During the mid-thirties, a tradition of music-making began amongst South Africans of Indian origin that dominated the cultural life of the majority of Indian South Africans for about forty years. This study concerns itself with the ways in which this tradition - the Indian orchestral tradition as it is referred to by its participants was practised amongst Indian South Africans in Durban. The study examines the factors that created and sustained the tradition. Areas that come under focus during the course of the presentation include: the contributions made by individual personalities and institutions to the development of Indian popular music generally, and to orchestras. specifically; the various locations in and around Durban where this type of music-making was most prevalent; and the manner in which environmental factors affected the development of orchestras. The theoretical basis for this research has been drawn from principles in oral history and ethnomusicology. The study locates the orchestral tradition within Eric Hobsbawm's understanding of traditions and of the ways in which they are created and perpetuated. Further, since the presentation involves the extensive use of oral evidence, photographs, posters and related memorabilia, Paul Thompson' s methods of collecting and interpreting such data are used. / Thesis (M.Mus.)-University of Natal, Durban, 1996.

During the mid-1930s, a tradition of music-making which drew its repertoire almost exclusively from the music of Indian films began among Indian South African ensembles in and around the city of Durban. This dissertation examines the ways in which the re-created music of Indian films served as a popular expressive medium for the majority of Indian South Africans in and around the city of Durban between 1930 and 1970. Unlike ethnomusicological and popular music studies that focus on musics which are generally both composed and performed by the same group of people, this study deals with a repertoire that was by and large imported directly from another geo- 'graphic, political, and social context: India. The study is based on the premise that the performance of music can serve as a valuable historical text, and it posits that the musical structures and performance practices of the ensembles under study encode vital information about shared socio-political experiences and the Indian South African identities that emerged during the period under discussion. / Thesis (Ph.D.)-University of Natal, Durban, 1999.

The promotion of the Hindi language by the Hindi Shiksha Sangh (South Africa) has dominated the cultural life of the majority of Hindi-speaking Hindus in South Africa for over fifty years. This study concerns itself with the role of music in the construction of a local Hindi identity in the Sangh. It examines the factors that created and sustained the Hindi identity. Areas that come under focus in the research include: the history of the Hindi-speaking Hindu and their language in South Africa; the promotion of the Hindi language; the role assumed by the Hindi Shiksha Sangh . (South Africa) ; the function and significance of music and the socio-historical context of music that informs the cultural identity of the Hindi-speaking Hindu. The theoretical basis for this research has been drawn from principles in musical ethnography. The study locates the cultural identity of a linguistic group within the premise of socially meaningful music. / Thesis (M.Mus)-University of Natal, Durban, 1999.

Whereas there has been much interest amongst anthropologists in the West in studying diseases such as Type II Diabetes Mellitus, there appears to be a paucity of local anthropological studies that analyse the social and cultural dimensions of this disease. In this country, according to the South African Diabetes Association, this disease is most prevalent in the South African Indian population. This study focuses on the South African Indian community in the suburb of Reservoir Hills, Durban, and examines socio-cultural issues around diabetes. Previous research conducted overseas has demonstrated a strong link: between rapid socio-economic changes that affect diet and lifestyle, and increases in the incidence of this disease among particular communities. This dissertation represents an attempt to: 1. Document salient features of the lifestyle, food beliefs and habits of the Indian population. 2. Discuss significant changes in lifestyle and diet that may have contributed to the rise of this disease among the Indian population. 3. Through an analysis of common discourse, analyse and record the thoughts and feelings of research participants regarding the disease and the manner in which they cope with diabetes. Case studies are used to support the author's arguments and an attempt is made to use the research findings to identify ways for community members to better cope with the disease. A number of suggestions and recommendations from medical experts with an interest in diet and lifestyle on prevention and management of diabetes are included in the study. The author argues that a few relatively simple lifestyle/diet changes may have the effect of lowering the high incidence of diabetes in the South African Indian population. / Thesis (M.A.)-University of Natal, Durban, 2001.

This thesis posits that the experiences and emotional strain associated with being a domestic servant gave rise to a culture of anger and violence within the ranks of Indian Domestic Servants in Colonial Natal during the period 1880 to 1920. These acts of violence, in particular physical and indecent assault and poisoning are explored here not in admiration of their brutality, but for their historical relevance to the study of Indenture, more specifically in the area of servant-master/mistress relations. The study uses these crimes as a window into the social dynamics of the settler home and domestic space in Colonial Natal, since they were created within their own set of orchestrating emotions and situations. The thesis draws on international and local literature around master/mistress-servant relations as well as relations between domestic slaves and the owners of their labour at the same time in other regions of the world. The findings of this thesis contribute to the historiography of South Africa; to the historiography of Indian South African life; to the historiography of servantmaster/mistress relationships; to the analysis of the complex intermingling of private and public labour and lives bound up with this labour form, both in past moulds and in its present form; and to the growing literature on the linkages between utilizing analysis of legal institutions and legal records in researching and writing the history of South African lives. Most importantly however, this thesis is the story of ordinary men and women whose lives, cultures, individualities and histories intersected with the domestic and colonial nexus. / Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2005

Weddings have always been an indispensable and auspicious part of Hindu life both in South Africa and in India. This study is an examination of one aspect of Hindu weddings, viz. the vocal and sometimes instrumental recital of songs of blessing and praise. These songs are known as mangalams and have evolved in South Africa in the last century due to various factors. Analysis of the mangalam enables us to understand how traditions and customs continue and change in accordance with changing circumstances. Much of the data presented in this thesis has been gleaned from oral sources and, as such, the methodology of oral history has been extremely influential in the shaping of this dissertation. / Thesis (M.Mus)-University of Natal, Durban, 1999.

Thesis (Ph.D.)-University of Natal, Pietermaritzburg, 1992.

This study documents the emergence of an Indian cultural enclave located on the periphery of the colonial town of Durban, its subsequent rise to a flourishing communal space by the mid twentieth century, and its decline in the apartheid era. The focus on change and transformation locates the research question within the broad ambit of historical geography. Clairwood and District grew into a densely-populated informal living space with all facilities and institutions built by the community. Based on a cultural inheritance in the form of language, the extended family system and religious beliefs , the Indian settlers and their descendants developed an elaborate network of kinship and communal relationships which formed the moral and social framework for the process of communal space construction. Entering the colony of Natal predominantly as indentured labour, the Indians were from the outset ostracized and subjugated by the white settlers and perceived as an alien temporary group. This identity was henceforth embodied in discriminatory legislation which marginalized the Indians in South Africa and resulted in their neglect and spatial containment. Parallel to the organic process of Indian communal space construction occurring in southern Durban was the sustained policy of land-use transformation embarked upon by the Durban municipality. The goal of this policy was to create a 'productive zone' south of Durban within an explicit racial zoning plan. The application of this goal resulted in a clash between the dominant white culture and the subordinate Indian culture as each.sought to retain control of the southern corridor and define its land-use and identity. After a protracted struggle the Durban municipality succeeded in imposing a formal industrial landscape upon the communal living space with the exception of the small node in Clairwood itself which has remained a residential enclave. This vestige of the former flourishing residential area of Clairwood and District suffers from industrial penetration and a physically degraded environment. However, it retains a sense of place of the former vibrant community. Clairwood is currently undergoing a process of revitalization under the auspices of the Durban municipality with a subsequent redefinition of identity. The study documents the cultural meanings that have been produced in a unique urban landscape in a South African city revealing the need to uncover the historical geographies of minority groups as a source of identity and a resource for future urban reconstruction. / Thesis (Ph.D.)-University of Natal, 1994.

This thesis is an historiographical and sociological study of Indian South African broadcasting and the music industry between 1924 and 1983. A multilevel approach which integrates empirical and cultural materialist critical theoretical methodologies reveals the relationships between the media, industry, economy, politics, and culture. Until the sixties, Indian South Africans were denied the civic rights that were taken for granted by white South Africans. Broadcasting, for them, was to be a concession. On being declared South Africans, broadcast programmes were expanded and designed to pacify and Indianise Indian South Africans, preparing them for their role as a middle-class racially defined group, a homelands group without a homeland. South Africanised popular music, and Indian South African Western semi-classical, popular music, or jazz performance was rejected by the SABC. Ambiguous nationalisms shaped Indian South African aesthetics. Global monopoly controlled the music industry. Similarly, disruptions in the global market enabled local musicians and small business groups to challenge the majors. In the late forties and fifties, this resulted in a number of locally manufactured records featuring local and visiting musicians, and special distribution rights under royalty to an independent South Asian company. The local South African records were largely characterised by their syncretic nature, and generated a South African modernism which had the capacity both to draw and repel audiences and officials alike. A glossary of non-English terms and a discography of Indian South African music have been included. / Thesis (Ph.D.)-University of Natal, Durban, 1999.

In the Kwa-Zulu Natal context, a lot of attention has been paid to the construction of Zulu ethnicity in the potential and discursive spheres. Less attention has been paid however to the construction of Indian ethnicity in this region. This project will explore the exclusivist construction of an Indian ethnic identity by an Indian-owned print medium in this geographical context during the time of the 1994 South African elections, when various political parties fought for what has been called the "Indian vote". It will attempt to point out that the notion of ethnic identity offered by this medium to its readers does not actually challenge those offered to the community by the old South Africa state. In grounding the analysis of the editions under discussion in a framework developed by Norman Fairclough, this study draws heavily on a theoretical continuum developed by Antonio Gramsci and Louis Althusser. It is in such a theoretical context that Fairclouch has developed the methodology of Critical Discourse Analysis (CDA). By bringing such a methodology to bear on the texts under analysis, the study hopes to develop an understanding of Indian ethnicity in this region which suggests that it is an extremely problematic construct. / Thesis (M.A.)-University of Natal, 1995.