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El escenario de la imaginación : Calderón en su teatroSuárez, Juan Luis. January 2000 (has links)
No description available.
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Fantastical vision: an architectural exploration into the spatial mind of Alexander Pope /Grant-Henley, Jason, January 1900 (has links)
Thesis (M.Arch.) - Carleton University, 2003. / Includes bibliographical references (p. 102-104). Also available in electronic format on the Internet.
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Reading, writing, and imagining the production of meaning in the novels of Flaubert, Huysmans, and Proust /Hoy, Lise Rempel. January 1999 (has links)
Thesis (Ph. D.)--University of Wisconsin-Madison, 1999. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 210-213).
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Die Innenweltdarstellung in der realistischen Kinderliteratur des 20. Jahrhunderts : Formen- und Funktionswandel - eine erzähltheoretische Untersuchung zur Bestimmung und Präzisierung gattungstypischer Phänomene /Bendel, Christian. January 2008 (has links)
Dissertation--Universität Bochum, 2007. / Includes bibliographical references (p. 337-349).
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L'imaginaire populaire et les écrivains-conteurs du XIXe siècle étude comparative du conte québécois et du conte breton /Roberge, Vincent, January 1900 (has links) (PDF)
Thèse (M.A.)--Université Laval, 1998. / Comprend des réf. bibliogr.
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Schöpferische Weltbetrachtung zum Verhältnis von Einbildung und Erkenntnis in Texten der deutschen Romantik /Pouvreau, Ruth. January 2002 (has links)
Thesis (doctoral)--Freie Universität Berlin, 2001. / Includes bibliographical references (p. [199]-206).
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Figures of authority : Cervantes' critique of storytelling in selected worksWalsh, Kaitlin Marie January 2014 (has links)
No description available.
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晚清「新小說」的都市想像. / Urban imaginary of late Qing "new fiction" / 晚清新小說的都市想像 / CUHK electronic theses & dissertations collection / Wan Qing 'xin xiao shuo' de du shi xiang xiang. / Wan Qing xin xiao shuo de du shi xiang xiangJanuary 2013 (has links)
陳芃欣. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves 126-133). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract in Chinese and English. / Chen Pengxin.
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想像中國的另一種方法: 論劉吶鷗、穆時英和張愛玲小說的「視覺性」. / Alternate imagination of China: a study of the 'visuality' in Liu Na'ou, Mu Shiying and Eileen Chang's fiction / 論劉吶鷗穆時英和張愛玲小說的視覺性 / CUHK electronic theses & dissertations collection / Xiang xiang Zhongguo de ling yi zhong fang fa: lun Liu Na'ou, Mu Shiying he Zhang Ailing xiao shuo de "shi jue xing". / lun Liu Na'ou, Mu Shiying he Zhang Ailing xiao shuo de shi jue xingJanuary 2010 (has links)
Fiction has emerged as a major medium for modern Chinese to express their imagination and 'narrate' the country since Liang Qichao advocated the importance of 'New Fiction'. Over the past century, fiction (including both its form and content) has undergone various changes in response to the transformation of the modern Chinese society. In 1993, David Der-wei Wang initiated a discussion on 'Imagination of China', examining how Chinese people imagined the past, present and future of the country through fiction as a means of fabricated narration. While diegesis is a literary concept central to Realism and lyric constitutes a typical form of Romanticism, visual expression is the technique representative of Modernism. This method was first introduced to Shanghai by Liu Na'ou from colonial Taiwan and it exerted tremendous impacts on the works of Mu Shiying and Eileen Chang subsequently. The present dissertation sought to address two main questions pertaining to 'visuality'. First, how did the fictions of Liu Na'ou, Mu Shiying and Eileen Chang use visual expression for imagination of China? A related concern was how this approach reflected and molded the modern experience of China. Second, how was this particular mode of imagination related to other forms of imagination of the time? Also, what was its association with the politics and ideology in the arena of power? This dissertation did not only analyze the visual properties of this particular mode of imagination, but also examined the power issues underlying the technique, including colonialism and post-colonialism, literature and image, as well as man and woman. / There are five chapters in the dissertation. The first chapter introduces the framework, method, and background of the research. Chapter two examines how Liu Na'ou, Mu Shiying and Eileen Chang imported, migrated and mimicked the visual perceptions of colonists when expressing their imagination of China. On the one hand, this kind of imagination closely resembled the mentality of colonists such as France and Japan. On the other hand, the three authors strived to make modifications, formed critical judgments and reflected on the roles of the colonizer and the colonized during the process of imagination. All these were manifested in the changes in the form of presentation characterizing their fictions. As such, examination of these changes relative to the literature from the 1930s to 1940s is another focus of this chapter. Chapter three explores how Liu Na'ou, Mu Shiying and Eileen Chang incorporated the visual features of movies into fictions when expressing their imagination of modern China. The interaction between literature and image (especially the influence of movie on the presentation of fiction) inspired the three authors to come up with an alternative perceptive regarding imagination of China. The intersection of fiction and movie also allowed more room for fictitious creation, giving rise to a different mode of imagination beyond those featuring Realism and Romanticism. Some other issues covered in this chapter include why and how this approach guided the imagination of readers in designated time and space, as well as its relationship with the national discourse. Chapter four discussed the problems concerning imagination of China with reference to visuality and alternation in sexual subjectivity. Male vision could be identified in the fictions of Liu Na'ou and Mu Shiying. However, under the symbolic system of patriarchal culture, such male vision, when compared with the vision of the colonizer, is apparently less prominent in terms of male subjectivity. In their fictions, female characters are usually 'seen' through the lens of others and such female images are largely consistent with the male authors' perceptions of national subjectivity. This chapter also investigated how Eileen Chang used vision as a way to reflect on the male perceptions of female images, as well as how she was imagined and defined as a female author in the field of literature. Chapter five is the conclusion, which highlights the significance of visual expression in Liu Na'ou's, Mu Shiying's and Eileen Chang's fictions. / 梁慕靈. / Adviser: Hang Fung Carole Hoyan. / Source: Dissertation Abstracts International, Volume: 73-03, Section: A, page: . / Thesis (Ph.D.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (p. 269-306). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [201-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Liang Muling.
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Le traitement poétique de l'irréel dans Aurélia de Nerval et Les fleurs du mal de Baudelaire.Du Plessis, Donatella. January 2011 (has links)
No abstract available. / Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2011.
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