ranci?re, 2009). At the end of the research, we see a rather direct influence between the shared years and the mutual understanding between director and characters, which puts on screen not only the history of these women, but also the subjectivities encounter itself.