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Poems inscribed on paintings combine poems and paintings closely together. They are artistic fusion of poetry and painting. A poem inscribed on a painting usually serves as a window to the painting to point out, bring about and deepen the meaning of the painting. Hence, poems inscribed on paintings characterize themselves as overlapping the boundaries between literature, painting, landscape poetry and landscape painting. A poem inscribed on a painting not only displays the form of landscape through the painting but also expresses the meaning of the painting and reflects the poet's mind as well. The combination of landscape poetry and landscape painting reached the summit in the Yuan Dynasty when lots of poems inscribed on paintings emerged to express the art of painting through the art of poetry. Further combination of poetry and painting first appeared in the works of HUANG, Kung-wang, who was a famous poet and painter in the Yuan Dynasty. Among the "Four Masters of the Yuan Dynasty", HUANG enjoyed the highest achievements in art and remarkable accomplishment in the creation of poems inscribed on landscape paintings, which exerted an enlightening, deep and long-term influence on the art and literature of the successive Ming and Ching Dynasties. HUANG, Kung-wang's poems inscribed on paintings can be divided into two categories - "poems inscribed on others' paintings" and "poems inscribed on his own paintings". The former represents the poet's (HUANG, Kung-wang's) perception and appreciation of a painting through his own cultural discipline and aesthetic taste and the subsequent creation of a poem to bring about the meaning of the painting. The latter provides the background of his (HUANG, Kung-wang's) creation of poems and gives hints to the inner implications of his paintings and his ideas and appreciation of painting, aiming to achieve the state of "perfect fusion of poetry and painting" through poetry-painting interaction. So, whether "poems inscribed on others' paintings" or "poems inscribed on his own paintings", the poet (HUANG, Kung-wang) have successfully introduced readers to painting and showed them how to enjoy the fun and meaning behind painting. Poems inscribed on landscape paintings use paintings as materials, so the existence of landscape images embodies a visual space. However, the creation of both poetry and painting most addresses the link between, or rather, the fusion of scenery and emotion. As a result, while appreciating a painting with a poem inscribed on it, we had better not limit our view to forms and structures. In stead, HUANG, Kung-wang's approach of appreciating a painting is much recommended. With excellent mental training and great imagination, the scenery of mountains, rivers, clouds, villages, pavilions, or even a blank space on the painting could turn out to be an entire season, life, nature or universe for the mind to enjoy eternally. Besides, HUANG, Kung-wang's poems inscribed on landscape paintings particularly emphasize mental growth and pursuits. It is believed that reading, religious discipline, reclusion, travel and personal integrity can help improve the level of art and literature creation. HUANG, Kung-wang had never learned painting until he was 50. His case is a good example of the Chinese saying, "A great vessel will be long in completion; a great man will take time to shape and mature." In terms of Chinese painting, it means that only through multiple training and discipline can an artist demonstrate a unique style.

In 1948 Besicovitch proved that an affine image of a regular hexagon may be inscribed into an arbitrary planar convex body. We prove Besicovitch's result using a variational approach based on special approximation by triangles and generalize the Besicovitch theorem to a certain new class of hexagons. We survey the results on the Banach-Mazur distance between different classes of convex bodies. We hope that our generalization of the Besicovitch theorem may become useful for estimation of the Banach-Mazur distance between planar convex bodies. We examined our special approximation by triangles in some specific cases, and it showed a noticeable improvement in comparison with known general methods. We also consider the Banach-Mazur distance between a simplex and an arbitrary convex body in the three-dimensional case. Using the idea of an inscribed simplex of maximal volume, we obtain a certain related algebraic optimization problem that provides an upper estimate.

In 1948 Besicovitch proved that an affine image of a regular hexagon may be inscribed into an arbitrary planar convex body. We prove Besicovitch's result using a variational approach based on special approximation by triangles and generalize the Besicovitch theorem to a certain new class of hexagons. We survey the results on the Banach-Mazur distance between different classes of convex bodies. We hope that our generalization of the Besicovitch theorem may become useful for estimation of the Banach-Mazur distance between planar convex bodies. We examined our special approximation by triangles in some specific cases, and it showed a noticeable improvement in comparison with known general methods. We also consider the Banach-Mazur distance between a simplex and an arbitrary convex body in the three-dimensional case. Using the idea of an inscribed simplex of maximal volume, we obtain a certain related algebraic optimization problem that provides an upper estimate.

This thesis compiles a working corpus of Anglo-Saxon self-referential inscribed artifacts to examine how the inscriptions and supports utilize self-reference to push the viewer to understand the social and cultural significance of such objects. The inscriptions fall into two broad categories: personal inscriptions reinforce the prestige of the makers, owners, and commissioners associated with them, while impersonal inscriptions authorize philosophical and social discourse through the adoption of literary and oral types (i.e. genres). In addition to an analysis of specific artifacts—ranging from diminutive rings to monumental stone crosses—I provide a quantitative analysis that illustrates the different uses of languages, scripts, and object types. As opposed to literary texts, self-referential inscribed objects create internally complete hermeneutic units that connect the text’s discursive meaning with the function and significance of the thing itself. The inscriptions and their supports structure knowledge about Anglo-Saxon social relationships, liturgical practices, and cultural wisdom.

This thesis reviews the general characteristics of rock-cut churches with an inscribed-cross plan in G&ouml / reme. These churches, namely Chapel 17, St. Barbara, &Ccedil / arikli, Karanlik, Elmali, Chapel 25, Chapel 32, Kili&ccedil / lar, Bezirhane and Yusuf Ko&ccedil / , date from the ninth to the eleventh century of the Middle Byzantine period. Firstly, this study aims to identify the general features of these churches. It also attempts to examine their liturgical planning. While doing so, architectural developments in the insribed-cross churches in Byzantine Istanbul will also be used for comparison, in order to highlight provincial characteristics in the inscribed-cross churches in G&ouml / reme.

We present an implicit approach for constructing smooth isolated or interconnected 3-D inscribed volumes which can be employed for volumetric modeling of various kinds of spongy or porous structures, such as volcanic rocks, pumice stones, Cancellus bones *, liquid or dry foam, radiolarians, cheese, and other similar materials. The inscribed volumes can be represented in their normal or positive forms to model natural pebbles or pearls, or in their inverted or negative forms to be used in porous structures, but regardless of their types, their smoothness and sizes are controlled by the user without losing the consistency of the shapes. We introduce two techniques for blending and creating interconnections between these inscribed volumes to achieve a great flexibility to adapt our approach to different types of porous structures, whether they are regular or irregular. We begin with a set of convex polytopes such as 3-D Voronoi diagram cells and compute inscribed volumes bounded by the cells. The cells can be irregular in shape, scale, and topology, and this irregularity transfers to the inscribed volumes, producing natural-looking spongy structures. Describing the inscribed volumes with implicit functions gives us a freedom to exploit volumetric surface combinations and deformations operations effortlessly / Graduate

In order to reduce the use of landfilling within waste management great emphasis is being placed on waste reduction and recycling. Each year in the UK approximately 2.5 Mt of waste glass is produced and approximately half of this waste is not recyclable. Therefore alternative ways need to be found for using waste glass and one possibility is to use it within concrete as a replacement for cement and/ or aggregate. In the research programme concrete mixes were tested which had 0%, 25%, 50% and 100% of the fine aggregate replaced by crushed waste glass. All glass was originally in bottle form and was crushed to produce ‘sand’ which had a grading curve more-orless identical to fine aggregate obtained from a commercial supplier. Three colours of glass were studied, i.e. flint (clear), amber and green. Concretes were also made which contained a mixture of colours (in proportion according to the weight of each type of waste glass produced annually within the UK) and also a mixture of unwashed waste glasses. The overall concrete mix adopted for investigation, i.e. 1:2:4, was selected because of its wide use within industry, and all concrete was made with a water:cement content of 0.6 without the addition of plasticiser or ASR-retarding agents. The suite of laboratory tests included; slump, flow, initial and final setting time, ultrasonic pulse velocity, water absorption by immersion and capillarity rise, ASR measurement (volumetric and linear), compression strength at ages from 7 days to 365 days. Techniques of developed digital imaging and processing have been applied to the glass aggregate to quantify various particle shape factors, i.e. aspect ratio, percentage concavity, Riley inscribed sphericity and surface texture index. Statistical analysis has been used to compare the distribution of particle forms present within the fine aggregate materials used in the experimental work. Dimensional changes (in three orthogonal directions) were measured as concrete cubes hardened over a period up to 365 days. The length changes of concrete prisms were also measured over the same period of time. The resultant data indicated that a fine aggregate which comprised 25% glass and 75% sand would be categorised as “non-expansive”, i.e. the same as the sand on its own. As the proportion of glass in the fine aggregate became greater than the aggregate became more expansive but it did not exceed recommended limits.

This thesis deals with the construction of ideal female reader inscribed on the Czech edition of the magazine Harper's Bazaar. The theoretical part handles the important findings in the field of semiotics. The semiotic analysis itself is the crucial part of my work. Within the wide angle of field of semiotic processes character and its function, mentions the various concepts and theories that are linked to this issue. Chapter which binds to the functioning of the secondary semiotic system, in other words, the myth is based on the work Mythologies by Roland Barthes. Mythological analysis is crucial for the practical part. The theoretical framework also deals with studies on "inscribed" readers from Colin Sparks and Michelle Campbell that was one of the main motivations for creating this text. It analyzes important aspects of the theory of coding and decoding Stuart Hall. Last but not least, refers to the sociology of knowledge through the work of Social Construction of Reality from a pair of authors Peter L. Berger and Thomas Luckmann. Practical part includes mythological analysis of the individual sections in selected publications between years 2002 and 2014. Also it doesn't focus only on the text itself, but also on the selected accompanying visuals. It deals with the Czech myths and legends. It...

Chalcogenide glasses are highly nonlinear optical materials which can be used for fabricating active and passive photonic devices. This thesis work deals with the fabrication of buried, three dimensional, channel waveguides in chalcogenide glasses, using ultrafast laser inscription technique. The femtosecond laser pulses are focused into rare earth ions doped and undoped chalcogenide glasses, few hundred microns below from the surface to modify the physical properties such as refractive index, density, etc. These changes are made use in the fabrication of active and passive photonic waveguides which have applications in integrated optics. The first chapter provides an introduction to the fundamental aspects of femtosecond laser inscription, laser interaction with matter and chalcogenide glasses for photonic applications. The advantages and applications of chalcogenide glasses are also described. Motivation and overview of the present thesis work have been discussed at the end. The methods of chalcogenide glass preparation, waveguide fabrication and characterization of the glasses investigated are described in the second chapter. Also, the details of the experiments undertaken, namely, loss (passive insertion loss) and gain measurements (active) and nanoindentation studies are outlined. Chapter three presents a study on the effect of net fluence on waveguide formation. A heat diffusion model has been used to solve the waveguide cross-section. The waveguide formation in GeGaS chalcogenide glasses using the ultrafast laser, has been analyzed in the light of a finite element thermal diffusion model. The relation between the net fluence and waveguide cross section diameter has been verified using the experimentally measured properties and theoretically predicted values. Chapter four presents a study on waveguide fabrication on Er doped Chalcogenide glass. The active and passive characterization is done and the optimal waveguide fabrication parameters are given, along with gain properties for Er doped GeGaS glass. A C-band waveguide amplifier has been demonstrated on Chalcogenide glasses using ultrafast laser inscription technique. A study on the mechanical properties of the waveguide, undertaken using the nanoindentation technique, is presented in the fifth chapter. This work brings out the close relation between the change in mechanical properties such as elastic modulus and hardness of the material under the irradiation of ultrafast laser after the waveguide formation. Also, a threshold value of the modulus and hardness for characterizing the modes of the waveguide is suggested. Finally, the chapter six provides a summary of work undertaken and also discusses the future work to be carried out.